No Trailers found.
Amshir works as a bodyguard in the cabaret owned by his Medhat al-Shamshiri, and a court sentences Medhat to a month in prison after he burned the mustache of a wealthy Upper Egyptian named al-Najawi. Amshir goes to prison instead of Medhat for money. in meanwhile Medhat relation with Azhar (al-Najawi girl) is revealed to Sohair (Medhat Fiance).
No overview available.
Abd al-Tajtali Sulayt, a compulsory teacher from the village, goes to Locanda al-Firdaws after he was greeted by Atiyah al-Shalashlamouni and his wife Shafiqa, along with his four daughters, who treat them firmly and strongly, while Samiha was a neighbor of Atiyah who was constantly fighting with her husband Masoud because of her jealousy over him, and she thinks that he is in a relationship with another.
The events of the play revolve around a comic situation, about the life of a sea captain with seven sons, and how to raise him for his children after the death of his wife, until he used a young girl to work as an educator for his children, and the work includes many lyrical and dancing shows.
The novelist Sami Al-Bagouri finds himself in trouble when he is caught between his jealous wife Zahra and the ghost of his late wife Fekria who discovers that he took another wife.
The play tells the story of four siblings trying to stop their father from leaving his family for another woman after one of them accidentally finds a love letter from an unknown woman to their father.
Two sisters (Riya) and (Skina), start a gang to kidnap rich women with the help of Riya's husband. Skina, in an effort to avoid suspicion, try to marry a policeman who is not aware of the sisters' criminal activity.
Abbas Al-Aflatouni (Ismail Yassin), the grocer, went to Alexandria to redeem an olive message, anchovy, and cheese. Fleming arrived at him from Greece, and he was late and went to Locanda to reside there, but he did not find an empty room. Abbas Al-Platoni, the lawyer thought it the famous star, and was welcomed by the Locanda workers everywhere he goes, and the guest Hilal Bey Moon (Abdul Nabi Muhammad) watched him seeking the accompaniment of celebrities and their pride.
The play deals in a social comic framework, the period of the Iraqi invasion of Kuwait in 1990, and what was experienced by Kuwaitis and Iraqis alike during the aggression period, through the social changes that occurred in both societies in that period.
