A major and his wife return from abroad and pose as servants to observe their adolescent children.
Mrs. Kent
Major Kent
George Breese
Robert Kent
Peggy Kent
John Parmoor
Cook
Augustus
Comic Speciality
19th release in 'The Smith Family' series of 2-reel comedies.
After hearing that her boyfriend lacks the courage to break up with her, plucky Elena decides she’d be less humiliated if Arturo was ensnared by a man rather than a woman.
When her grandson is kidnapped during the Tour de France, Madame Souza and her beloved pooch Bruno team up with the Belleville Sisters—an aged song-and-dance team from the days of Fred Astaire—to rescue him.
Mr. and Mrs. Hilton throw a New Year's Eve party. They agree not to drink the punch themselves, but as guests begin to arrive their resolve weakens, and soon they are both cavorting drunkenly. Next morning Mr. Hilton, feeling very sick, is conscience-stricken over his drunkenness and his behavior with another woman. He fears to face his wife until he discovers that she feels just as guilty herself.
Charlie is a small town druggist trying to wait on trade and play a social game of poker in the back room.
A series of family entanglements develop around the changing will of Roger Bernhuses de Sars (Karl Mantzius), who wants his heritage to go to his illegitimate daughter Blenda (Greta Almroth). But love and fate also plays their cards. One of the most surprising films of Sjöström, close to Stroheim and some of the silent comedies of Lubitsch. Belonging to the golden age of Swedish film, this comedy offers one of the earliest explorations of the relationship between masters and servants on the screen, later developed by French masters like Renoir and Guitry. After acting in the diptych of Thomas Graal, Sjöström shows that he also dominates the “light genre” as director.
Max suffers from drunkenness, but gets serious after he falls for the daughter of a circus director - who forbids her romance with an outsider.
A unique hybrid of documentary, silent film, drama and dance, 'Breaking Plates' puts revolutionary women of the past on the screen with present day filmmakers. Contemporary women talk to characters from 100 years ago, reanimate their antics and emulate their mayhem moves. As early 21st century performers step into the clothes of their early 20th century counterparts, battling their haywire machines, exploding gags, and eruptive bodies, they learn to wield humour as a weapon against the structures that contain them today.
A naive young man joins the Army in order to become a pilot.
Anna works at a bookstore. Lucas is suddenly very interested in books. A romantic comedy in which Chaplin meets the Nouvelle Vague.
A divorced couple try to pretend they are still happily married in order to get $100,000 from the woman's divorce-disapproving aunt.
The timid youngest son of the most important family in town must use his wits to win the respect of his strong father and the love of a beautiful new woman in town.
Academy Award nominee Samuel L. Jackson (Pulp Fiction) rocks this mock bedtime story, capturing a hilarious range of emotions as the voice of a father struggling to get his child to sleep. Go the F**k to Sleep is a bedtime book for parents who live in the real world, where a few snoozing kitties and cutesy rhymes don’t always send a toddler sailing blissfully off to dreamland. California Book Award-winning author Adam Mansbach’s profane, affectionate, and radically honest verses perfectly capture the familiar - and unspoken - tribulations of putting your little angel down for the night. In the process, he opens up a conversation about parenting, granting us permission to admit our frustrations and laugh at their absurdity. Beautiful, subversive, and pants-wettingly funny, Go the F**k to Sleep is a book for parents new, old, and expectant. Due to its explicit language, you probably should not play it for your children.
Re-imagined version of the now lost first Finnish film. Two siblings inherit all the essentials for a good life: moonshine equipment and a pig. As they embark on their journey, business is good until a card shark arrives.
A tramp cares for a boy after he's abandoned as a newborn by his mother. Later the mother has a change of heart and aches to be reunited with her son.
Anita and Marion realize that an abandoned baby they sneaked into an orphanage was kidnapped from a millionaire. For the reward, they proceed to break into the institution at night, dressed as men to beat curfew, to get the kid out again. This film survives only in very fragmentary form.
A film projectionist longs to be a detective, and puts his meager skills to work when he is framed by a rival for stealing his girlfriend's father's pocketwatch.
Joe and Eve are engaged, but Joe cannot help contrasting the drabness of her attire with the dressy clothes of their friends. Eve overhears him talking of this and breaks with him. Then, with the help of her friend, Mazie, she metamorphoses into a ravishing beauty. Joe is remorseful, but the situation is made more complex when he suspects Eve of questionable relations with her boss.
A bumbling tramp desires to build a home with a young woman, yet is thwarted time and time again by his lack of experience and habit of being in the wrong place at the wrong time..
The film consists of a series of tightly interlinked vignettes, the most sustained of which details the story of a man and a woman who are passionately in love. Their attempts to consummate their passion are constantly thwarted, by their families, by the Church and bourgeois society in general.
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