Exploration of prejudice and culture clash that a group of Laotian Buddhist refugees must endure in Rockford, Illinois.
A mother and daughter, estranged by divorce and mental health issues, reconnect through patience, understanding, and their a shared appreciation of their Native Hawaiian heritage.
Out of State is the unlikely story of native Hawaiians men discovering their native culture as prisoners in the desert of Arizona, 3,000 miles, and across the ocean, from their island home.
Juan Méndez Bernal leaves his house on the 9th of april of 1936 to fight in the imminent Spanish Civil War. 83 years later, his body is still one of the Grass Dwellers. The only thing that he leaves from those years on the front is a collection of 28 letters in his own writing.
Jackie Brutsche tries to unravel the dark secrets of her family and answer unanswered questions about her mother.
Slow Southern Steel is a film about heavy music in the modern American South, as told by the very people who have created this music during the last two decades. Shot in back alleys, parking lots, and the seedy green rooms of the dirtiest clubs that the Bible Belt failed to snuff out, these diehard musicians discuss their love of music and the south, as well as the difficulties, contradictions, and insanity that haunt every southern artist. There are no illusions here, no apologies, no distractions - only the straight truth as told by those who would know the difference. Narrated by the notorious Dixie Dave Collins (Weedeater, Buzzov-en, Bongzilla), Slow Southern Steel is an authentic and honest and thorough look at one of the most remarkable music communities ever spawned on the continent.
The documentary, filmed in England in autumn 2020, sheds light on the genesis and background of the social drama.
Light Upon Light: A Documentary on Hijab is an intimate and deeply personal exploration of the diverse, raw, and untold stories of hijabi women. Through open and vulnerable conversations with 7 women, the film dismantles stereotypes, highlights the challenges imposed by society, and celebrates the profound beauty of the hijab beyond a mere clothing choice. It captures the individuality of each woman’s story—how they came to wear the hijab, the struggles they’ve faced, and the strength they’ve found in it. More than just fabric, the hijab is a journey, often misunderstood, and influenced by the way the world perceives it. By amplifying voices that are often unheard, the documentary creates a space for empathy, challenges misconceptions, and invites a deeper understanding of what it truly means to wear the hijab; inspiring everyone to see hijab in a new light.
A TV-hour length documentary film depicting the relationship between language, culture, place, music, tradition, and magic on an active volcano, in the Pacific nation of Vanuatu, on the island of Ambrym.
By the 1970s the global counter-culture movement had well and truly reached Australia, seeing young, educated hippies from well-to-do families moving to the Bellingen region to live an alternate lifestyle. Back then, Bellingen was a rundown, quiet country town with business in decline. Then, new ideas, new ways of living and a new status quo began to take control. What some called an influx of hippies, others called an invasion on the conservative lifestyle of farmers, causing a clash of ideals. Compiling countless hours of 8mm footage and historical photos, retired journo Peter Geddes and filmmaker Peter Gailley paint the historical landscape of how modern Bellingen came to be, following the cultural movement that eventually became the backbone of Bellingen’s identity.
Masao Adachi, the author and director of experimental works and pinku-eiga in the 1960s, was a member of the Japanese New Left that shifted from being a filmmaker to a guerrilla fighter. In 1974, he joined the Japanese Red Army in Lebanon, which worked closely with the Popular Front for the Liberation of Palestine. Filmmaker Lutz Dammbeck met Adachi in Tokyo in 2018 and talked with him about a wide range of topics, including art, revolution, the influence of western avant-garde art and American underground; the Japanese Red Army; collaboration with secret services; the role of the Left after 1968; and the reasons for failures of leftist ideas and strategies.
The Europeans want to be forgiven for the tragic colonial period. The aborigines try to preserve their ancient roots from the present and the future. In the North Territory.
No overview available.
A record of what entertains the residents of Gardênia Azul, a neighborhood in the West Zone of Rio de Janeiro. On street corners, leisure activities in the community also reveal talents.
Follows the waves of literary, political, and cultural history as charted by the The New York Review of Books, America’s leading journal of ideas for over 50 years. Provocative, idiosyncratic and incendiary, the film weaves rarely seen archival material, contributor interviews, excerpts from writings by such icons as James Baldwin, Gore Vidal, and Joan Didion along with original verité footage filmed in the Review’s West Village offices.
The director goes back to her roots in Pangnirtung, amongst her family and community. It leads her to another journey: to Qipisa, the outpost camp from where they were uprooted.
A short documentary immersing you in the intimacy and harsh reality of young LGBTQ+ artists, working in Los Angeles in the midst of the glamorous neighborhood of West Hollywood.
The San Francisco Foundation Community Leadership Awards presents Jordan Simmons, artistic director of the East Bay Center for Performing Arts, with the Helen Crocker Russell Award for building a better future for young adults through music and cultural programs. As a musician and arts administrator, he has changed the lives of thousands of people in Richmond's Iron Triangle through rigorous artistic training, school-based outreach, and performances of traditional and original work.
A documentary revealing an observation on three barbershops throughout the course of one summer's day in the city of London - Hackney, Herne Hill, and Catford.
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