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A mix of Rock and Roll and Blues are the secret for successful rebellion. When I took my camera to the middle of France where the GM&S factory was threatened by a permanent shut down, I felt like something extraordinary was about to take place. And it did. The lyrics were written by workers who have had enough! The tune was composed by people not afraid to go against even the rules of revolt! The volume was loud enough to attract the media. Their working-class concert spread across France like wild fire. I sat out of sight, camera in hand, filming like catching fish in a barrel.
Jean-Luc Godard brings his firebrand political cinema to the UK, exploring the revolutionary signals in late '60s British society. Constructed as a montage of various disconnected political acts (in line with Godard's then appropriation of Soviet director Dziga Vertov's agitprop techniques), it combines a diverse range of footage, from students discussing The Beatles to the production line at the MG factory in Oxfordshire, burnished with onscreen political sloganeering.
An analysis of the social upheaval of May 1968, made in the immediate wake of the workers’ and students’ protests. The picture consists of two parts, each with with identical image tracks, and differing narration.
David Gelb (Jiro Dreams of Sushi) tackles another venerable, beloved, and long-standing institution: the Mustang, crown jewel of the Ford fleet. Only this institution is in turmoil. As the fiftieth anniversary of the Mustang approaches and the car industry struggles through the deepest trough of the financial crisis, Ford launches a redesign. Now the jobs of workers at Ford’s Flat Rock Assembly Plant, the expectations of the thousands of Mustang devotees, and the livelihood of the city of Detroit are all placed squarely on the shoulders of Dave Pericak. As chief program engineer, he will guide the 2015 Mustang from assembly floor to showroom—if only he can get that vibration out of the steering wheel.
High Performance Imports checks out Tokyo Auto Salon 2002, tours Mine's factory and demonstrates drift action from Mitsui Mike plus an update on the HPI project car tuning.
Intended as a publicity film for Chrysler, Rhythm uses rapid editing to speed up the assembly of a car, synchronizing it to African drum music. The sponsor was horrified by the music and suspicious of the way a worker was shown winking at the camera; although Rhythm won first prize at a New York advertising festival, it was disqualified because Chrysler had never given it a television screening. P. Adams Sitney wrote, “Although his reputation has been sustained by the invention of direct painting on film, Lye deserves equal credit as one of the great masters of montage.” And in Film Culture, Jonas Mekas said to Peter Kubelka, “Have you seen Len Lye’s 50-second automobile commercial? Nothing happens there…except that it’s filled with some kind of secret action of cinema.” - Harvard Film Archive
When a western Pennsylvania auto plant is acquired by a Japanese company, brokering auto worker Hunt Stevenson faces the tricky challenge of mediating the assimilation of two clashing corporate cultures. At one end is the Japanese plant manager and the sycophant who is angling for his position. At the other, a number of disgruntled long-time union members struggle with the new exigencies of Japanese quality control.
Fed up with mistreatment at the hands of both management and union brass, and coupled with financial hardships on each man's end, three auto assembly line workers hatch a plan to rob a safe at union headquarters.
A young pair from Stuttgart fly to Shanghai to hop aboard the textile business of his father while she prepares for the birth of their son. A story about the ever more common movement of Germans into the East for professional gain.
The humorous portrait of a female artist. The film follows the career of 24-year-old Janine F. who in 2002 caused a commotion from the rooftop of a Berlin building.
In a contemporary reimagining of the American West, three young women - a snake hunter, a New York artist, and a rodeo queen - challenge the idea of who is permitted to be a cowgirl.
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"La Gigue" (Gaumont #590) is part of the "Miss Lina Esbrard. Danseuse cosmopolite et serpentine" series of 4 films, and should not be confused with "Danse excentrique" (Gaumont #587), "Danse serpentine" (Gaumont #588, the only extant film in the series), or "Danse fantaisiste" (Gaumont #589).
Sun Araw and M. Geddes Gengras meet legendary dub reggae group The Congos in St. Catherine, Jamaica and create the full-length album, ICON GIVE THANK. In conjunction, RVNG released ICON EYE, a feature film documenting the young musicians’ time spent living and learning The Congos way. The visual companion to the musical fruit of GIVE THANK, ICON EYE, is a feature-length travelogue executively produced by Christine Vachon (Killer Films) and Randall Poster & Gelya Robb (Search Party Music).
Three elderly country bachelors idle away their time amidst semi-wild nature, closer to birds and pond fish than to humans.
A story about life in two minutes.
Ceramics expert Lars Tharp, Antiques Roadshow resident and presenter of Treasures of Chinese Porcelain, has picked his six favourite pieces representing Chinese taste. He goes on a journey through a thousand years of Chinese history, travelling from the ancient capital of Huangzhou in the south to Beijing's Forbidden City in the north, to uncover what these six pieces tell us about Chinese emperors, scholars, workers, merchants and artists. To him, they are China in ceramic form. But can they help us to understand China today?
Once upon a time there was a chimney. By the chimney - there were three houses. In the houses there were seven girls. All of them - blondes.
A film about the daily life of Martin, a handicapped child who will always be dependent on his parents. Ever since he was very small, Martin has had to get around in a wheelchair and has needed the constant help of an adult. Martin’s parents, Inga and Andris Skesteri, tell about their life, about their son’s character and about their hopes for the future.
