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“TINI: un mechón de pelo” invites you to enjoy an intimate and moving concert offered by multi-platinum singer and songwriter Tini Stoessel at the Hurlingham Club in Buenos Aires, Argentina, on the occasion of the launch of un mechón de pelo, her new album study that marks a before and after in his career. Like a time capsule, it tells the turn that the artist's life took in 2022 due to her father's health. The concert is a memorable musical journey and an extraordinary testimony to TINI's personal, spiritual and emotional healing process.
Mounted on a modern set almost 32.8 ft, the show recreates the original spirit of the popular puppet news show. Tulio Triviño, Juan Carlos Bodoque, Patana Tufillo, Juanín Juan Jarry and the rest of the cast deliver live news of sublime importance: the launch of a giant pizza into outer space. In between, classics such as "Mi Equilibrio Espiritual", "Bailan Sin Cesar" or "Mi Muñeca Me Habló", in an online show dedicated especially to all that public that has accompanied them for all these years and who was left with the desire to be part of an unforgettable experience.
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In this medium-length documentary, which goes through emotional and funny moments, we discover how Post Mortem transcended its condition of being a debut album to become an authentic artistic movement.
Leonard Bernstein conducts four pieces by American composers: George Gershwin's 'An American in Paris' and 'Rhapsody in Blue' and Charles Ives' 'Symphony no. 2' and 'The Unanswered Question'. 'American in Paris', 'Rhapsody in Blue' and 'The Unanswered Question' are all performed by the New York Philharmonic Orchestra at London's Royal Albert Hall in June 1976, while Ives' Symphony no. 2 is performed by Symphonieorchester des Bayerischen Rundfunks in the Congress Hall of the Deutsche Museum, Munich in June 1987.
Between March 22 and 23, more than 130 thousand people will witness a new milestone for argentinian music: Maria Becerra will be the first female argentinian musician to play in River, stadium where the most significant international stars have played.
New Year's Concert 2024
El Concierto is the first live album recorded by the Mexican singer Luis Miguel. The album was recorded in August 1994 during the promotional tour of the album Segundo Romance and included three Mexican standards composed by José Alfredo Jiménez and recorded for the first time by the artist with mariachi: "Si Nos Dejan", "Amanecí En Tus Brazos" and "El Rey". The album won in the Best Album category at the Eres magazine awards in 1995 and was nominated for Pop Album of the Year at the Lo Nuestro Awards of 1996
This set has Edita Gruberova singing in top form, all her scooping cast aside, which one finds in abundance in her Lucia under Richard Bonynge. Here, however, she makes ravishing use of those bits of tone that only she can produce: those instances of coloratura and dramatic legato with little asides and small florishes of style that suggest her intelligent approach and her high degree of musical involvement in this role. She does this in her I Puritani and her Anna Bolena, less so in Roberto Deveraux and Maria Stuarda(both sets). Listen to Addio del passato and the Sempre Libra...ravishing, yes, but there are again those nuances learned from Callas that she makes her own. A very singualr perform,ance, and extremely moving with its detail and cry for pity throughout..from the start even. Neil Schicoff is excellent, not an unworthy Alfredo at all! His is a great lyric tenor voice that should have been in the top line.
Cecil Taylor was the grand master of free jazz piano. "All the Notes" captures in breezy fashion the unconventional stance of this media-shy modern musical genius, regarded as one of the true giants of post-war music. Seated at his beloved and battered piano in his Brooklyn brownstone the maestro holds court with frequent stentorian pronouncements on life, art and music.
