An experimental and video art film in which an ox is butchered by a butcher.
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After a catastrophic global war, a young filmmaker awakens in the carnage and seeks refuge in the only other survivor: an eccentric, ideologically opposed figure of the United States military. Together, they brave the toxic landscape in search of safety... and answers.
Laura, 16, is held hostage by her father who believes she is possessed because she is pregnant.
Thevan, a folk singer of the Paanan caste, has a fateful encounter when escaping slavery, leading to discover an ancient tradition altering his destiny.
White Homeland Commando takes the familiar terrain of network action drama and tilts the playing field. Reminiscent of today's popular reality-based cop shows, White Homeland Commando offers a straightforward story: four members of a special police unit investigate and infiltrate a New York-based white supremacist organization. But that is where the commonplace ends. The teleplay is shot and edited in a highly textured visual style, the colors are subdued yet somehow garish, and the sound is deliberately just out of sync with the speaker's lips. Occasional static combines with jumps in the plot — the editing is reminiscent of a television viewer flipping channels.
Inside a computer a space-time is revealed in which image and sound become numbers and motion manifests as rhythm, flow and chaos. This tracking and integration experiment removes the superficial identity of video to detect kinetic disturbances in everyday environment.
Filmmaker and artist Jack Smith described his own film as a “comedy set in a haunted movie studio.” Flaming Creatures begins humorously enough with several men and women, mostly of indeterminate gender, vamping it up in front of the camera and participating in a mock advertisement for an indelible, heart-shaped brand of lipstick. However, things take a dark, nightmarish turn when a transvestite chases, catches and begins molesting a woman. Soon, all of the titular “creatures” participate in a (mostly clothed) orgy that causes a massive earthquake. After the creatures are killed in the resulting chaos, a vampire dressed like an old Hollywood starlet rises from her coffin to resurrect the dead. All ends happily enough when the now undead creatures dance with each other, even though another orgy and earthquake loom over the end title card.
In the aftermath of an emotional shock, a ruthless high-class manager faces her own abyss, becomes pervaded by a sensory spirit and undertakes a purifying voyage.
Oriana Mejer's niche poem-film style has created "NOISE!". The film dissects late stage capitalism and the effects social media has on the mind. This is a spoken word poem, performed by Mejer, combined with projections. It is a completely new approach to editing. Originally score by Sofia Camarena.
Hoping to find a sense of connection to her late mother, Gorgeous takes a trip to the countryside to visit her aunt at their ancestral house. She invites her six friends, Prof, Melody, Mac, Fantasy, Kung Fu, and Sweet, to join her. The girls soon discover that there is more to the old house than meets the eye.
Strange things occur tonight whether the paranormal phenomenon is the invisible invasion of aliens from outer space or light flashes of another dimension? We will never know. Are we alone or may we encounter extraterrestrial species that are coming at night to conquer our dreams, our body and mind? What are you afraid of?
A young man who is still living at his parent’s house wakes up in a very strange situation in the middle of the night. The house is dark and there is no trace of his parents. He searches for them and tries to find out what happened…
Pablo, an introverted child, has the ability to enter his mother's paintings, this takes him on a surreal and bizarre journey that dissolves the limits between reality and imagination.
Seraphim Cloud and his life size doppelgänger enter the netherworld of Calico Ghost Town deep within the Mojave Desert.
PUTREFIXION: A Video of Nina Temich is the first feature to be entirely filmed on a 360 camera. Director David Torres utilizes the disorienting nature of a 360 lens to transform Mexico City, accentuate the ritual of dance, and open a new chapter of in-world-camera narratives. As Nina, model and dancer Dalia Xiuhcoatl controls the space and movement of the camera, giving this portrait of a young woman's brush with the supernatural a mesmerizing feminine energy.
A disturbing and surreal music video exploring themes of lust, control, and decay. Set in a grim, vintage lab, Nine Inch Nails’ “Closer” blends industrial imagery with raw emotional intensity.
A diary-cum-thriller-cum comedy-cum-horror film shot on an iPhone (RIP BlackBerry!) for zero dollars with friends, IN SEARCH OF GLADYS GLOVER was born in the darkness of winter in a post-pandemic 2022 after a fateful 35mm screening of George Cukor’s NYC classic IT SHOULD HAPPEN TO YOU (1954). Indebted to the spirits of Larry Cohen, Anne Charlotte Robertson, and New York City herself, IN SEARCH OF GLADYS GLOVER is a time-shifting journey about the disorienting feeling of being in the city the past few years. It’s a movie for everyone who wakes up each day and continues to put one foot in front of other—laughing often, crying often, watching as many beautiful films and sports games as possible, aimlessly walking the city streets alone, making art, hanging with good friends—but ultimately doesn’t understand what the fuck is going on anymore.
In a local cafeteria, an unlikely trio of friends argue about how to rob the bank from across the street. It all changes when the waitress who serves them discovers their plans.
A passenger picks up a woman at dawn who is to be a guest until midnight. Their journey begins...
"Lost in the Black Hole" is Bangladesh's first-ever symbolic cult horror short film, where the director/artist has experimented on the five metaphoric characters to represent the various meanings of things through expression, symbolism, and numerology.
The night takes a strange turn in Dhaka as a ride-sharing motorcyclist tries to reach his next passenger in time.
