Jean-Luc Godard brings his firebrand political cinema to the UK, exploring the revolutionary signals in late '60s British society. Constructed as a montage of various disconnected political acts (in line with Godard's then appropriation of Soviet director Dziga Vertov's agitprop techniques), it combines a diverse range of footage, from students discussing The Beatles to the production line at the MG factory in Oxfordshire, burnished with onscreen political sloganeering.
An analysis of the social upheaval of May 1968, made in the immediate wake of the workers’ and students’ protests. The picture consists of two parts, each with with identical image tracks, and differing narration.
David Gelb (Jiro Dreams of Sushi) tackles another venerable, beloved, and long-standing institution: the Mustang, crown jewel of the Ford fleet. Only this institution is in turmoil. As the fiftieth anniversary of the Mustang approaches and the car industry struggles through the deepest trough of the financial crisis, Ford launches a redesign. Now the jobs of workers at Ford’s Flat Rock Assembly Plant, the expectations of the thousands of Mustang devotees, and the livelihood of the city of Detroit are all placed squarely on the shoulders of Dave Pericak. As chief program engineer, he will guide the 2015 Mustang from assembly floor to showroom—if only he can get that vibration out of the steering wheel.
High Performance Imports checks out Tokyo Auto Salon 2002, tours Mine's factory and demonstrates drift action from Mitsui Mike plus an update on the HPI project car tuning.
Intended as a publicity film for Chrysler, Rhythm uses rapid editing to speed up the assembly of a car, synchronizing it to African drum music. The sponsor was horrified by the music and suspicious of the way a worker was shown winking at the camera; although Rhythm won first prize at a New York advertising festival, it was disqualified because Chrysler had never given it a television screening. P. Adams Sitney wrote, “Although his reputation has been sustained by the invention of direct painting on film, Lye deserves equal credit as one of the great masters of montage.” And in Film Culture, Jonas Mekas said to Peter Kubelka, “Have you seen Len Lye’s 50-second automobile commercial? Nothing happens there…except that it’s filled with some kind of secret action of cinema.” - Harvard Film Archive
A mix of Rock and Roll and Blues are the secret for successful rebellion. When I took my camera to the middle of France where the GM&S factory was threatened by a permanent shut down, I felt like something extraordinary was about to take place. And it did. The lyrics were written by workers who have had enough! The tune was composed by people not afraid to go against even the rules of revolt! The volume was loud enough to attract the media. Their working-class concert spread across France like wild fire. I sat out of sight, camera in hand, filming like catching fish in a barrel.
Fed up with mistreatment at the hands of both management and union brass, and coupled with financial hardships on each man's end, three auto assembly line workers hatch a plan to rob a safe at union headquarters.
When a western Pennsylvania auto plant is acquired by a Japanese company, brokering auto worker Hunt Stevenson faces the tricky challenge of mediating the assimilation of two clashing corporate cultures. At one end is the Japanese plant manager and the sycophant who is angling for his position. At the other, a number of disgruntled long-time union members struggle with the new exigencies of Japanese quality control.
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Of all the creatures conjured up from the shadows of the human mind, none exerts such a terrifying grip on our imaginations as the immortal night-stalker, Dracula. But did this fiend actually exist? Are there such things as living vampires? Now, in this startling expose of the vampire legend, you'll meet the scholar who traveled Transylvania's eerie landscapes to unearth the real-life Count Dracula: the ghoulish 15th-century Romanian prince known and feared as "Vlad the Impaler."
A teacher in a disadvantaged community rebels against a system that neglects many of its vulnerable students. Gloria Merriex transforms into a trailblazer, using rap, dance and other innovations to enable children to thrive in school—and beyond.
An intimate, ironic, and freewheeling portrait of Patrizia Cavalli.
A documentary about twin sisters whose beliefs have taken them on different paths. Filmmaker Zohra begins filming her twin sister Sanaa in their apartment in Brussels. When Sanaa silently turns to Islam, the religion the two sisters partially grew up with, Zohra becomes more and more consumed by capturing her sister. The inevitable transformation leads to a need to understand each other anew.
Through exclusive testimonies and clandestine videos, this documentary gives voice to courageous women in Iran who risked their lives to share their stories and to prominent women in culture, art and academia who were forced to leave their beloved country. They are a guiding force, able to explain through their individual, perilous and often tragic experiences, the drastic shift of a nation, caught between patriarchy, deep economic crisis, corruption, rigid religious and ideological beliefs.
10th Anniversary documentary about Royal Blood's 2014 eponymous debut album, presenting an intimate glimpse into the creative process and the journey behind their work, friendship and brotherhood.
A feature-length documentary on Yvonne Bezerra de Mello, award-winning artist and human-rights activist who has gained international recognition for her work with street children in Rio. The film recounts how a woman turned her back on a wealthy lifestyle, driven into action by the execution of 8 streetkids by military police in 1993. In subsequent years Yvonne's struggle to better the lives of endangered and abandoned children has led her to found "Projeto Uere" ("Children of Light") a radical project committed to protection and education of kids who live in the streets and slums of Rio which has brought her into conflict with Brazil's wealthy elite.
The story of the last sheppards of the Star Mountain Range in Central Eastern Portugal.
Jalanan is the captivating story of Boni, Ho and Titi - three gifted, charismatic bus musicians in Jakarta - and through them a mostly unknown story of contemporary Indonesia. Jalanan intimately portrays the young musicians' quirky sub-culture while also painting an alarming portrait of Indonesia's frenzied capital city that is raw, humorous and brutally honest. Jalanan accompanies the three characters as they perform songs of social angst, get caught in political unrest, face family crises and get locked up by police. It follows them to their distant home villages in Java and traces their elusive, heartfelt quest for identity and love in an adopted city rapidly being overrun by the effects of globalization. A powerful soundtrack of the musicians' original compositions drives the film.
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