A human emotional story that introduces us to true human values, but also to longing for our homeland.
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Middle-aged cinephile and film projectionist Pera still lives with his mother - and best friend - Mara, in Belgrade. It's 1999 and when NATO bombs start raining down on Serbia, the two of them become refugees. After a surreal journey, they end up in New York, where Pera realizes that he can no longer do the old job he loved so much. While he and Mara were struggling to survive, the new age of digital projection was born. Then Pera stumbles upon some discarded projectors and his new mission in life becomes clear: he will travel around and show people the magic of Real Cinema - the magic that can only be created by celluoid, mechanical projectors, the silver screen and flickering light.
Three friends are hanging out on the roof in Sarajevo. Their hangout is interrupted by the Yugoslavian time traveler who explains them that they are in danger and need to use the time machine to go back to Yugoslavia and warn people that the future generations messed up. They travel back in time to find themselves not in Yugoslavia, but in Iran. Clash of the cultures is evident, and they are forced to hide their identity. But the more they discover the city, the more they realize it is scarily similar to their own.
Sfaira (1971-1984) dedicated to Pythagoras and Plato is a homage to two of his favourite spheroids: the Earth and the Sun.
Professor Gerasim and assistant Tugomir are in a ski-resort where opportunity for cheating and love is around every corner.
Somewhere in the Balkans, 1995. A team of aid workers must solve an apparently simple problem in an almost completely pacified territory that has been devastated by a cruel war, but some of the local inhabitants, the retreating combatants, the UN forces, many cows and an absurd bureaucracy will not cease to put obstacles in their way.
A couple of morticians entertain themselves by betting on how many cold customers will come in that day. But one of the corpses refuses to cooperate...
The abolishment of a railway station in a remote Bosnian village affects the lives of the local railwaymen.
A high representative goes by the narrow macadam road to the grand opening of the facility in a mountain village, another new victory of his own. In the car with him was not his wife but his mistress, a young and rather attractive girl. The car stucks in the quite large and deep puddle in the middle of the country road...
Family Susic lives everyday Bosnian story. Father Muhamed (63) is employed in a reputable company; mother Marija (60) is retired. Son Sasa (35), who spent the war in Army of Bosnia and Herzegovina, lives with his parents, while their daughter Senada (40) lives in Slovenia. Their life begins to fall apart because of father's dissatisfaction after his company is sold on the stock exchange, Sasa's negligent attitude towards work and family, Marija's breast cancer diagnose. When problems begin to line up Muhamed and Sasa realize that actually only family is important, that it is man's last oasis
A TV crew visits the remote Bosnian village of Blervici to film their cooking show, drawn by its rustic charm. Their host, Meho, impresses them with a mysterious traditional dish. However, a sudden rainstorm traps them overnight, and they reluctantly accept Meho's hospitality. As they discover his dark secret, what began as a routine shoot turns into a fight for survival against an ancient evil.
A sequel to "Good Morning, Neighbor". After much of bigotry, two families decide to do a reconciliation ceremonial.
The plot again deals with familial relationships, more precisely around daughter-in-law, her husband and his domineering mother.
Violeta gives birth to a baby, while Ceda's mother-in-law gets wasted which makes place for plenty new adventures in the village. It's a story about life and death told in a humorous way.
While flying a routine reconnaissance mission over Bosnia, fighter pilot Lt. Chris Burnett photographs something he wasn't supposed to see and gets shot down behind enemy lines, where he must outrun an army led by a ruthless Serbian general. With time running out and a deadly tracker on his trail, Burnett's commanding officer, Admiral Reigart, decides to risk his career and launch a renegade rescue mission to save his life.
Two soldiers from opposite sides get stuck between the front lines in the same trench. The UN is asked to free them and both sides agree on a ceasefire, but will they stick to it?
The events in Sarajevo in June 1914 are the backdrop for a thriller directed by Andreas Prochaska and written by Martin Ambrosch, focusing on the examining magistrate Dr. Leo Pfeffer (Florian Teichtmeister) investigating the assassination of Archduke Franz Ferdinand. Trying to do his job in a time of lawlessness and violence, intrigues and betrayal, Leo struggles to maintain his integrity and save his love, Marija, and her father, prominent Serbian merchant. But the events of Sarajevo have set into motion an inescapable course of events that will escalate to become … the Great War.
Buried Land tells the story of ordinary people attempting to realize a dream. Two actors cut a path through the real community and strange reality of Visoko, the small town at the heart of a remarkable claim: the discovery of ancient pyramids, not in Egypt, but central Bosnia. Emir is a Bosnian émigré, removed during the war and now struggling to rediscover his homeland.
A woman and her daughter struggle to make their way through the aftermath of the Balkan war.
During the Battle of Sutjeska, partisan troops must endure 24 hours of big and heavy attacks on German units Ljubino grave, to the main Partisan units, with the wounded and the Supreme Headquarters, pulled out the ring that is tightened around them.
The carnage in Sarajevo provides the focus of this French documentary which seeks to call attention to the terrible conflict in the hopes of finally ending it. The film is divided into five parts. Each part covers a time frame ranging from April 4, 1992, the beginning of the war, to the present. The major issues that occur are three-fold. It depicts the systematic genocide of Bosnians, the silence of Western countries, and the determination of the Bosnians to resist. They refuse to be seen as victims, even though the filmmakers portray them so. Also included are the origins and political aspects of the war. It offers interviews with participants. It also reveals how the U.S. State Department censored reports about Serbian death camps.
Marija
Haris
Ena
Marinko
