Familiar Phantoms is an experimental documentary short film about memory, history and trauma.
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Julia and her son Dani with ADHD attend a birthday party to which they haven’t been invited. Parents seem reluctant to let them in but they end up letting them pass. The party goes on well until an aggression between the kids makes the adults to blame Dani and Julia loses her temper for defending him.
Yin Honqiang, a master carpenter from Jiangyin, has been working with wood for over 50 years. Along with his son and his grandson, they create handcrafted pieces of furniture of the highest level, what lead them to be one of the most important furniture makers in all of China. Take a seat is a close look at their way of working while keeping the tradition alive throughout generations.
This is a reconstruction of the daily life of an ordinary family. With kindness and gentle humour, the film reveals the relationship between the older and the younger generation. The original concept of a short film study with authentic characters of the Ravager family grew into a feature-length picture on the border between a documentary and fiction. It was made as an improvisation without a previously approved screenplay in the course of only twenty days.
Between February and April 2025, filmmakers Bernard-Henri Lévy and Marc Roussel filmed the Pokrovsk and Soumy fronts in eastern Ukraine, following the fighters of the Anne de Kyiv Brigade, armed by France. They filmed the daily lives of the inhabitants, bombarded by Russian forces terrorizing civilians on the eve of possible negotiations. They interview President Zelenskyy, who is reluctant to travel to Washington, and then watch the rebroadcast of the meeting with Ukrainian soldiers in a bunker. For the real heroes are the anonymous fighters and civilians who hold their heads high in the face of adversity and suffering, and who are filmed on a daily basis. The final part of Lévy’s “Ukrainian Quartet”, Our War is a diary, peppered with flashbacks in which the author recalls the high points of this war that began in 2014.
14-year-old Leila is only supposed to have her tonsils operated on, a routine procedure. But when she wakes up from the anesthesia, she is suddenly blind. While the doctors are completely at a loss to explain how this could have happened, Leila's father Attila is beside himself. In his opinion, the doctors botched the operation. From day to day, he gets more and more involved in this thought and gets into a downward spiral that seems to have no end. Meanwhile, the family members drift further and further away from each other and become increasingly estranged. One day Attila finally makes a decision that will have consequences...
Two well-known Quebec artists (filmmaker Jacques Godbout and playwright René-Daniel Dubois) look at the Battle of the Plains of Abraham. Whose version of this historic event should prevail? Is history best served by documentary or fiction? We also meet Baron Georges Savarin de Marestan and Andrew Wolfe-Burroughs, direct descendants of Montcalm and Wolfe, both of whom died in the battle that would give birth to Canada and to the province of Quebec.
Pegah talks about Gholam, a man who’s not like her father, mother, uncles, or aunts, even though he’s always present at family gatherings. Gholam films these everyday scenes with his own camera. At the time, Pegah can’t imagine what the purpose of these films might be, but she’s happy to pose before the lens of this family friend, who she’s certainly very fond of.
A brief history of the emergence and artistic innovations of tango in 19th-century Argentina and Europe. The film offers a mosaic of tango melodies, art works, dance performances, historical footage, photographs of Buenos Aires at the turn of the 20th century, and texts by Celedonio Flores and Enrique Santos Discépolo.
A heartfelt, emotional story about loss, grief, and the bond between a mother and son.
17-year-old Lisa feels certain that she inadvertently played a role in causing a traffic accident that claimed a woman's life. In her attempts to set things right, she meets with opposition at every step. Torn apart with frustration, she begins emotionally brutalizing her family, her friends, her teachers, and, most of all, herself. She has been confronted quite unexpectedly with a basic truth: that her youthful ideals are on a collision course with the realities and compromises of the adult world.
The whole Bélier family is deaf, except for sixteen year old Paula who is the important translator in her parents' day to day life especially when it comes to matters concerning the family farm. When her music teacher discovers she has a fantastic singing voice and she gets an opportunity to enter a big Radio France contest the whole family's future is set up for big changes.
A man finds himself stuck in a mysterious time loop, reliving the same day again and again. As the cycle repeats, he is forced to confront his daily routines, question his relationships, and search for meaning in a world that refuses to change.
This drama tells the harrowing story of an immigrant family in the New World. On arrival in Canada, their hopes for a better life were dashed when immigration officials refused to grant entry to their daughter. During a routine medical examination it was found that Kasia had contracted an infectious eye disease. She is separated from her family and sent back to Europe alone.
Voices in Wartime is a 2004 documentary that explores the human experience of war through poetry. Combining interviews with soldiers, journalists, and historians, it reveals how war affects individuals and societies across time and place. The film features poets from around the world – from Homer and Wilfred Owen to Shoda Shinoe and modern writers in Iraq and Nigeria – showing how poetry expresses the pain, trauma, and truth of conflict. By linking verse with real-life accounts, Voices in Wartime highlights how poetry helps us understand the emotional and moral impact of war.
It's 1973 and all that 15-year-old Sherry wants is a boyfriend. A letter exchange with an unknown soldier makes her believe that it's going to be her first love.
Haridwar-based Neelkanth Pandey and Shambhu Nath get their children, Bhagwantiprasad and Parvati respectively, married. Whille Shambhu re-locates to live in Bombay, Neelkanth continues to reside in the same residence. Years later both children have grown up, so Neelkanth invites the Naths to finalize the nuptials. Very soon the Pandeys will face humiliation and ridicule at the hands of Parvati, who now calls herself Pamela, and Shambhu, who wants his daughter to marry someone sophisticated and wealthy, while Parvati is in love with a singer named Rocky. Bhagwanti is determined to fulfill his parents' wishes and decides to stay wed to Parvati, re-locates to Bombay, to try and woo her back - with results that will end up changing his life forever.
Escaping the dreary wet weather of 1930s England, an eccentric family uproot and ship themselves to the sunnier climes of the Greek island of Corfu.
Chandran and Balan are showered love and affection by their father and stepmother. But Chandran does not realise the value of this and grows into a bad boy.
A troubled young man struggles with a skin affliction and recurring nightmares of a monstrous figure. As his condition worsens, he grapples with his past, fearing he's becoming the very monster he dreads.
An examination of the creation of the state of Israel in 1948 through to the present day. A semi-biographic film, in four chapters, about a family spanning from 1948 until recent times. Combined with intimate memories of each member, the film attempts to portray the daily life of those Palestinians who remained in their land and were labelled "Israeli-Arabs," living as a minority in their own homeland.
Narrator
Young Larissa
Aunt
Father
Young Girl
Young Boy
