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"Pensées d'Alexandrie", "Bises du Caire" ... It's summer. They took their car, drove in coaches, flew in planes and visited camera in shoulder strap some distant country bristling with monuments and other "things to see", such as Egypt, Greece, India or Bordeaux. So as they are bored a bit far from their home sweet home, the Rouchon write to Brochon and vice versa - we are polite all the same! They send postcards not stung from the beetles. In these letters from the front of the leisure society, François Morel as a "melancholy mocker" has fun with often tender humor, sometimes biting, of this irrepressible need to change scenery to finally eye with a weary eye the pyramids and all those centuries that contemplate you while thinking of the evening meal (wine is free and at will) and the friends who have stayed in the country.
The fierce and merciless battle of three forty-somethings who live together and want to seduce their pretty stewardess neighbor at all costs. A competition full of pitiful and feverish seduction acts. Redoing one's life at forty-five is not easy and becomes an absolute emergency. But does the stewardess really have the vocation to save the "Masculins 45"?
Sir Arthur Conan Doyle's most celebrated adventure gets a brilliantly farcical overhaul in Lotte Wakeham's acclaimed production. World-renowned detective Sherlock Holmes and his colleague Dr Watson are asked to unravel the mystery surrounding the untimely death of Sir Charles Baskerville. With rumours of a cursed giant hound loose on the loose moors, they must act fast in order to save the Baskerville family's last remaining heir. A hit in the West End, this ingenious adaptation combines an exhilarating collision of farce, theatrical invention and wonderfully comic performances to offer a brand-new twist on the greatest detective story of all time. A whodunnit for all ages.
After a catastrophic global war, a young filmmaker awakens in the carnage and seeks refuge in the only other survivor: an eccentric, ideologically opposed figure of the United States military. Together, they brave the toxic landscape in search of safety... and answers.
Television recording of the theatre play 'Gebroed' by the Werkteater from 1983. The play, written and performed by Frank and René Groothof, is about their childhood together, their relationship to each other and to their parents, their conflicts, but also their shared love for theater and music.
After years in the twelve steps of Alcoholics Anonymous, James becomes a sponsor to newcomer Luka. The pair bond over black coffee, trade stories and build a fragile friendship out of their shared experiences. But as Luka approaches step five – the moment of confession – dangerous truths emerge, threatening the trust on which both of their recoveries depend.
In their songs, comedy and exuberant music, a travelling theatre company give a fiercely polemic account of Scottish history, from the aftermath of Culloden to the oil boom. Their production before a live audience is intercut with filmed reconstructions of the Highland Clearances and the Victorian obsession with hunting stags.
A temperamental Broadway producer trains an untutored actress, but when she becomes a star, she proves a match for him.
Enrico, a traveling salesman who lives in a room in Amalia's house, returns from a long trip to find that his room has been turned into a funeral chamber for the death of Gennaro, the woman's husband. Shocked, the man confides his fears to a doctor, who replies that the only real fear is that of the living, not the dead.
Attilio and Emilia are two newlyweds who love each other madly despite the extreme poverty in which they live. Their relationship is contrasted by that of Domenico and Sofia, the owners of their house, who live in constant conflict. When Christmas arrives, despite their poverty, the two young people decide to give each other gifts: Emilia agrees to cut and sell her long hair to buy a chain for her husband's watch, while Attilio sells his watch to buy a hair clip for his wife.
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During the run of a particularly awful interpretation of Richard III, the star, Anthony O'Malley, begins to frequent a rough pub to develop his character. He meets Barreller who he discovers owes someone he's never met a considerable sum of money. Seeing an opportunity to make some fast money, O'Malley convinces hapless extra, Tom, to meet Barreller as the debt collector.
Two local toughs run a ramshackle gambling and dating den under the cover of a "hunting club." The place is frequented by all sorts of characters, from the upper crust of Naples to petty criminals who use it as a base of operations, and the noise is such that it won't take much to blow their cover.
On his way home, Don Simone meets his friend Ciccillo, who asks him for a favor: to entertain the husband of a woman, his lover, until they find the keys to her house. Simone accepts the task and his friend points out a man sitting in a pizzeria as the lover's husband. After a series of mishaps, however, poor Simone discovers that the man had nothing to do with it and that the person Ciccillo wanted to entertain was actually him.
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