A sensitive heart-warming story of an Indian transman's acceptance, by himself and his family. Merlin, born as a girl, felt right from his childhood that he was trapped in the wrong gender.
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Maharaj Brajbhan lives a wealthy lifestyle in Bharatpur, India along with his wife, Badi Rani, but have been unable to conceive for Bharatpur, and have no choice but to leave it's reigns with Brajban's widowed cousin, Vikram, and his son, Kanchan. When Vikram finds out that Badi Rani is pregnant, he plots to first sully her character by having her abducted, then shunned by the Maharaj, and then decides to have her killed. But her killer has a change of heart and lets her live. She gives birth to a son, names him Bhola, and starts living a simple lifestyle in a Mandir with the help of it's Poojary. Years later Vikram finds out she is alive and kills her, as well the Poojary and the Poojary's son. Bhola witnesses this, manages to escape, starts to live with a poor widow, grows up uneducated, and makes a living through crime.
Yin Honqiang, a master carpenter from Jiangyin, has been working with wood for over 50 years. Along with his son and his grandson, they create handcrafted pieces of furniture of the highest level, what lead them to be one of the most important furniture makers in all of China. Take a seat is a close look at their way of working while keeping the tradition alive throughout generations.
This is a reconstruction of the daily life of an ordinary family. With kindness and gentle humour, the film reveals the relationship between the older and the younger generation. The original concept of a short film study with authentic characters of the Ravager family grew into a feature-length picture on the border between a documentary and fiction. It was made as an improvisation without a previously approved screenplay in the course of only twenty days.
A family man has to decide between commitment and love for two women.
A tender exploration of friendship, identity, and transformation, this film follows Brahel and Andoeni, who met as children and grew up together in Guadalajara. Though their romantic relationship eventually ended, their deep friendship endured. Years later, after Brahel’s gender transition, the two reconnect and rediscover their bond. Through a rich tapestry of archival footage, music, intimate moments, and unspoken emotions, the narrative unfolds as a heartfelt journey of reconnection, vulnerability, and lasting affection.
Winner of 2 National Awards, Pancham Unmixed: Mujhe Chalte Jaana Hai, takes an incisive look into the legendary composer, RD Burman's reflective artistry and buoyant-but-also-lonely inner being. Featuring a host of close friends, colleagues and admirers, the film evokes awe, admiration and nostalgia the way most of his music does, till date.
Raja, a young boy, is separated from his parents in a train accident and taken in by a circus troupe. Years later, when an evil man hatches a heist, it is up to Raja to stop him.
Babu is a naive young man who likes to go out of his way to help people. He has fallen in love with Kammo, but in the process of helping another, he lands himself in jail for two years. After his discharge, he finds that a lady who had once helped him is now a destitute widow with a small child, Pinky.
King, a trafficked lion cub, escapes from the airport and takes refuge with Inès and Alex, who then have the crazy idea of getting him back to Africa. Anything can happen when Max their kooky grandfather, decides to join the adventure.
In 1999, the largely conservative Wairarapa district in New Zealand elected a former cabaret performer/actress named Georgina Beyer to the country's House of Parliament -- a seemingly unremarkable event in that country's history except for the fact that Beyer is a transsexual and may very well be the first transsexual in the world to be elected to a national office. In their 2002 biographical documentary Georgie Girl, co-directors Peter Wells and Annie Goldson highlight the popular Member of Parliament's rapid rise through local government to prominence in the New Zealand national government.
Sanctuary explores queer spirituality and utopian sexualities through the figure of Purusha Androgyne Larkin (1934–1988), a monk, pioneering gay filmmaker, and self-proclaimed cosmic-erotic mystic. Larkin’s 1981 book, 'The Divine Androgyne According to Purusha', challenged repression with a spiritual vision rooted in eroticism and presented a radical path to cosmic-erotic consciousness through ‘extreme’ forms of sexual pleasure. Sanctuary explores Larkin's attempt to form a utopian, pleasure-based spiritual community, and considers the complex legacies of his ideas in queer culture. Shot on 16mm, the film weaves together the voices of Larkin’s friends and followers, creating a portrait in absentia of a figure ahead of his time.
Haridwar-based Neelkanth Pandey and Shambhu Nath get their children, Bhagwantiprasad and Parvati respectively, married. Whille Shambhu re-locates to live in Bombay, Neelkanth continues to reside in the same residence. Years later both children have grown up, so Neelkanth invites the Naths to finalize the nuptials. Very soon the Pandeys will face humiliation and ridicule at the hands of Parvati, who now calls herself Pamela, and Shambhu, who wants his daughter to marry someone sophisticated and wealthy, while Parvati is in love with a singer named Rocky. Bhagwanti is determined to fulfill his parents' wishes and decides to stay wed to Parvati, re-locates to Bombay, to try and woo her back - with results that will end up changing his life forever.
Escaping the dreary wet weather of 1930s England, an eccentric family uproot and ship themselves to the sunnier climes of the Greek island of Corfu.
James and Ashwinikumar are secret agents from Ringania and India fighting to stop the villains hell bent on world domination.
Chandran and Balan are showered love and affection by their father and stepmother. But Chandran does not realise the value of this and grows into a bad boy.
A troubled young man struggles with a skin affliction and recurring nightmares of a monstrous figure. As his condition worsens, he grapples with his past, fearing he's becoming the very monster he dreads.
Clay Spencer and his wife, Olivia, live in a small town deep in the mountains. When Clay isn't busy drinking with his buddies or railing against the town minister, he's building the house he's always promised Olivia. He is overjoyed when he learns his eldest son will be the first Spencer to attend college, if he can resist the charms of a pretty local girl and rustle up the money for tuition.
Maya is the perfect mother. Her life revolves around her three children, Aleya, Ankush, and Anjali. Who thinks nothing much then the world of her. Despite being divorced from her husband, Aman. Maya has ensured that everything runs smoothly in her house, under her watch, and that they continue to remain a happy family unit. However, when Aman introduces his girlfriend, Shreya a career oriented woman, who has a lot to learn about children's, to the family, the situation immediately takes an unexpected turn. When an incident changes their lives drastically, bringing the two women under the same roof, they find themselves putting to test an unusual situation; can two mothers make a home?
Golmaal 3 highlights the story of hatred between two bunch of siblings within a family. The family that eats together prays together, lives together, and can't stand each other.
Filmmaker Jan Oxenberg narrates her own home videos, commenting on how her views towards lesbianism and femininity have evolved over time.
