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Amani is 31. When he was an infant, he survived the genocide against Rwanda’s Tutsi population. Three decades later, Amani has set up an organisation in Nyamirambo, one of the more economically impoverished districts of the country’s capital, Kigali. It employs creativity, artistic practice and performance to grapple with poverty and generational trauma – acknowledging that deep-seated ideologies can easily foment prejudice and create an environment that proved so catastrophic in the past.
Documentary in which Michael Rosenhahn explains the philosophical subtext of the film Solaris (1972).
Two young men meet during a summer day on the Mediterranean coast. First short film by Gorka Goikoetxea.
September 1945. South of France. War is over. Three young artists reunite to discuss the future. One of them, Nicolas, presents a plan for all the new corporations that are going to grow soon, in which advertising and art can merge. But Raphaël thinks differently. He wants fresh air and poetry. Therefore, he leaves. Choosing the freedom of nature like a young bohemian artist.
Absorbed in his thoughts, an artist is trapped behind his chaotic world.
Thirteen intelligence agents who have worked on secret missions for Frances DGSE tell their accounts of recruitment, training, and their fears and victories of acting undercover, as well as the effects on their private and personal lives.
Go behind the scenes to uncover the truths of being a professional gamer for a living. Can you really make a living from being a gamer?
Haile Gerima and Ryszard Kapuscinski travel around Ethiopia talking to people about their current situations and what needs to be done for a prosperous country.
A man asks himself about the image of women who are offered for his gaze. A documentary about the image of women in fashion, film, and life.
Fontelonga is a village of Trás-os-Montes, in the interior of Portugal. A mirror of exile in the eyes of their own people. A reflexion where memory is the last object of beauty and redemption.
A New York film and at the same time the study of a young man suffering from an obsessive-compulsive disorder (OCD). The Berlin filmmaker Oliver Sechting (37) and his co-director Max Taubert (23) travel to New York with the idea of documenting the art scene there. However, the project is quickly overshadowed by Oliver's OCD, and the two directors fall prey to a conflict that becomes the central theme of their film. Encounters with such artists as film directors Tom Tykwer (Cloud Atlas), Ira Sachs (Keep the Lights On), and Jonathan Caouette (Tarnation) or the transmedia artist Phoebe Legere seem more and more to resemble therapy sessions. At last, Andy Warhol-Superstar Ultra Violet succeeds in opening a new door for Oliver.
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