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An old gardener goes out to dig up dirt on a Holy Thursday morning. During his excavation, he discovers the remains of his son who disappeared three weeks ago, taking them home with him. Meanwhile, the murderer, the young owner of a hotel with a swimming pool, serves his clients without any apparent concern. In a town without water and that lives off tourism, this is an open secret that the citizens and the authorities are willing to keep quiet. During the following days of Holy Week, the gardener and the hotel owner will be pushed by guilt and revenge until they come face to face.
Diego is a fan of Santiago Wanderers who has made a fundamental refuge for his life out of the club he loves. Through the popular soccer lessons he learned from his father along with his memories, loves, and conflicts, Diego reflects on how this sport has been contaminated by disrespect, machismo, and lies, but he can't find a way to do something about it until a particular situation drives him crazy.
A young pair from Stuttgart fly to Shanghai to hop aboard the textile business of his father while she prepares for the birth of their son. A story about the ever more common movement of Germans into the East for professional gain.
The humorous portrait of a female artist. The film follows the career of 24-year-old Janine F. who in 2002 caused a commotion from the rooftop of a Berlin building.
In a contemporary reimagining of the American West, three young women - a snake hunter, a New York artist, and a rodeo queen - challenge the idea of who is permitted to be a cowgirl.
"La Gigue" (Gaumont #590) is part of the "Miss Lina Esbrard. Danseuse cosmopolite et serpentine" series of 4 films, and should not be confused with "Danse excentrique" (Gaumont #587), "Danse serpentine" (Gaumont #588, the only extant film in the series), or "Danse fantaisiste" (Gaumont #589).
Sun Araw and M. Geddes Gengras meet legendary dub reggae group The Congos in St. Catherine, Jamaica and create the full-length album, ICON GIVE THANK. In conjunction, RVNG released ICON EYE, a feature film documenting the young musicians’ time spent living and learning The Congos way. The visual companion to the musical fruit of GIVE THANK, ICON EYE, is a feature-length travelogue executively produced by Christine Vachon (Killer Films) and Randall Poster & Gelya Robb (Search Party Music).
Three elderly country bachelors idle away their time amidst semi-wild nature, closer to birds and pond fish than to humans.
A story about life in two minutes.
Ceramics expert Lars Tharp, Antiques Roadshow resident and presenter of Treasures of Chinese Porcelain, has picked his six favourite pieces representing Chinese taste. He goes on a journey through a thousand years of Chinese history, travelling from the ancient capital of Huangzhou in the south to Beijing's Forbidden City in the north, to uncover what these six pieces tell us about Chinese emperors, scholars, workers, merchants and artists. To him, they are China in ceramic form. But can they help us to understand China today?
Once upon a time there was a chimney. By the chimney - there were three houses. In the houses there were seven girls. All of them - blondes.
A film about the daily life of Martin, a handicapped child who will always be dependent on his parents. Ever since he was very small, Martin has had to get around in a wheelchair and has needed the constant help of an adult. Martin’s parents, Inga and Andris Skesteri, tell about their life, about their son’s character and about their hopes for the future.
As World War II looms, Pope Pius XI calls on a humble American priest to help him challenge the evils of Nazism and anti-Semitism. But death intervenes, and Pope Pius XII now carries out a very different response to Hitler and the Holocaust.
An intimate portrait of the man, the composer, and his connection to the two rivers of his life: the Sông Hương (Perfume River) in his home city of Huế, and the Marne River near Paris, where he has been living for nearly four decades.
Tonino De Bernardi and Massimo Bacigalupo met in the second half of the 60s and since then they have always remained friends, the two of them and their families. Massimo appears in several of Tonino's films and Tonino is in some of Massimo's films, an uninterrupted relationship, theirs, which has been a source of comparison and sharing for both.
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