The Barbary Corsairs

Oct 31, 2015

0h 51m

★ 7.7

Overview

In the 18th century, the Barbary threat became serious. In July 1785, two American boats were returned to Algiers; In the winter of 1793, eleven American ships, their crews in chains, were in the hands of the dey of Algiers. To ensure the freedom of movement of its commercial fleet, the United States was obliged to conclude treaties with the main Barbary states, paying considerable sums of money as a guarantee of non-aggression. With Morocco, treaty of 1786, 30,000 dollars; Tripoli, November 4, 1796, $56,000; Tunis, August 1797, 107,000 dollars. But the most expensive and the most humiliating was with the dey of Algiers, on September 5, 1795, “treaty of peace and friendship” which cost nearly a million dollars (including 525,000 in ransom for freed American slaves). , with an obligation to pay 20,000 dollars upon the arrival of each new consul and 17,000 dollars in annual gifts to senior Algerian officials...

Genres

Documentary

TV Movie

Production Companies

Taglicht Media

ARTE

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Cast

Stephen Decatur

Manou Lubowski

Hark Olufs (old)

Alexander von der Groeben

Hark Olufs (young)

Timur Bartels

Narrator (voice)

Leon Boden

In 1994, at over seventy years old, Gilberte and William Sportisse, threatened by the FIS, arrived from Algeria. Of Jewish faith, he of Arabic mother tongue, they formed a fighting couple, started for the independence of Algeria, always with an unshakeable faith in humanity. They enjoy recounting the participation of Algerian Jews in the Second World War and the struggle for Algerian independence. They provide us with previously unpublished information on the public and clandestine struggles of the Algerian Communist Party before and after independence, and on the repression of activists who, like William and Gilberte Sportisse, were tortured and imprisoned after Colonel Boumédiène came to power. The film is an ode to understanding between people of different origins or cultures and a tribute to a couple whose youthful character and enthusiasm still astonish.

10.0

A Propos D'Un Crime

Jan 1, 1967

In 1967, Visconti came to Algiers for the filming of The Stranger with Mastroianni and Anna Karina. Camus, during his lifetime, had always refused to allow one of his novels to be brought to the screen. His family made another decision. The filming of the film was experienced in Algiers, like a posthumous return of the writer to Algiers. During filming, a young filmmaker specializing in documentaries Gérard Patris attempts a report on the impact of the filming of The Stranger on the Algerians. Interspersed with sequences from the shooting of Visconti's film, he films Poncet, Maisonseul, Bénisti and Sénac, friends of Camus, in full discussions to situate Camus and his work in a sociological and historical context. “The idea is for us to show people, others, ourselves as if they could all be Meursault, or at least the witnesses concerned to his drama.”

10.0

La Bataille d'Alger, l'empreinte

Jan 1, 2018

Cheikh Djemaï looks back on the genesis of Gillo Pontecorvo’s feature film, The Battle of Algiers (1965). Through archive images, extracts from the film and interviews with personalities, the filmmaker retraces the journey of a major work - from the events of the Algiers Casbah (1956-1957) to the presentation of the Lion of 'Or causing the anger of the French delegation in Venice - which left its mark as much in the history of cinema as in that of Algeria.

10.0

Le Grand Désert

Dec 1, 1950

In 1950, the explorer Roger Frison-Roche made a crossing of more than a thousand kilometers on the back of a camel with the photographer Georges Tairraz II, in the heart of the Sahara, from Hoggar then Djanet in Algeria to Ghat in Libya. From their journey they brought back a large number of color films and documents. Among thousands of photos, they selected 47 images which reflect the various aspects of these immense spaces which occupy a third of Africa in the book "The Great Desert". “The Great Desert, 1000 kilometers on camelback” is the eponymous 85-minute documentary of this epic, released in 1950.

10.0

Expédition Hoggar 79

May 31, 1979

TSR documentary on the 1979 expedition to Algeria in the Atakor massif (Hoggar desert), organized by Geneva mountaineer Michel Vaucher and Jean-Blaise Fellay. The climbers make a dozen ascents including the famous summit of Adaouda (which means "finger" in Tamasheq, the Tuareg dialect), by several routes. Then a new route on the peaks of the southern Tezoulegs. They discover the volcanic geological characteristics of the Atakor massif and meet the nomadic inhabitants of the region, the Tuaregs, who are increasingly settling in the town of Tamanrasset.

10.0

Anatomy of a First

Jan 1, 1966

In February 1966, Pierre Mazeaud and Lucien Berardini attempted a difficult first ascent to one of the summits of Garet El Djenoun, in the Hoggar massif, a mountain range located west of the Sahara, in the south of Algeria. The mountain has been preserved intact since Roger Frison-Roche's expedition in 1935. The documentary, superbly filmed by René Vernadet, won the Grand Prix at the Trento Film Festival in 1966.

0.0

Avant de franchir la ligne d'horizon

Jan 1, 2010

Habiba Djahnine went to meet activists who continue to take action. To meet them, to capture them in the spaces where they live, work or fight. They inscribe a few words of our tormented history. Memory, memory gaps, background noise, demonstrations... The film bears witness to 20 years of political mobilization/repression in Algeria.

10.0

Holidays Despite All

Jan 1, 2001

Immigrated to the Paris region since 1964, Kader decides to spend the summer holidays with his family in his native village, not far from Algiers. These few weeks, so eagerly awaited by both sides, constitute a special moment full of strong emotions. The camera follows the family in their meetings, their reunions, their difficulties, their visions of the country and its region, the celebrations, the weddings, their return to France… This film raises many questions. Within this family itself, between those who stayed in the country and those who emigrated to France, how do we perceive the situation in Algeria? What hopes do each of them have for their country? What about the Franco-Algerian relationship? Contemporary immigration? The desire for exile of Algerians today? Different discourses on both sides of the Mediterranean? The desires of each of them…

10.0

Boudjemâa et la Maison Cinéma

Dec 9, 2019

He is a 75-year-old half-blind man. He takes 3000 steps every day. Since 2004 he has made a decision: he will no longer talk about cinema. Boudjemâa, our living memory. That of Algerian cinema, African cinema, Arab cinema, cinema in short. The Algiers Cinematheque. The “masterpiece of Algerian cinema”. Boudjemâa Karèche directed it for 34 years. So why does Boudjemâa no longer talk about cinema? The answer lies next to the circumstances which caused his ouster from the Cinémathèque. Boudjemâa was silent. The time has come for him to let the word think for itself.

9.0

The Words Women Spoke One Day

Mar 24, 2024

1962, at the end of the Algerian War, Algerian independence activists are released from Rennes prison. For one night, filmmaker Yann Le Masson films them. They tell him their vision for the future of Algeria and the place women must occupy in the new society to be built. Fifty years later, with the soundtrack missing, Raphaël Pillosio sets out to find these women. Two deaf people set about lip-reading the women filmed by Yann Le Masson, revealing snatches of sentences, words cut short by the camera's shifts. An investigative film in which the few activists still alive discover their old testimonies and tell us their silent story. The reconstruction of the lost soundtrack will remain in suspense; no happy ending will come to absorb the absence, to cancel the ferocious operation of time. An essay film about cinema that depicts their disappearance, and forever keeps them alive.

10.0

Hoggar 1973

Jan 1, 1973

In 1973, 6 guides from the National Ski and Mountaineering School (ENSA), including Charles Daubas and Walter Cecchinel, left by truck from Chamonix to Tamanrasset in the desert in Algeria with the aim of climbing some peaks of the Atakor massif including Adaouda and Tizouyag where they do the first of "La Voie de l'ENSA".

6.8

Camus, l'icône de la révolte

Jan 3, 2020

Albert Camus, who died 60 years ago, continues to inspire defenders of freedom and human rights activists around the world today. The Nobel Prize winner for literature is one of the most widely read French-language writers in the world. He continues to embody the rebellious man who opposes all forms of oppression and tyranny while refusing to compromise his human values.

6.8

CHoosing at Twenty

Aug 24, 2017

Between 1954-1962, one hundred to three hundred young French people refused to participate in the Algerian war. These rebels, soldiers or conscripts were non-violent or anti-colonialists. Some took refuge in Switzerland where Swiss citizens came to their aid, while in France they were condemned as traitors to the country. In 1962, a few months after Independence, Villi Hermann went to a region devastated by war near the Algerian-Moroccan border, to help rebuild a school. In 2016 he returned to Algeria and reunited with his former students. He also met French refractories, now living in France or Switzerland.

10.0

Tahalra

Jan 1, 1957

Five young Italian climbers, Paolo Grunanger, Lorenzo Marimonti, Pietro Meciani, Lodovico Gaetani and Giorgio Gualco, members of the expedition organized under the patronage of the Milanese section of the Italian Alpine Club, reached Tamanrasset, in Hoggar, the Tuareg kingdom. From there, with a caravan of camels, they head towards the mountainous volcanic chain of Tahalra, little known to Westerners. During the exploration, climbers will climb seven virgin peaks via very difficult routes and at the same time carry out topographical surveys.

10.0

Pierre Clément, Cinéma et Révolution

Oct 14, 2023

Pierre Clément, student and photographer of René Vauthier, first accompanied him to Tunisia to make a film on the country's independence in 1957. Destiny led him to Algeria and his presence in February 1958 at the Tunisian-Algerian border changed his life. . Forever. He took his camera and photographed the attacks on Sakia Sidi Youssef before committing himself body and soul to the Algerian cause. Shortly after, he directed the film “Algerian Refugees” before being arrested, tortured and imprisoned, while his third film, “The National Liberation Army in Almaki”, was not finished. Abdel Nour Zahzah, a director who commemorates Pierre Clément, the director who risked his life, the brother of the Algerian resistance, who disappeared in 2007.

10.0

Guns of Freedom

Jan 1, 1961

This docu-fiction recounts the difficulties overcome by an ALN detachment whose perilous mission is to transport weapons and ammunition from Tunisia across the Algerian Sahara during the Algerian liberation war (1954-1962) against the French army of occupation.

7.6

The Zerda or the Songs of Forgetting

Feb 27, 1983

“La Zerda and the songs of oblivion” (1982) is one of only two films made by the Algerian novelist Assia Djebar, with “La Nouba des femmes du mont Chenoua” (1977). Powerful poetic essay based on archives, in which Assia Djebar – in collaboration with the poet Malek Alloula and the composer Ahmed Essyad – deconstructs the French colonial propaganda of the Pathé-Gaumont newsreels from 1912 to 1942, to reveal the signs of revolt among the subjugated North African population. Through the reassembly of these propaganda images, Djebar recovers the history of the Zerda ceremonies, suggesting that the power and mysticism of this tradition were obliterated and erased by the predatory voyeurism of the colonial gaze. This very gaze is thus subverted and a hidden tradition of resistance and struggle is revealed, against any exoticizing and orientalist temptation.

10.0

How Much I Love You

May 5, 1985

Beginning with a promotional reel encouraging farming investments in Algeria and ending with the secret 1950s nuclear tests that France conducted using Algerian prisoners, How Much I Love You appropriates archival footage produced by the French colonial powers in Algeria. Meddour’s approach is disarmingly simple and yet awe-inspiring—his caustic undoing of colonial discourse is underscored by a liberating release of humor.

0.0

Hustlers of Dubai

Invalid Date

Dubai - the city of controversies. Six individuals go through personal insecurities, cultural pressures, money issues and the hustle of staying true to who they are. In the world that says otherwise. Is it all really worth it ? The film touches upon Arab identity, female role in the world, family values, Islam.

6.5

Mariner of the Mountains

Sep 28, 2023

Filmmaker Karim Aïnouz decides to take a boat, cross the Mediterranean, and embark on his first journey to Algeria. Accompanied by the memory of his mother, Iracema, and his camera, Aïnouz gives a detailed account of the journey to his father’s homeland, interweaving present, past, and future.

The Barbary Corsairs

Overview

Genres

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