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Despite his efforts of living a normal life as a banker, the life of Toru, the only son of the Yubari Family, becomes disrupted by trouble brought on by his father. When his father’s battle against his rival group the Miike Family ignites, Toru becomes more involved in the turf war than he wished for.
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Two New York cops get involved in a gang war between members of the Yakuza, the Japanese Mafia. They arrest one of their killers and are ordered to escort him back to Japan. However, in Japan he manages to escape, and as they try to track him down, they get deeper and deeper into the Japanese Mafia scene and they have to learn that they can only win by playing the game—the Japanese way.
Subu makes pornographic films. He sees nothing wrong with it. They are an aid to a repressed society, and he uses the money to support his landlady, Haru, and her family. From time to time, Haru shares her bed with Subu, though she believes her dead husband, reincarnated as a carp, disapproves. Director Shohei Imamura has always delighted in the kinky exploits of lowlifes, and in this 1966 classic, he finds subversive humor in the bizarre dynamics of Haru, her Oedipal son, and her daughter, the true object of her pornographer-boyfriend’s obsession. Imamura’s comic treatment of such taboos as voyeurism and incest sparked controversy when the film was released, but The Pornographers has outlasted its critics, and now seems frankly ahead of its time.
In late 19th century Tokyo, Kikunosuke Onoue, the adopted son of a legendary actor, himself an actor specializing in female roles, discovers that he is only praised for his acting due to his status as his father's heir. Devastated by this, he turns to Otoku, a servant of his family, for comfort, and they fall in love. Kikunosuke becomes determined to leave home and develop as an actor on his own merits, and Otoku faithfully follows him.
Michiyo lives in the small place Osaka and is not happy with her marriage; all she does is cook and clean for her husband.
Second film of Makino's Nihon Kyokakuden series set in Osaka's harbor. The series also known as "The Domain" Each a stand alone film in it's own, none are connected other than starring the famous Ken Takakura as the main Character. This story begins with Ken Takakura's character coming to Osaka after his brother's death. Another exciting yakuza story with superb yakuza action!!
A kind of modern dress "Donzoko" "The Lower Depths", about slum life in Osaka, where a greedy widow (Mimasu) takes advantage of her poor roomers, including her own son, who makes a meagre living stripping taxicabs.
This sensuously beautiful film chronicles the activities of four sisters who gather in Kyoto every year to view the cherry blossoms. It paints a vivid portrait of the pre-war lifestyle of the wealthy Makioka family from Osaka, and draws a parallel between their activities and the seasonal variations in Japan.
Busan, South Korea, 1970s. Lee Doo-sam is a small-time smuggler. After helping a drug gang to smuggle meth, he falls into the dark crime world. Quick-witted and full of ambition, he eventually takes over the drug underworld and starts to lead a double life: a good community leader during the day but an infamous drug lord during the night.
In the slums of Osaka, various marginalized misfits have their own interpretations of love. Completely alienated from the outside world, they commit sexual perversions, violence and cannibalism.
Set in Osaka's Shinsekai, the film depicts the lives of Ayumu Tobita (Hidekazu Akai), who makes a living as a shogi gambler (shinken-shi), and Ryuzo Kayama (Masaya Kato) who aims to become a professional player.
The main hero of this film is the spirit of the once very popular wooden statuette called Billiken. It's a small god with a pointed head, a fat belly and a characteristic smile. When the casket in which the statuette was found is broken, the spirit of Billiken is free. After that he tries to fulfill the wishes of all those who had prayed to him, but it doesn't always works.
National Audit Bureau member Hajime Matsudaira (Shinichi Tsutsumi), Tadako Torii (Haruka Ayase) & Asahi Gainsbourg (Masaki Okada) travel from their homebase of Tokyo to the city of Osaka. Their mission is to discover any financial irregularities & to ensure the correct use of federal money in the Osaka city government. Their initial audits go smoothly, but things turn more interesting once they enter the Karahori shopping district - the area with a long history reaching back to the Meiji era.
When an innocent young country girl falls for a low level yakuza, she enters a completely different world in which the line between good and evil are quickly blurred. Through great ups and downs their love will be tested, but the ultimate test lies in whether or not they will survive the downward pull of the lifestyle they have chosen.
Two boys, whose parents ply their trade by the mouth of a muddy river in Osaka, become close friends.
A strong-willed young prostitute, her developmentally challenged brother, and her aging prostitute mother attempt to survive in 1970s Osaka.
Daisuke is in the 2nd grade of high school and he plays on his school's baseball team. Daisuke then takes part in a gourmet contest with 3 of his friends and 2 girls, including Miki, from a nearby girls' high school. The gourmet contest is held to revive the village.
In Osaka's slum, youths without futures engage in pilfering, assault and robbery, prostitution, and the buying and selling of identity cards and of blood. Alliances constantly shift. Tatsu and Takeshi, friends since boyhood, reluctantly join Shin's gang. Shin's an upstart and moves his gang often to avoid the local kingpin. Hanoko is a young woman with ambitions: first she's in the blood business with her father, then she joins forces with Shin. She soon breaks off that partnership, even though she's taken the sensitive Takeshi under her wing. Double crosses multiply. Those with the closest bonds become each others' murderers.
