In Taliban-controlled Afghanistan, a woman walks into a chadari store in Kabul to buy her first full-body veil and face an uncertain future.
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After spending years in California, Amir returns to his homeland in Afghanistan to help his old friend Hassan, whose son is in trouble.
A group of Korean tourists is taken hostage by an extremist Taliban group in Afghanistan. The Korean government dispatches Jae-ho, known as one of Korea's most skilled diplomats, in order to handle the situation. Once he arrives, he asks for the Afghan government's cooperation and uses every means possible to free the hostages. However, his efforts go in vain. Due to his failure, he's forced to work with Dae-sik, a special agent who is an expert on the Middle East. As they begin making their move to get to the Taliban, the first hostage death occurs. With nowhere else to turn, the two become unlikely allies in a race against time to save the rest of the hostages.
A headstrong young girl in Afghanistan, ruled by the Taliban, disguises herself as a boy in order to provide for her family.
HELD FOR RANSOM tells the true story of Danish photojournalist Daniel Rye who was held hostage for 398 days in Syria by the terror organization ISIS along with several other foreign nationals including the American journalist, James Foley. The film follows Daniel’s struggle to survive in captivity, his friendship with James, and the nightmare of the Rye family back home in Denmark as they try to do everything in their power to save their son. At the center of this crisis, we find hostage negotiator, Arthur, who plays a pivotal role in securing Daniel’s release.
Just outside of the Malian city of Timbuktu, now occupied by militant Islamic rebels who impose the Sharia on civilians and inconvenience their daily life, a cattleman kills a fisherman.
A team of special forces head into Afghanistan in the aftermath of the September 11th attacks in an attempt to dismantle the Taliban.
In 2002, cable news producer Kim Barker decides to shake up her routine by taking a daring new assignment in Kabul, Afghanistan. Dislodged from her comfortable American lifestyle, Barker finds herself in the middle of an out-of-control war zone. Luckily, she meets Tanya Vanderpoel, a fellow journalist who takes the shell-shocked reporter under her wing. Amid the militants, warlords and nighttime partying, Barker discovers the key to becoming a successful correspondent.
After an Afghanistan-born woman who lives in Canada receives a letter from her suicidal sister, she takes a perilous journey through Afghanistan to try to find her.
A docudrama about the escape of Russian pilots after being taken hostage by the Taliban in 1996.
Nogreh is a young Afghani woman living with her father and her sister-in-law, Leylomah, whose husband, Akhtar, is missing. Beyond the issue of Akhtar, Leylomah is most concerned with how to feed her baby. She cannot provide milk for her baby as her own hunger is preventing her from lactating. Nogreh, however, aspires toward a life in a western styled democracy. Although the Taliban are no longer in power in Afghanistan, traditional forces are still active in the country. Nogreh often displays signs of rebellion, such as wearing a pair of white pumps instead of the traditional slipper beneath her burqa. But mostly, Nogreh wants to be educated. Without her father's knowledge, Nogreh is attending a secular girls school. Ultimately, she wants to become President of Afghanistan. With the help of a Pakistani refugee who likes her as a woman, Nogreh tries to understand exactly what forces led to current world leaders being elected, those forces which she wants to emulate.
After the rise of the Taliban in Afghanistan and the restriction of women in public life, a preteen girl is forced to masquerade as a boy in order to find work to support her mother and grandmother.
A dramatization of the complex and dangerous life of Omar Sheikh. A convicted terrorist who many believe had financial connections to 9/11, Sheikh is widely known as the man responsible forthe 2002 kidnapping and murder of Wall Street Journal reporter Daniel Pearl.
Afghanistan. War correspondent Elsa Casanova is taken hostage by the Taliban. Faced with her imminent execution, a Special Forces unit is dispatched to free her. In some of the world’s most breathtaking yet hostile landscapes, a relentless pursuit begins between her kidnappers who have no intention of letting their prey escape them and a group of soldiers who risk their lives in pursuit of their single aim – to bring her home alive. This strong, independent woman and these men of duty are thrown together and forced to confront situations of great danger that inextricably bind them – emotionally, violently and intimately.
During the United States' 2021 withdrawal from Afghanistan, a group of female soldiers posing as medical relief are sent back in to rescue a group of kidnapped teenagers caught between ISIS and the Taliban.
A gunned down Navy SEAL Master Chief must guide a child to safety through a gauntlet of hostile Taliban insurgents and survive the brutal Afghanistan wilderness.
After the impressive Gulistan, Land of Roses (VdR 2016), the Kurdish filmmaker Zaynê Akyol returns with these conversations with imprisoned members of the Islamic State, alternating their words with aerial views of the countryside. An unexpected look at a far-reaching current political issue and a film whose subject matter and rhythm create an impressive cinematic object.
Four Navy SEALs on a covert mission to neutralize a high-level Taliban operative must make an impossible moral decision in the mountains of Afghanistan that leads them into an enemy ambush. As they confront unthinkable odds, the SEALs must find reserves of strength and resilience to fight to the finish.
U.S. Marine officer, Leslie Martz, is sent to Afghanistan on a mission to work with Afghan women and gain intelligence about their Taliban husbands.
After the attack of 9/11, John Walker Lindh is accused of killing an American hero. John is then arrested and put on trial as the true cause of John's death is uncovered.
At the turn of 1990 in Algeria, in an end-of-era atmosphere marked by the victory of the Islamists in the municipal elections, then in the interrupted legislative elections of 1991, a prelude to a decade of particularly barbaric violence, the Algerians will experience the radical Islamism, its desire to rule public and private life and a daily life of attacks, assassinations, then collective massacres, which left 200,000 dead. Literature and cinema have strived to question and bear witness to the enormous trauma of this period called the “black decade”.
