No Trailers found.
An uproarious version of history that proves nothing is sacred – not even the Roman Empire, the French Revolution and the Spanish Inquisition.
Get ready for a wildly diverse, star-studded trilogy about life in the big city. One of the most-talked about films in years, New York Stories features the creative collaboration of three of America's most popular directors, Martin Scorsese, Francis Coppola, and Woody Allen.
A journalist could marry the daughter of a tycoon, but prefers a relationship with a married woman. An attorney renounces her lover by greed. A soldier tries to approach a widow on a train. A German couple looking for adventure mistakingly aim for the wrong target, yet find love.
No overview available.
Pete, a young orphan, runs away to a Maine fishing town with his best friend a lovable, sometimes invisible dragon named Elliott! When they are taken in by a kind lighthouse keeper, Nora, and her father, Elliott's prank playing lands them in big trouble. Then, when crooked salesmen try to capture Elliott for their own gain, Pete must attempt a daring rescue.
A romantic film composed of seven intertwining love stories. Couples in love offer a glimpse into their intimate private lives as they deal with emotional problems proportional to their age and nature. Teenagers experience their first romantic love; young artists try to cope with the success and fame that has invaded their privacy; a self-destructive bohemian encounters a pure, religious being; an unfaithful husband must make a fateful decision; a lazy cynic unexpectedly falls in love; self-centered seniors with unsuccessful pasts try together to build a better future, and love disrupts even the world of paid private prostitution.
Upon realizing the extent to which women are affected by their menses, a man sets out to create a sanitary pad machine and to provide inexpensive sanitary pads to the women of rural India.
In post-WWII Communist Czechoslovakia, several characters considered bourgeois are sentenced to work in a junkyard for rehabilitation. Among them is a young man who pines for a female convict.
A two-part feature directed separately by Shimizu and his colleague Keisuke Toyoshima. Unrelated to each other, both have a common goal: to bring ghosts and aliens together in pure, referential and absurdistic delirium, including neo-Nazi specters, zombie yakuzas and nasty aliens.
A man boards on a tram together with a naked boy. Somebody has stolen the boy's clothes when he was out bathing, leaving him with not even change for the tram. The man has taken care of him and is taking him home. At first nobody notices them but as soon as the people realize they are seeing something out of the ordinary they begin to react to the situation. Some are content with the simple explanation as to why the boy is naked. Others are agitated, for they see the whole situation as something unseemly. An ordinary incident, which might have been passed over in silence, results in a heated argument that turns into a fight. More and more people join in the fight until the police are forced to intervene.
A surreal triptych adapted by "Trainspotting" author Irvine Welsh from his acclaimed collection of short stories. Combining a vicious sense of humor with hard-talking drama, the film reaches into the hearts and minds of the chemical generation, casting a dark and unholy light into the hidden corners of the human psyche.
On the surface, this collection of shorts by up-and-coming African American filmmakers arrived at a perfect time. The cutting-edge products of the New Black Cinema of the early '90s had disappeared, giving way to embarrassingly stereotypical, scatological fare such as Booty Call and Next Friday. This feature-packed compilation (which includes production notes, interviews with all of the filmmakers, and audio commentary by four) attempts to prove that African American cinema is intent on moving past the lowbrow humor, as six of the seven shorts steer clear of any comedy.
A successful art historian who has trouble telling people difficult truths, finds himself in an inescapable situation when a small lie quickly gets out of hand.
This bittersweet film was Roman Vávra's feature debut. The film consists of three independent stories, all connected through the motif of a field of grain. In 'Awn' a young couple takes a summer stroll in the country, in 'The Haystack' a gang of boys have an adventure with an older girl, and 'The Journey' recounts the tragicomic homecoming of a pair of aging newlyweds. For only the second time in the nineties Czech star Iva Janzurová appeared on the silver screen.
In an English village, a reporter and a mechanic listen to a ratcatcher explain his clever plan to outwit his prey.
When a poisonous snake slithers onto an Englishman's stomach in India, his associate and a doctor race to save him.
A filmmaker talks about his work and love life with an unseen friend behind the camera. We also watch four of his short films.
This three-part ballad, which often uses music to stand in for dialogue, remains the most perfect embodiment of Nemec’s vision of a film world independent of reality. Mounting a defense of timid, inhibited, clumsy, and unsuccessful individuals, the three protagonists are a complete antithesis of the industrious heroes of socialist aesthetics. Martyrs of Love cemented Nemec’s reputation as the kind of unrestrained nonconformist the Communist establishment considered the most dangerous to their ideology.
It's Ted the Bellhop's first night on the job...and the hotel's very unusual guests are about to place him in some outrageous predicaments. It seems that this evening's room service is serving up one unbelievable happening after another.
A runaway heiress makes a deal with the rogue reporter trailing her but the mismatched pair end up stuck with each other when their bus leaves them behind.
