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Earliest japanese horror film.
Hanbei (Arata Furuta), the boss of the labor agency Fujitsuboya is known to the underworld as the leader of the 'Last Rite Givers' (Indouya), an organization that deals with disposing of criminals for the sake of the people and society. However, in reality, he is merely a timid and mild-mannered man, too gentle to even harm a fly, whose fearsome appearance is what earned him his position. In both his public and secret life, the true leader is his wife, Oise. One day, a wandering assassin known as the 'mad dog', Yoiyami Ginji (Taichi Saotome), appears—someone who will kill anyone, regardless of who they are, as long as the price is right. Under the orders of the 'Black Blade' gang, who aim to destroy the 'Last Rite Givers' and monopolize the underground business, Ginji awaits to ambush and kill Hanbei. However, at that moment, as if by the curse of the 'Tengosei' star, a violent lightning strike causing the bodies of Hanbei and Ginji to switch.
An onnagata (female impersonator) of a Kabuki troupe avenges his parents' deaths. Remade in 1963 as Yukinojô Henge.
In Edo Japan, a kabuki actor seeks revenge against the three men who drove his parents to their deaths years ago.
Air Force Major Lloyd Gruver is reassigned to a Japanese air base and is confronted with US racial prejudice against the Japanese people. The issue is compounded because a number of the soldiers become romantically involved with Japanese women, in defiance of US military policy. Ordinarily, a by-the-book officer, Gruver must take a position when a buddy of his, an enlisted man, Joe Kelly, falls in love with a Japanese woman, Katsumi, and marries her. Gruver risks his position by serving as best man at the wedding ceremony.
An aging actor returns to a small town with his troupe and reunites with his former lover and illegitimate son, a scenario that enrages his current mistress and results in heartbreak for all.
In late 19th century Tokyo, Kikunosuke Onoue, the adopted son of a legendary actor, himself an actor specializing in female roles, discovers that he is only praised for his acting due to his status as his father's heir. Devastated by this, he turns to Otoku, a servant of his family, for comfort, and they fall in love. Kikunosuke becomes determined to leave home and develop as an actor on his own merits, and Otoku faithfully follows him.
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