A documentary about the making of Joe Cash's last directorial feature film Carnal Redemption, showcasing the behind the scenes, the preproduction hell of the film and the mayhem which goes into a Joe Cash film.
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Documentary about the making of the 1983 thriller "Cujo"
Occurring from the mid-1970s to 1981, the Ripper committed 13 murders. Viewed as ritualistic in nature, they were done with extreme brutality as he mocked the police during their desperate hunt for him. The victims were primiarly prostitutes or poor girls, with a few working girls tossed in. Generally he would hit a victim on the head with a hammer, sexually assault the lady, mutilate her, and then redress/re-arrangement the clothing and cover the corpse with her own coat.
Mickey Rooney is interviewed by Robert Osborne.
Witness never-before-seen footage of the Warren Miller film crew and athletes as they take on the world's most exotic mountains, treacherous terrain and red-hot ski resorts. Listen as they share their untold stories acres-ski. The only way to get closer to the action is to be on skis.
Join Mike, Tom, and Yuri in the studio as they record their album "Secret Weapon."
Mia and Roman is a 1968 23-minute documentary film which was shot during the making of Rosemary's Baby.
Documentary of the making of the sequel to the popular Schwarzenegger film, The Terminator.
In 1967, Visconti came to Algiers for the filming of The Stranger with Mastroianni and Anna Karina. Camus, during his lifetime, had always refused to allow one of his novels to be brought to the screen. His family made another decision. The filming of the film was experienced in Algiers, like a posthumous return of the writer to Algiers. During filming, a young filmmaker specializing in documentaries Gérard Patris attempts a report on the impact of the filming of The Stranger on the Algerians. Interspersed with sequences from the shooting of Visconti's film, he films Poncet, Maisonseul, Bénisti and Sénac, friends of Camus, in full discussions to situate Camus and his work in a sociological and historical context. “The idea is for us to show people, others, ourselves as if they could all be Meursault, or at least the witnesses concerned to his drama.”
A documentary about the rise and fall of the Cannon Film Group, the legendary independent film company helmed by Israeli cousins Menahem Golan and Yoram Globus.
Travel films have an established format with their own conventions, history and baggage. It is a medium that has all too often sought to control, define and dictate perceptions of ”other” places. Comprised of footage shot while travelling on group excursions across Russia in 2019, An Uncountable Number of Threads is an attempt to draw out the ethical restrictions of a travelogue, while questioning how (and why) to make one. At times there is an awkward tourist-gaze, aware of its outsider position. But as a self-reflexive work that considers its own creation, it ultimately unravels, as the artist rationalises themselves out of a particular way of working, inviting the viewer into their uncertainty.
Cheikh Djemaï looks back on the genesis of Gillo Pontecorvo’s feature film, The Battle of Algiers (1965). Through archive images, extracts from the film and interviews with personalities, the filmmaker retraces the journey of a major work - from the events of the Algiers Casbah (1956-1957) to the presentation of the Lion of 'Or causing the anger of the French delegation in Venice - which left its mark as much in the history of cinema as in that of Algeria.
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On December 16th, 2011, eight people on their way to Las Vegas stopped in the ghost town of Garlock, California. This footage documents what happened.
Iranian film director Amir Naderi talks to Zar Amir Ebrahimi about his career in this documentary directed and produced by Ebrahimi and broadcast by BBC World Service and BBC Persian. Amir Naderi is one of the most influential figures of Iranian modern cinema. He was born in 1945 in the Persian Gulf port of Abadan. Orphaned at an early age and living the life of a street urchin, Naderi had to survive by selling ice, working as a shoeshine boy and recycling empty beer bottles. He developed his knowledge of cinema by watching films in the theaters where he worked at a very young age. He began his career by taking pictures for some notable Iranian features. In the 1970’s, he started directing his own films, and made some of the most important movies of the New Iranian Cinema. After moving to New York in the early 90’s, Amir Naderi continued to make films. They have premiered at the Venice, Cannes, Tribeca, and Sundance Film Festivals.
Amazing, but true: Fort Lee, New Jersey (just across the George Washington Bridge from Manhattan), was once the epicenter of American film production. This documentary of a truly bygone era combines photographs culled from private collections, as well as restored footage from such films as Thomas A. Edison's Rescued from an Eagle's Nest and D.W. Griffith's The New York Hat, filmed at the studios in Fort Lee.
Behind the scenes of the 2004 film "Cutie Honey". Extra on Blu-ray Box.
This documentary short subject for DVD gives a look at the making of Cole Porter's MGM classic, "Les Girls". Hosted by Finnish film legend and star of "Les Girls", Taina Elg tells of working with Gene Kelly, Kay Kendall and George Cukor on one of the last great MGM musicals.
A short documentary on the making of the 1946 film Ziegfeld Follies.
A short documentary on Jerome Kern and the making of Till the Clouds Roll By.
A short documentary on the lives of songwriters Bert Kalmar and Harry Ruby and the making of the film, Three Little Words.
