Footage shot in and around North Bergen, New Jersey presented in a minimalist series of fixed camera angles and long-takes accompanied by the ambient noise of city streets.
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Unveiling Yasujiro Ozu’s legacy through his personal diaries, letters, and interviews, the documentary delves into his life, creative process, and lasting impact on filmmaking.
Two young documentarists travel around a forsaken island in the aftermath of a cataclysmic volcanic eruption. Their wanders lead them to the encounter of Professor Pereda, an acoustic geologist, conducting researches on geo-acoustics.
Through the Fondren Fellows program, the Rice Media Center Archive Project has spent the past few months sifting through material stored at the now-defunct Rice Media Center. The team has identified several films as especially notable and will be presenting them in conjunction with documentary footage the team shot of people involved with the films. From lectures featuring Roberto Rossellini and Werner Herzog to films from former Rice students and faculty, the film presentation will tell the narrative of the Rice Media Center through the films and filmmakers that passed through its corridors.
An extremely lovely tribute to Ozu, on the 20th anniversary of his death. It uses a combination of footage from vintage films and new material (both interviews and Ozu-related locations) shot by Ozu's long-time camera-man (who came out of retirement to work on this). Surprisingly (or perhaps not), it focuses less on Ozu's accomplishments as a film-maker than on his impact on the lives of the people he worked with..
“This film was a gift to me. I make no claims for it, nor do I offer any apologies. It comes from work on The Thoughts That Once We Had. There was one shot we had to cut whose loss I particularly regretted. It was a shot of a train pulling into Tokyo Station from Ozu’s The Only Son (1936). So I decided to make a film around this shot, an anthology of train arrivals. It comprises 26 scenes or shots from movies, 1904-2015. It has a simple serial structure: each black & white sequence in the first half rhymes with a color sequence in the second half. Thus the first shot and the final shot show trains arriving at stations in Japan from a low camera height. In the first shot (The Only Son), the train moves toward the right; in the last shot, it moves toward the left. A bullet train has replaced a steam locomotive. So after all these years, I’ve made another structural film, although that was not my original intention.”
With exclusive behind-the-scenes access into Herzog’s everyday life, rare archive material and in-depth interviews with celebrated collaborators – including Christian Bale, Nicole Kidman, and Robert Pattinson, we are given an exciting glimpse into the work and personal life of the iconic artist.
It seemed like a typically quiet night... but the most unexpected encounter leads Chris to a difficult choice.
A pre-fame Werner Herzog (Adam Ezagouri) is asked to share a flat with a strange new actor only known as Klaus Kinski. Herzog agrees but soon regrets his generous decision as Kinski proves to be one uncanny flatmate. Despite their disagreements, both decide to try and shoot Herzog's own version of Don Quixote, with disastrous consequences.
A Spectacular Surf Odyssey
The greatest secret of the Second World War has remained a mystery for the last 80 years: a Jewish Communist, Sandor Rado, led a spy network that proved essential to the victory of Allied Forces. Rado received details of strictly confidential strategies from the highest echelons of the Nazi State through Rudolf Roessler, a dedicated anti-Nazi he'd only known as code name "Lucy." Aided by key German industry leaders, Roessler transmitted timely information from high-ranking collaborators within the German army headquarters. Despite their achievement, Rado, Roessler and their sources remained unacknowledged heroes until today. Thanks to the recent declassification of secret archives, we are now able to step behind the scenes of this incredible story.
Feature-length documentary following award-winning wildlife cameraman Vianet Djenguet as he documents a gruelling but vital mission to ‘habituate’ a notoriously protective 450lb silverback, in a last-ditch effort to save the critically endangered eastern lowland gorillas from extinction.
Jan Leeming narrates a collection of on-air disasters involving TV presenters, from live gaffes and wardrobe malfunctions to slip-ups, pratfalls and even flying fists.
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A personal tribute to the liturgy of cinema, to its ghosts and its dreams.
The documentary portrays the art historian Wilhelm von Bode as a realistic visionary.
In 1952, the Central Committee of the Socialist Unity Party of Germany (SED) decides to establish a "Museum of German History" (MfDG) in the Zeughaus Unter den Linden. As the central history museum of the GDR, it is committed to the Marxist-Leninist conception of history. The film Museum of German History. Insights and Encounters - a GDR television documentary from 1988 - shows the reconstruction of the war-damaged building, presents selected eras such as the Peasants' Wars and the Revolution of 1848 and observes the preparations for a special exhibition on "Artists in the Class Struggle". The film also provides insights into the restorers' workshops, the coin collection and the painting depot.
A documentary that details the lives of Babak and Ahmad Ahmadpour 30 years after they starred as amateur child actors in Abbas Kiarostami's Koker Trilogy.
