Cracking open the human-camera body.
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A stop motion/collaged based independent short film plays with the recontextualisation of memories and how time distorts them.
Set off the West Coast of Canada in 1965, a hip new teacher with a miniskirt and lots of ideas turns a small town upside down. The soft autumn light of Galiano Island is beautifully rendered in writer/producer Peggy Thompson's The Lotus Eaters, and that's not the only elusive element that this film has captured. In revisiting its particular time and place - the Gulf Islands of the early '60s -Thompson obviously draws on her own family experiences there. For those who share Thompson's love of Gulf Islands magic, the elements she has assembled will feel as familiar as their own childhood blanket. But there are problems at the core of this story about a family's loss of innocence.
The winner of the Miss World Virginity contest marries, escapes from her masochistic husband and ends up involved in a world of debauchery.
A frenetic found-footage documentary made entirely from “lost” unlabeled media on YouTube - weaving together nearly a thousand raw videos, each mistakenly or mindlessly uploaded under a generic filename (e.g., IMG 1326, IMG 5493…).
A couple and their children move into a seemingly normal suburban home. When strange events occur, they begin to believe there is something else in the house with them. The presence is about to disrupt their lives in unimaginable ways.
An inspiring 75min DIY documentary film on new art and the young artists behind it. It was all filmed on the heat of live action of the first NOVA Contemporary Culture Festival, July and August 2010 in São Paulo, Brazil.
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In the summer of 2000, federal fishery officers appeared to wage war on the Mi'gmaq fishermen of Burnt Church, New Brunswick. Why would officials of the Canadian government attack citizens for exercising rights that had been affirmed by the highest court in the land? Alanis Obomsawin casts her nets into history to provide a context for the events on Miramichi Bay.
A former football star turned real estate broker meets with rich, spoiled young Billy to close a deal on a mansion, and nothing goes according to plan.
When a cunning murderer vanishes into the rugged mountains of the Pacific Northwest, pursuing FBI agent Warren Stantin must exchange familiar city streets for unknown wilderness trails. Completely out of his element, Stantin is forced to enlist the aid of expert tracker Jonathan Knox. It's a turbulent yet vital relationship they must maintain in order to survive... and one that becomes increasingly desperate when Knox's girlfriend Sarah becomes the killer's latest hostage!
A possible alien presence in a filmschool campus turns the unknown present in the life of its students.
a man has an unusual encounter with a stranger in central park
In an anachronistic dystopian landscape, a beleaguered young man attempts to navigate his way through the indie film scene in LA.
Salamander Days is an atmospheric meditation on friendship, grief, self-discovery, and adolescent consciousness. Set in an American high school, taking place in the midst of a student’s passing, and deeply rooted in the mythology of the salamander, the film explores the concepts of memory and creation, as well as the transformative experience of loss.
The boys get arrested for robbing an ATM machine and spend 18 months in jail, upon release they decide to pull off "The Big Dirty", a plan to steal a large amount of coins because they are untraceable and quit their life of crime forever.
A man (Richard Roxburgh) the Australian government blames for 1990s political woes blames his mother (Judy Davis), a communist Stalin seduced in 1951.
Seasonal movements and bittersweet moods of young adults faced with the realization of mortality, movement and the passing of things.
An experimental film by Chel White
In "Eclipse" enigmatic images trail the path of a poem, exploring one aspect of grief when a life is eclipsed. The often-controversial subject of a woman's right to choose is depicted from a perspective that is pointedly more personal than political.
