Murderesses Velma Kelly and Roxie Hart find themselves on death row together and fight for the fame that will keep them from the gallows in 1920s Chicago.
Two friends are living in Verona, Valentino and Proteo. Proteo professes his love to the charming Julia, who, after an initial misunderstanding, reciprocates his feelings. Valentino mocks his infatuation, but not for long. He leaves for Milan, where he falls in love with Silvia, the duke's daughter.
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A wealthy family is thrown into turmoil when the daughter falls for the family chauffeur and the son begins to keep company with a chorus girl.
It's a dreary Christmas 1944 for the American POWs in Stalag 17 and the men in Barracks 4, all sergeants, have to deal with a grave problem—there seems to be a security leak.
Eman Vovísek drinks away his unrequited love for Liduška, who married his cousin, the factory owner Danek. Because Eman is aggressive when drunk, he is taken to a mental health facility, where he meets his uncle Hanibal. Hanibal has a breakdown after his wife Matylda broke up with him. Matylda wanted to be free so she could marry her first love, Uncle Jonathan, who is due to arrive from America. Jonathan sends a telegram saying he will stay in Paris. Such a situation does not suit Danek. He assumed that Liduška would be visiting from America and that he himself would go to his mistress in the meantime. He therefore visits Vovísek and persuades him to play the role of Jonathan.
Australian good girl Sandy and greaser Danny fell in love over the summer. But when they unexpectedly discover they're now in the same high school, will they be able to rekindle their romance despite their eccentric friends?
Singer Ann wants back her money that the manager of a big-band has embezzled.
Thief Gaston Monescu and pickpocket Lily are partners in crime and love. Working for perfume company executive Mariette Colet, the two crooks decide to combine their criminal talents to rob their employer. Under the alias of Monsieur Laval, Gaston uses his position as Mariette's personal secretary to become closer to her. However, he takes things too far when he actually falls in love with Mariette, and has to choose between her and Lily.
The events taking place around an illegitimate child named Tosun.
The process of fraudulent seizure of the inheritance left to a minor Russian girl in a case led by an Islamic judge.
French General Birabeau has been sent to Morocco to root out and destroy the Riffs, a band of Arab rebels, who threaten the safety of the French outpost in the Moroccan desert. Their dashing, daredevil leader is the mysterious "Red Shadow". Margot Bonvalet, a lovely, sassy French girl, is soon to be married at the fort to Birabeau's right-hand man, Captain Fontaine. Birabeau's son Pierre, in reality the Red Shadow, loves Margot, but pretends to be a milksop to preserve his secret identity. Margot tells Pierre that she secretly yearns to be swept into the arms of some bold, dashing sheik, perhaps even the Red Shadow himself. Pierre, as the Red Shadow, kidnaps Margot and declares his love for her.
A married couple in which he is the older and powerful one and she is young and charming. Their mutual teasing, fussing and bickering filled a royal morning in the bedroom. The mighty King Henry VIII of England, who, as we know from history, had more than one of his wives put to death, and the last of them, Catherine Parr, using all the powers of her youth. The main dispute is over the colour of Alexander the Great's horse. Was he white or black? Will he, she, or the love that lies behind all the words win?
Based on the 1933 homonymous play by Tudor Mușatescu. An interwar satire, the film follows Decebal Necșulescu, son of Spirache Necșulescu from “Titanic Vals”, as he relentlessly pursues political office in Bucharest.
After a play of the same name by Gheorghe Ciprian.
Comedy in five acts by Beaumarchais, filmed by Marcel Bluwal in studio and on location. The cast, in accordance with Marcel Bluwal's wishes, is in keeping with the age and character of the characters, to give it rhythm. At once "a comic baroque play, a bourgeois drama, a chansonnier's number, a social satire, a farce and a very pretty love story" according to Marcel Bluwal, it can also be summed up, according to Beaumarchais, as "the most bantering of intrigues".
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