No Trailers found.
No overview available.
A series of interviews with students living in London reveals the dangers present in the capital's nightlife.
A young woman of the Tarahumara, well-known for their extraordinary long distance running abilities, wins ultramarathons seemingly out of nowhere despite running in sandals.
Stop for Bud is Jørgen Leth's first film and the first in his long collaboration with Ole John. […] they wanted to "blow up cinematic conventions and invent cinematic language from scratch". The jazz pianist Bud Powell moves around Copenhagen -- through King's Garden, along the quay at Kalkbrænderihavnen, across a waste dump. […] Bud is alone, accompanied only by his music. […] Image and sound are two different things -- that's Leth's and John's principle. Dexter Gordon, the narrator, tells stories about Powell's famous left hand. In an obituary for Powell, dated 3 August 1966, Leth wrote: "He quite willingly, or better still, unresistingly, mechanically, let himself be directed. The film attempts to depict his strange duality about his surroundings. His touch on the keys was like he was burning his fingers -- that's what it looked like, and that's how it sounded. But outside his playing, and often right in the middle of it, too, he was simply gone, not there."
The film approaches the work of the Greek artist Nikos Koniaris. The particular way in which the painter depicts human suffering is presented through a film - a hybrid of real recording and directed material. The grief, the sick body, is reflected in self portraits, portraits of dying strangers and paintings of dead models. The paintings, apart from his work, also express a different version of himself. All together contribute to the depiction of man as a "garment of pain".
A man tells the story of his three cats.
Alanis Obomsawin, a North American Indian who earns her living by singing and making films, is the mother of an adopted child. She talks about her life, her people, and her responsibilities as a single parent. Her observations shake some of our cultural assumptions.
Is the city of Zurich suffering from ‘density stress’? What is it like to live in mega cities such as São Paulo, Mexico City and Tiflis? Filmmaker Thomas Haemmerli broaches the topics of city development, architecture, density, housing market, xenophobia and gentrification from an autobiographical perspective. The path of his life has led him from a childhood in the villa district of Zürichberg, through his teenage years as squatter to flat shares, yuppie apartments and finally second homes in various cities. Only recently having become a dad, he plans to further enhance Zurich’s price appreciation by purchasing a huge, extended city apartment… This multifaceted essay not only humorously questions the filmmaker’s decisions, but also those of the right-wing conservatives, who are afraid of losing their space to immigrants, and the political left, who fail to embrace modern-age architecture.
Fashion revolutionary Bethann Hardison looks back on her journey as a pioneering Black model, modeling agent, and activist, shining a light on an untold chapter in the fight for racial diversity.
While navigating daily discrimination, a filmmaker who inhabits and loves her unusual body searches the world for another person like her, and explores what it takes to love oneself fiercely despite the pervasiveness of ableism.
Astor Piazzolla revolutionized the tango. By breaking with the codes of traditional tango, he brought this popular Argentine music from dance floors to concert halls around the world and is now recognized as a major composer of the 20th century. From numerous unpublished private archives, the voices of Astor and his children paint a unique portrait of this complex man.
In 1973 Yorkshire public television made a short film of the Nobel laureate while he was there. The resulting film, Take the World from Another Point of View, was broadcast in America as part of the PBS Nova series. The documentary features a fascinating interview, but what sets it apart from other films on Feynman is the inclusion of a lively conversation he had with the eminent British astrophysicist Fred Hoyle.
Sancho Panza enters a movie theatre in a provincial city. He is looking for Don Quixote and he finds him sitting off to the side and staring at the screen. The theatre is almost full; the balcony is entirely occupied by noisy children… La proiezione è cominciata (The Projection Has Begun) is an adaptation of The Six Most Beautiful Minutes in the History of Cinema by Giorgio Agamben. It is a portrait in 24 daguerreotypes per second.
Shere Hite’s 1976 bestselling book, The Hite Report, liberated the female orgasm by revealing the most private experiences of thousands of anonymous survey respondents. Her findings rocked the American establishment and presaged current conversations about gender, sexuality, and bodily autonomy. So how did Shere Hite disappear?
Metzer 58 play Punk. They were founded in a meet-up at Lebenshilfe Münster, an NGO that provides housing and other services to people with disabilities. The band consists of disabled people and able-bodied people. That doesn't really affect the topic of their songs or the amount of chaos and excess at their gigs, though. In this documentary, director Tobias Stiegler follows the band on tour and paints an intriguing portrait of Metzer 58
A strippers' convention and a major contest. The movie focuses on a few strippers, each with her own strong motive to win.
THE PERFUMED GARDEN is an exploration of the myths and realities of sensuality and sexuality in Arab society, a world of taboos and of erotic literature. Through interviews with men and women of all ages, classes, and sexual orientation, the film lifts a corner of the veil that usually shrouds discussion of this subject in the Arab world. Made by an Algerian-French woman director, the film begins by looking at the record of a more permissive history, and ends with the experiences of contemporary lovers from mixed backgrounds. It examines the personal issues raised by the desire for pleasure, amidst societal pressures for chastity and virginity. The film discusses pre-marital sex, courtship and marriage, familial pressures, private vs. public spaces, social taboos (and the desire to break them), and issues of language.
No Cast found.
