The award-winning filmmaker Peter Lilienthal is dedicated to this extremely poignant documentary of U.S. military policy and the living conditions of former resistance fighters in Latin America.
Self
An American story. Traces the career of Joe Louis (1914-1981) within the context of American racial consciousness: his difficulty getting big fights early in his career, the pride of African-Americans in his prowess, the shift of White sentiment toward Louis as Hitler came to power, Louis's patriotism during World War II, and the hounding of Louis by the IRS for the following 15 years. In his last years, he's a casino greeter, a drug user, and the occasional object of scorn for young Turks like Muhammad Ali. Appreciative comment comes from boxing scholars, Louis's son Joe Jr., friends, and icons like Maya Angelou, Dick Gregory, and Bill Cosby.
A chronicle which provides a rare window into the international perception of the Iraq War, courtesy of Al Jazeera, the Arab world's most popular news outlet. Roundly criticized by Cabinet members and Pentagon officials for reporting with a pro-Iraqi bias, and strongly condemned for frequently airing civilian causalities as well as footage of American POWs, the station has revealed (and continues to show the world) everything about the Iraq War that the Bush administration did not want it to see.
A documentary about the UN sex abuse scandal where companies and staff working for the United Nations in the Congo and other Central African countries were involved in rape and sex abuse of local women. There have been over 1700 allegations of sexual exploitation and abuse against UN peacekeepers in the last 15 years. Ramita Navai reveals why it keeps happening despite UN promises to stamp it out. It was produced for Channel 4 and for PBS Frontline – and ARTE. The film won the Robert F Kennedy Human Rights Journalism award for Television – International. Nominated for 2019 Emmy Award for Outstanding Investigative Documentary. Shortlisted for 2019 Grierson Awards for Best Single Documentary – International and Best Current Affairs Documentary. In 2020, the documentary won the 22nd Media Awards for “Children’s Rights in One World” in Germany.
When a young couple buys a contested home at auction from the U.S. government for $5,400, they become involved in a political and moral battle much larger than what they originally bargained for.
Is American foreign policy dominated by the idea of military supremacy? Has the military become too important in American life? Jarecki's shrewd and intelligent polemic would seem to give an affirmative answer to each of these questions.
Morgan Spurlock tours the Middle East to discuss the war on terror with Arabic people.
In the winter of 2002-'03, as the US was building its case to attack Iraq, people around the world responded with a series fo the largest peace protests in history. Shutdown: The Rise and Fall of Direct Action to Stop the War, is an action-packed documentary chronicling how DASW successfully organized to shut down a major US city and how they failed to effectively maintain the organization to fight the war machine and end the occupation of Iraq. Created by organizers involved with DASW, Shutdown combines detailed information on organizing for a mass action, critical interviews on organizing pitfalls, and the wisdom of hindsight. It is a must-see film for those engaged in the continuous struggle toward social justice.
Michael Moore's view on how the Bush administration allegedly used the tragic events on 9/11 to push forward its agenda for unjust wars in Afghanistan and Iraq.
A German Documentary about the “village of friendship” that was created by American Veteran George Mizo to help the Vietnamese kids suffering from the Vietnam War.
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Errol Morris examines the incidents of abuse and torture of suspected terrorists at the hands of U.S. forces at the Abu Ghraib prison.
Programming the Nation? takes an encompassing look at the history of subliminal messaging in America. According to many authorities, since the late 1950s subliminal content has been tested and delivered through all forms of mass-media including Hollywood filmmakers Alfred Hitchcock and William Friedkin. Even our modern military has been accused of these practices in the "war on terror" against soldiers and civilians both abroad and at home. With eye-opening footage, revealing interviews, humorous anecdotes, and an array of visual effects, the film categorically explores the alleged usage of subliminals in advertising, music, film, television, anti-theft devices, political propaganda, military psychological operations, and advanced weapons development. Director Jeff Warrick makes it his personal mission to determine if these manipulative tactics have succeeded in "programming the nation?" Or, if subliminal messaging belongs in the category of what many consider urban legend.
There were two wars in Iraq--a military assault and a media war. The former was well-covered; the latter was not. Until now... Independent filmmaker, Emmy-award winningTV journalist, author and media critic, Danny Schechter turns the cameras on the role of the media. His new film, WMD, is an outspoken assessment of how Pentagon propaganda and media complicity misled the American people...
In search of the lucrative matsutake mushroom, two former soldiers discover the means to gradually heal their wounds of war. Roger, a self-described 'fall-down drunk' and sniper in Vietnam, and Kouy, a Cambodian refugee who fought the Khmer Rouge, bonded in the bustling tent-city known as Mushroom Camp, which pops up each autumn in the Oregon woods. Their friendship became an adoptive family; according to a Cambodian custom, if you lose your family like Kouy, you must rebuilt it anew. Now, however, this new family could be lost. Roger's health is declining and trauma flashbacks rack his mind; Kouy gently aids his family before the snow falls and the hunting season ends, signaling his time to leave.
American soldiers of the 2/3 Field Artillery, a group known as the "Gunners," tell of their experiences in Baghdad during the Iraq War. Holed up in a bombed out pleasure palace built by Sadaam Hussein, the soldiers endured hostile situations some four months after President George W. Bush declared the end of major combat operations in the country.
Like all Israeli youth, Atalya is obligated to become a soldier. Unlike most, she questions the practices of her country's military, and becomes determined to challenge this rite of passage. Despite her family's political disagreements and personal concerns, she refuses military duty and is imprisoned for her dissent. Her courage moves those around her to reconsider their own moral positions and personal power. OBJECTOR follows Atalya to prison and beyond, offering a unique window into the Israeli-Palestinian conflict from the perspective of a young woman who seeks truth and takes a stand for justice.
Danish soldiers are sent to Afghanistan in 2009 for 6 months, to help stabilize the country against the Taliban. They're stationed on Armadillo military base in Helman province. Unlike other war movies, this is the real deal – no actors.
Hollywood collides with a group of veterans who are tired of the typical PTSD and valor-portrayed movies and decide to make an original dark humor zombie apocalypse film all on their own.
For three days in 1971, former US soldiers who were in Vietnam testify in Detroit about their war experiences. Nearly 30 speak, describing atrocities personally committed or witnessed, telling of inaccurate body counts, and recounting the process of destroying a village.
An opus in three parts, Iraq In Fragments offers a series of intimate, passionately-felt portraits: A fatherless 11-year-old is apprenticed to the domineering owner of a Baghdad garage; Sadr followers in two Shiite cities rally for regional elections while enforcing Islamic law at the point of a gun; a family of Kurdish farmers welcomes the US presence, which has allowed them a measure of freedom previously denied. American director James Longley spent more than two years filming in Iraq to create this stunningly photographed, poetically rendered documentary of the war-torn country as seen through the eyes of Sunnis, Shiites and Kurds.
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