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Directed by Jacob Miguel, "PUNK ROCK LOTTERY" embarks on a mission to capture the rapid growth of an annual event known as "The Punk Rock Lottery" in Austin, Texas. What sets this film apart is its self-awareness, playfully breaking the fourth wall and transforming into an immersive journey through history and the creative process. The narrative builds its foundation by featuring insights from punk legends and influential figures who helped shape both the film and Austin itself. As the story unfolds, it delves into the heart of the project as Jacob actively participates in the event, offering an inside look at the frenetic pace of life in a band. Through the experiences of over 30 characters, the film uncovers universal truths about creativity, camaraderie, and the struggles inherent in pursuing one's artistic passion.
Taking the City By Storm: The Birth of Milwaukee's Punk Scene is a documentary focusing on the progression of Milwaukee's Protopunk, Punk, New Wave, and Alternative music scene from 1975-1985.
A small town in Salento, some Soviet rock bands, CCCP and an 8-day trip between Moscow and Leningrad. The incredible story of a tour between two worlds that would never be the same again.
A documentary on Queercore, the cultural and social movement that began as an offshoot of punk and was distinguished by its discontent with society's disapproval of the gay, bisexual, lesbian and transgender communities.
Filmed for television at the legendary SO36 Club in Berlin, 1983.
Second half of the 1970s. A few teenagers from the town of Ustrzyki Dolne, led by a charismatic and undisciplined student of the local school, Siczka, decided to become punks and get into punk rock and start a band called KSU.
This is a documentary of interviews with music journalists and Jam fans, and including clips from the following tracks: Town Called Malice In The City All Around The World The Modern World A Bomb In Wardour Street David Watts Down The Tube Station At Midnight Eton Rifles Going Underground That's Entertainment, ... Plus More
Documentary about Manuel Méndez, better known as Manolo Kabezabolo, a punk artist who in a somewhat implausible way has crossed time, space and fashions, without giving up his essences and principles.
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Yusef, a first-generation Pakistani engineering student, moves off-campus with a group of Muslim punks in Buffalo, New York. His new "un-orthodox" housemates soon introduce him to Taqwacore: a hardcore, Muslim punk-rock scene that only exists out west. As the seasons change, Taqwacore influences the house more and more. The living room becomes a mosque during the day, while it continues to host punk parties at night. Ultimately, Yusef is influenced by Taqwacore too, as he begins to challenge his own faith and ideologies. 'The Taqwacores' deals with the complexities of being young and Muslim in modern-day America.
The film dives into 1970's Britain; the birth of punk and the formation of Crass, with an in-depth look at their art, music and ethos.
A documentary about Who's Emma, a collective of punks and anarchists that existed in Toronto's Kensington Market from 1996 to 2000.
There's a reason why many consider Iggy Pop the godfather of punk - every single punk band of the past and present has either knowingly or unknowingly borrowed a thing or two from Pop and his late-'60s/early-'70s band, the Stooges, who reunited in 2003 and were inducted into the Rock and Roll Hall of Fame in 2010. We welcome this outstanding artist, who is known for his outrageous and unpredictable stage antics, at the Baloise Session.
A documentary music film that maps the Czechoslovak punk scene and some of its protagonists in the collapsing communist era. The music for this short film was composed by the then newly founded band Wanastowi Vjecy.
D.I.Y. is an extrospective dissection of Pop-Punk; from the SoCal garages of the 80’s to the enduring impact the genre has had on music, fashion, and culture.
Two girls rediscover their love for playing rock, find a drummer and begin practicing. When one of their mothers intervenes, they run away from home and are forced to fend for themselves on the streets against gangs and rival bands. Soon they are discovered and taken under the wing of rock manager Johnny Tremaine (played by Steven McDonald) who uses them for sex and his own aspirations of wealth. The Love Dolls set out to get revenge on those who have wronged them, and rise to the top of the rock world.
Three bands and crew (a combined total of 13 individuals), 2 Dodge Ram extended cab vans, one equipment truck, one PA system traverse the continental US for six months. A road documentary shot from the inside of the last Black Flag tour ever (the 1986 “In My Head” US tour.) Featuring behind the scenes proceedings and live performances from Black Flag, Painted Willie, and Gone. David Markey was along for the entire trip as the drummer / singer for Painted Willie, documenting the six month tour with his Super-8 camera as it happened. Also features roadie Joe (“Planet Joe”) Cole, soundmen Davo Claasen and Dave “Ratman” Levine, and the tour manager who kept it all together, Mitch Bury. A crucial turning point in American underground rock. The end of the line for a trail blazing American band. Shot in 1986 and completed by director David Markey in 1991 for We Got Power. (futuristika.org)
A concert film documenting a performance from the Houston artist Orpheus Von Doom.
At the end of the 70s, punk promised rebellion and self-empowerment, also for women in the scene. They fought for their place on stage among the dominant punk top dogs, battling against social norms and long-outdated female role models. This is their story.
