A young girl has already seen everything there is to see and her world has lost all meaning. Her anger shatters her world and she finds herself in the universe of QUIDAM, where she is joined by a playful companion, as well as another mysterious character who attempts to seduce her with the marvelous, the unsettling and the terrifying.
Alegría is a mood, a state of mind. The themes of the show, whose name means "jubilation" in Spanish, are many. Power and the handing down of power over time, the evolution from ancient monarchies to modern democracies, old age, youth - it is against this backdrop that the characters of Alegría play out their lives. Kings' fools, minstrels, beggars, old aristocrats and children make up its universe, along with the clowns, who alone are able to resist the passing of time and the social transformations that accompany it.
From the Italian 'saltare in banco' – which literally means 'to jump on a bench' – Saltimbanco explores the urban experience in all its myriad forms. Between whirlwind and lull, prowess and poetry, it takes spectators on an allegorical and acrobatic journey into the heart and soul of the modern city.
An old Chinese man rides into the town of Abalone, Arizona and changes it forever, as the citizens see themselves reflected in the mirror of Lao's mysterious circus of mythical beasts.
On his deathbed, Ludovico entrusts his daughter Margot to the housekeeper, Felicia, asking that the family villa be transformed into an orphanage so that the little girl can grow up in joy with other children. But the wicked Felicia only wants the little girl's assets and not take care of her. With the complicity of her suitor, Max, she exploits the orphaned children and keeps Margot segregated and neglected to the point that the child withdraws into herself and no longer speaks. One night, however, Margot manages to escape and, after overcoming the darkness of the woods, she comes across a circus.
This documentary highlights the evolution of Brazil's Circo Voador venue from homespun artists' performance space to national cultural institution.
Throughout his life Edward Bloom has always been a man of big appetites, enormous passions and tall tales. In his later years, he remains a huge mystery to his son, William. Now, to get to know the real man, Will begins piecing together a true picture of his father from flashbacks of his amazing adventures.
Drawing upon a vast and richly visual archive and featuring a host of performers, historians and aficionados, this four-hour mini-series follows the rise and fall of the gigantic, traveling tented railroad circus and brings to life an era when Circus Day would shut down a town and its stars were among the most famous people in the country.
Vienna’s Prater is an amusement park and a desire machine. No mechanical invention, no novel idea or sensational innovation could escape incorporation into the Prater. The diverse story-telling in Ulrike Ottinger’s film “Prater” transforms this place of sensations into a modern cinema of attractions. The Prater’s history from the beginning to the present is told by its protagonists and those who have documented it, including contemporary cinematic images of the Prater, interviews with carnies, commentary by Austrians and visitors from abroad, film quotes, and photographic and written documentary materials. The meaning of the Prater, its status as a place of technological innovation, and its role as a cultural medium are reflected in texts by Elfriede Jelinek, Josef von Sternberg, Erich Kästner and Elias Canetti, as well as in music devoted to this amusement venue throughout the course of its history.
A travelling theatre company has more to it than meets the eye.
Recently orphaned, a young boy is taken in by his godmother who is shocked to realize that she can see the boy's imaginary friend: a flamboyant, French magician named Bogus.
Two angels, Damiel and Cassiel, glide through the streets of Berlin, observing the bustling population, providing invisible rays of hope to the distressed but never interacting with them. When Damiel falls in love with lonely trapeze artist Marion, the angel longs to experience life in the physical world, and finds -- with some words of wisdom from actor Peter Falk -- that it might be possible for him to take human form.
Errol Morris’s Fast, Cheap & Out of Control interweaves the stories of four men, each driven to create eccentric worlds from their unique obsessions, all of which involve animals. There’s a lion tamer who shares his theories on the mental processes of wild animals; a topiary gardener who has devoted a lifetime to shaping bears and giraffes out of hedges and trees; a man fascinated with hairless mole rats; and an MIT scientist who has designed complex, autonomous robots that can crawl like bugs.
Cirque du Soleil presents The Mystery of Mystère, a captivating documentary that explores how arts and science merge together using Mystère, the critically acclaimed Las Vegas show at Treasure Island, as the outlet for this message.
A child is born. We see underwater swimmers representing this. He is young, in a jungle setting, with two fanciful "instincts" guiding him as swooping bird-like acrobats initially menace, then delight. As an adolescent, he enters a desert, where a man spins a large cube of metal tubing. He leaves his instinct-guides behind, and enters a garden where two statues dance in a pond. As he watches their sensual acrobatics of love, he becomes a man. He is offered wealth (represented by a golden hat) by a devil figure. In a richly decorated room, a scruffy troupe of a dozen acrobats and a little girl reawaken the old man's youthful nature and love.
A circus owner and a lady trapper trek into the African jungle to capture a giant gorilla for his circus.
Footage from the premiere of Charlie Chaplin's 1928 film 'The Circus'.
A documentary about the lives of actors in the Sakura-tai theatrical troupe, which had arrived in the island of Hiroshima to begin preparations for the staging of a play just before the atomic bombing.
A turn of the century wild west show struggling to make a living in Mexico comes into the possession of a tiny prehistoric horse. This leads to an expedition to the Forbidden Valley where they discover living dinosaurs. They capture one and take it back to be put on display, leading to inevitable mayhem.
Overcoming bullies and his own loser mentality, 10-year-old Bernie Dingledorf must destroy Dr. Chuckles’s diabolical Laugh Generator before it sends the world into uncontrollable fits of laughter.
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