Adaptation of 'The Flying Dutchman', recorded at the Bavarian State Opera.
Opera in three acts, a prologue and an epilogue, by Jacques Offenbach (1819-1880), with a libretto in French by Jules Barbier (1825-1901), based on a work that Barbier himself and Michel Carré (1821-1872) had written based on stories by E.T.A. Hoffmann (1776-1822). Approximate duration: 2 h 45 min Recommended for those over 15 years old. The young poet Hoffmann, accompanied by Nicklausse, his alter ego and confidant, is in a tavern next to the theatre where Mozart's Don Giovanni is being performed. During the opera's intermission, some diners arrive at the bar who, upon seeing the poet, encourage him to sing and tell them the story of his famous love affairs. Hoffmann finally gives in and shares with them the stories of Olympia, Antonia and Giulietta. They, absorbed in the poet's stories, remain in the tavern, forgetting about the opera performance.
Sophia struggles with overthinking her life as a poor, nihilistic drifter. Exiled to a life of solitude, she has the chance to change it all upon meeting Liza one night... Did she let her in or was she destined to burn it all? The aftermath of their breakup is explored through three different angles.
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Pandora Reynolds is a woman who has never fallen in love – but one who men kill and die for. When she meets dashing and mysterious ship's captain Hendrik van der Zee, he pushes her to commit the ultimate act of love.
Lucien de Rubempré, a young, lower-class poet, leaves his family's printing house for Paris. Soon, he learns the dark side of the arts business as he tries to stay true to his dreams.
This vivid film of Wagner's romatic opera succeeds in conveying what has famously been called "the wind that blows out at you whenever you open the score", including Daland's boat anchoring against the Sandwike cliffs, the red-sailed phantom ship, and the ghost crew rising from the dead. "Scenes that recall classic horror films... Brilliantly successful" (Nürnberger Nachrichten), "Captures the works' essence" (Süddeutsche Zeitung). With a superb cast; conducted by Wagner authority Wolfgang Sawallisch.
On the same day that Stalin was buried, Sergei Prokofiev's funeral took place completely unnoticed. And if the farewell to the composer quietly went against the backdrop of the farewell to the dictator that swept the whole country, then in the play everything is the opposite - Prokofiev's music is in the center, and it is interrupted by the stories of those people who would probably ignore Stalin's funeral and went to say goodbye to the great composer.
An evening of celebrated stars performing the titles songs from Broadway’s best.
A sequence of musical scenes that define a tender and romantic story, typical of a fairy tale: that is what the theatrical version of Flinderella, which took place in 2004 at the Teatro Gran Rex, is all about. In this version full of fantasy, Greta tells a story to Tomás, a boy who is in his bed sad and without anything to cheer him up. The story tells the love story of a poor girl who lives on top of a train and a rich prince who lives in a palace. Despite class differences and the evil Delfina, love between Flinderella is possible. She is rich in dreams and poor in gold, he is rich in money but does not know how to smile. Flor Bertotti, Juan Gil Navarro, Benjamin Rojas (here a guide who leads Flinderella through the path of dreams) and all the cast of the novel.
Flinderella lives in a terrace and that's her world... A sad, dark, cold and lonely place that is transformed into a magical space, thanks to the light of our heroine's soul. Alongside her live her guardians of the heart: a magician, a fairy, an angel and a jester: they help her, accompany her and give her strength when she feels lost. Her joy and her ability to feel and dream make Delfina, her sister, hate her, envy her and try to destroy her. Delfina has everything that can be bought with money and lacks everything that comes from the heart. Such is the strength of the soul of our “Princess of the Terrace” that she manages to reverse Delfina's superficial and frivolous world. In this terrace love arises, since Max, a writer who lives nearby, manages to see everything that happens in the house of the evil Delfina and in the dome of the sweet Flinderella. A new tale with a great love story.
The stripper Tony and the naive enthusiast Anthony, two entertainers, destined for the big time, who are mismatched in a casting office from two very different online contests.
Inspired by the life of Varvara Asenkova, a 19th-century actress who earned great acclaim on St. Petersburg stage before her death at the age of 24.
A recording of the Laterna Magika theater performance, which represented the Czech Republic at the EXPO 2020 World Expo. Scientific and technological development has advanced considerably since Čapek's time. Radius is challenged by artificial intelligence, which has taken over the world, to advance to a higher level of existence. His transition to a new dimension will complete the elimination of humanity from planet Earth. Miřenka Čechová's production reflects the threats facing contemporary society, but like Čapek, she believes in humanity and human values.
San Francisco's prize-winning American Conservatory Theater's rowdy commedia dell'arte production incorporates slapstick, pratfall and earthy humor into William Shakespeare's comedy about the two unmarried daughters of a wealthy Italian merchant. While daughter Bianca is genteel and popular, daughter Kate is foul-tempered and strong-willed. No one dares to marry Kate, until Petruchio arrives in Padua and tries his hand at courtship.
This is the story of a poet who lived at the time of the French Revolution. The poet's name was Andrea Chénier. He lived and died amongst love and bloodshed. The numerous words of truth spun by this revolutionary poet became poems for eternity. Even today, they continue to shine light on the hopes that rest in people's hearts. The tidal wave of the times, when everyone believes that the ideal kind of society has arrived, will in time move in the wrong direction. Ironically, Andrea and Maddalena will be joined together by a thing called love. Idealism, which has been pushed to the forefront of reality, is toying with Gérard's life. Before long, a raging torrent that provides an omen of the tragedy to come will overwhelm all three of them.
A play version of Daphne du Maurier’s book starring Vivien Leigh and Laurence Olivier
An actor has been stuck in one of their roles for some time and is unable to separate themselves from it. The actor’s professional and personal life is affected by this role, and they can no longer distinguish between who they are and the character they play. They see eliminating themselves as the only way out of this crisis. Winner of the statuette and honorary diploma for Best Play in the playwriting section of the 38th Fajr International Theater Festival in 2019.
In her attempts to make a splash on Broadway, a lively would-be-actress lands herself in hot water with the mob.
Diamante, an actress engaged in the filming of a drama, is shot down in a warehouse used to store the cinema "pizzas". Another actress, Ely, get a glimpse of the corpse, which however is immediately disappears.
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The Flying Dutchman
Senta
Daland
Mary
Erik
Helmsman
Self - Conductor
