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This feature length documentary tells the story of Mahani Teave who grew up on Rapa Nui (Easter Island) and left at age 9 to pursue her dream of being classical pianist-a journey that takes her from mainland Chile to The Cleveland Music Institute to Berlin and the great concert halls of Europe. At the age of 30, on the brink of international success, Teave gives up her career to pursue a new dream, coming back full circle to Rapa Nui to found a free music school for the island's children. The resulting school-named Toki, after the basalt tool once used to shape Easter Island's iconic sculptures-is a model of sustainability, incorporating tons of tires, bottles and Pacific Ocean plastic; surrounded by agri-environmental gardens to grow food. With Toki, Mahani hopes to shape a bold new future for Rapa Nui and inspire hope and change on Earth, our island home.
Jaime works as a librarian at a music school. It's no coincidence that his greatest passion is music. A self-taught pianist with a personality marked by difficulties in social interaction, he will meet someone who discovers his talent and will help him overcome many of his insecurities.
Experience epic game music in a whole new light. At DR Koncerthuset, the 150-member Danish National Symphony Orchestra and Concert Choir turn the hall into a series of vivid sound-scapes drawn from beloved video games – from the heroic sweep of The Legend of Zelda to the modern intensity of League of Legends. Special guest Eivør Pálsdóttir lends her powerful Nordic voice to the hit song “Legends Never Die,” joined by rising Danish soloists Isabel Schwartzbach and Adam Riis. Under the direction of James Sherlock, every melody is re-imagined for full orchestra and choir, creating 70 minutes of stirring, cinematic music that speaks to gamers and newcomers alike. Gaming X Symphony – Legends and Quests in Concert: discover the stories, the emotion, and the spectacle of game music—performed live on stage.
A chronicle of the life of infamous classical composer Ludwig van Beethoven and his painful struggle with hearing loss. Following Beethoven's death in 1827, his assistant, Schindler, searches for an elusive woman referred to in the composer's love letters as "immortal beloved." As Schindler solves the mystery, a series of flashbacks reveal Beethoven's transformation from passionate young man to troubled musical genius.
A coming-of-age story centered around a small-town singer brokenhearted by the death of her brother in a car crash, who had secretly submitted her for a summer session at a performing arts academy in Los Angeles. In the academy, she experiences a whole new way of life in the big city, far from the small town lifestyle she's used to.
Trailblazing double bassist Orin O'Brien never wanted the spotlight, but when Leonard Bernstein hired her in 1966 as the first female musician in the New York Philarmonic, it was inevitable that she would become the focus of much interest and fascination. Now 87 years old and recently retired, Orin looks back on her remarkable life and career, insisting that a fuss should not be made, much preferring to play a supporting role to the family, students, friends, and colleagues that surround her.
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The movie will chart Cole’s journey as musician and quiet revolutionary, navigating racial injustice, Hollywood sabotage and self doubt to ensure his legacy and help pave the way for future generations of artists and Black men and women.
Recording of the Berlin Philharmonic Orchestra conducted by Herbert von Karajan playing Beethoven's 8th Symphony.
A triumph of remembrance, wrote Die Welt following this stirring concert given by the Berliner Philharmoniker under Seiji Ozawa and with Anne-Sophie Mutter as soloist. It left its audience hovering between hushed reverence and deafening exultation. The Golden Hall of Vienna's Musikverein was the dazzling venue for the live recording of this concert celebrating the 100th birthday of Herbert von Karajan. And there Karajan s Berliner never sounded better, evoking a time which selfconfidently sought the private and subjective in music, and believed it could find them in the mirror of the works (Frankfurter Allgemeine Zeitung). It is a concert that commemorates Herbert von Karajan for the ages in a supremely moving manner. Beethoven: Violin Concerto, Tchaikovsky: Symphony No. 6, Bach: Sarabande,br. Seiji Ozawa, Anne-Sophie Mutter
A female talent scout takes a down-on-his-luck construction worker under her wing and helps him rise to his potential as a singer/songwriter.
"In November of 2019, I was sent to Chicago to interview psych-rock band 'Post Animal' on their much-anticipated sophomore album 'Forward Motion Godyssey.' Rather unfamiliar with their persona, I wasn't sure what to expect... What I got was the most absurd experience of my professional life." - Sam Straley
Young musician Zach Sobiech discovers his cancer has spread, leaving him just a few months to live. With limited time, he follows his dream and makes an album, unaware that it will soon be a viral music phenomenon.
Features live performances of Dua Lipa's greatest hits accompanied by the Heritage Orchestra, as well as personal reflections on her career.
An Eddie Cantor look-alike organizes an all-star show to help the war effort.
The brilliant self-taught pianist Erroll Garner left his mark on jazz forever. His song Misty, which he allegedly composed between two concerts on an aeroplane, immediately became one of the great jazz standards and is still one of the most covered ballads in the world today. Who was the man behind the ever-friendly smile from the ghettos of Pittsburgh, whose talent brought him to the biggest international stages?
The film follows three renowned vocal coaches and their students during private lessons. As the pupils prepare for their upcoming final evaluations, perfect technique is expected to produce impeccable results. Listening primarily to their voices, we feel intensity and intimacy arise between teachers and students – an atmosphere in which transcendence is being built.
Karajan had been appointed music director for life of the Berlin Philharmonic in 1955, and soon the orchestra mastered the entire palette of Karajan's subtly defined phrasings, moods and orchestral colors. At home in the majesty of Bruckner or the raw power of Beethoven, the orchestra was also able to "let go" with Suppé or a Lisztian Hungarian Rhapsody, as the recording illustrates. For the 1978 New Year's Eve concert with the Berlin Philharmonic, Karajan put together a program of exclusively popular classical works, pieces that would guarantee a bubbly good time. Following Verdi's Overture to "La forza del destino" are the two major works of the program, Bizet's Arlésienne Suite No. 2 and Liszt's Hungarian Rhapsody No. 2. The Hungarian March, or "Rákóczy March," from Berlioz's "La damnation de Faust" never fails to rouse listeners with its instrumentation. The program closes with the Intermezzo from Mascagni's "L'amico Fritz" and the popular Overture to "Leichte Kavallerie" by Suppé.
"It is not every day that Brahms sounds so perfect as this," enthused the Kurier newspaper, describing Buchbinder’s performance with the Vienna Philharmonic. The “phenomenal piano virtuoso” plays the First and Second Piano Concertos of Johannes Brahms in the Golden Hall of the Vienna Musikverein with Maestro Zubin Mehta, who has long been intensively associated both with the orchestra and with soloist Rudolf Buchbinder.
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