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The story of Enrique Herreros (1903-1977), cartoonist, advertiser, poster designer, talent manager, actor, producer and filmmaker, and the most daring of mountaineers; the man who, along with his companions from the so-called “other Generation of '27,” brought Hollywood to Madrid's Gran Vía, turning a grey and sinister post-war city into the capital of an incipient and ambitious cultural industry.
A tragic expedition to the Himalayas, told by the great mountaineer Reinhold Messner, who lost his brother there in 1970, swept away by an avalanche during the descent. An epic tale set against a grandiose backdrop.
A documentary portrait of the legend Eric Escoffier at the height of his mountaineering career. A true athlete, Escoffier has comprehensive, cutting-edge preparation in three different climbing disciplines: rock climbing, ice climbing and solo free climbing, without any safety devices. Philippe Lallet's camera follows Eric in his performances and in his preparation for one of the first La Sportroccia climbing competitions, in 1985 in Bardonecchia in Italy.
In the austere "Horseshoe Cirque", attempts on ice are so impressive and require such a high degree of skill, that after a discrete beginning in 1976, there was a wait of twenty years before new pioneers dared the challenge. Each has returned, marked for life by the extraordinary experience. The opening of The White Witch in January, 2006 by Philippe Batoux, François Damilano and Benoît Robert was the occasion to revisit this emblematic site. Here is an exceptional panorama where incredible ice formations give way to challenging rocky climbs and vibrant testimonials...
From America, England, France, Italy and Japan. From each corner of the earth, five climbers – Sam Elias, James Pearson, Caroline Ciavaldini, Jacopo Larcher and Yuji Hirayama – attempt to open a new multi-pitch route on the basalt island of Reunion. Lost in the South Indian Ocean, Reunion is the childhood home of Caroline and, after traveling the world for several years as a professional climber, returning was something she had to do. By working together as climbers and friends, the team is able to open, ground-up, one of the hardest multi-pitch rock climbs in the world.
7 DAYS IN SEPTEMBER is the adventurous story of two exceptional mountaineers, Benedikt Böhm and his partner Sebastian Haag, trying to set a world record speed ascent to the 8,163-m peak of Manaslu in the Himalayas. It's a story of friendship and rivalry, and of their desire to risk everything, including family responsibilities. 7 DAYS IN SEPTEMBER also tells the tale of those who set out with the same vision, like mountaineer legends Silvio Mondinelli or Rémy Lécluse, but whose lives changed forever in a fatal avalanche catastrophe. The film is a personal exploration of one of the most tragic dramas in Himalayan mountaineering history. What drives people to risk their lives like this again and again? What does it mean for the bereaved to love a person whose passion seems to be contrary to all rationality?
He climbed solo, without a rope, the north face of the Eigers in 2h47. Below him the rock wall steigen über 1000 Meter ab. Mehr Ueli Steck, the lone wolf, does not lose his temper. For a year, Steck has meticulously prepared this record of less than three hours. The portrait of an extraordinary man who takes us on a journey to the most beautiful and challenging peaks in the world.
Documentary about K2 tragedy of 1986. On August 4, 1986, Diemberger and Julie Tullis reached the summit of K2 very late in the day. Shortly after starting their descent, Tullis fell and dragged Diemberger down with her. Fortunately, they somehow stopped from going over the edge and spent the night above 8,000 metres. They managed to reach Camp IV the next day, where they were forced to share a tent with six other climbers after their tent had collapsed from hurricane force winds. Tullis died later that night, possibly from high altitude cerebral edema (HACE), and only one other climber, Austrian Willi Bauer, survived the descent with Diemberger. Both climbers suffered severe frostbite during the descent and had to have amputations.
Participants' account of Wanda Rutkiewicz's last expedition.
The extraordinary, complex, nuanced, restless, and rebellious personality of Walter Bonatti is recounted in a docufiction that traces the life of the greatest mountaineer of all time, without neglecting his overwhelming love story with movie star Rossana Podestà.
Behind every breakthrough in the progression of climbing, there's a true story of doubt and determination, perseverance in the face of failure. From boulders, to big walls, to competition podiums, the climbers at the top of the game share a commitment to do whatever it takes to achieve their vision.
In the shady campgrounds of Yosemite valley, climbers carved out a counterculture lifestyle of dumpster-diving and wild parties that clashed with the conservative values of the National Park Service. And up on the walls, generation after generation has pushed the limits of climbing, vying amongst each other for supremacy on Yosemite's cliffs. "Valley Uprising" is the riveting, unforgettable tale of this bold rock climbing tradition in Yosemite National Park: half a century of struggle against the laws of gravity -- and the laws of the land.
This is Gaston Rebuffat's fourth film, in which, with several close friends, he discovers the sublime landscapes of the Alps. “Mont-Blanc is beautiful. I climbed it several times depending on the time, the color of the sky and the shape of the cornices and ridges. Because of the weather and also because of this feeling of altitude, Mont-Blanc provides great pleasure. For the guide, Mont Blanc is his garden, but the garden becomes more beautiful when shown to a friend. Personally, I really like the bivouacs; only there one penetrates a little the mystery of the altitude. That's why I immediately accepted when Tazieff expressed the desire to spend the night at the top of Mont Blanc in an igloo. The film won the Grand Prix at the Trento Film Festival in 1961.
Marc-André Leclerc, an exceptional climber, has made solo his religion and ice his homeland. When filmmaker Peter Mortimer begins his film, he places his camera at the base of a British Columbia cliff and waits patiently for the star climber to come down to answer his questions. Marc André, a little uncomfortable, prefers to return to the depths of the forest where he lives in a tent with his girlfriend Brette Harrington. In the heart of winter, Peter films vertiginous solos on fragile ice. He tries to make appointments with the climber who is never there and does not seem really concerned by this camera pointed at him "For me, it would not be a solo if there was someone else" . Marc-André is thus, the "pure light" of the mountaineers of his time, which marvel Barry Blanchard, Alex Honnold or Reinhold Messner, interviewed in the film. An event film for an extraordinary character.
