THE PERFUMED GARDEN is an exploration of the myths and realities of sensuality and sexuality in Arab society, a world of taboos and of erotic literature. Through interviews with men and women of all ages, classes, and sexual orientation, the film lifts a corner of the veil that usually shrouds discussion of this subject in the Arab world. Made by an Algerian-French woman director, the film begins by looking at the record of a more permissive history, and ends with the experiences of contemporary lovers from mixed backgrounds. It examines the personal issues raised by the desire for pleasure, amidst societal pressures for chastity and virginity. The film discusses pre-marital sex, courtship and marriage, familial pressures, private vs. public spaces, social taboos (and the desire to break them), and issues of language.
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Caroline Darian, Gisèle Pelicot's daughter, looks back on the tragedy that shook her family: for ten years, her father drugged her mother to subject her to rapes committed by strangers recruited on the Internet. This case exposes the scandal of chemical submission, a practice where attackers, generally close to the victims, use prescription or over-the-counter medications to commit their crimes. This phenomenon, far from being marginal, affects victims with varied profiles...
About Stefan Stricker, who calls himself Juwelia and has been running a gallery on Sanderstraße in Berlin Neukölln for many years. Every weekend he invites guests to shamelessly recount from his life and to sing poetic songs written with his friend from Hollywood Jose Promis. Juwelia has been poor and sexy all her life, has always struggled for recognition, but only partially.
Disobedience tells the David vs. Goliath tale of front line leaders battling for a livable world. Filmed in the Philippines, Turkey, Germany, Canada, Cambodia and the United States, it weaves together these riveting stories with insights from the most renowned voices on social justice and climate. Disobedience is personal, passionate and powerful - the stakes could not be higher, nor the mission more critical.
Approximately, because so-called "ethnic" statistics are prohibited, there are an estimated 3.3 million black French citizens. Distant descendants of slaves from the Caribbean or "indigenous" peoples from the French colonial empire in Africa, they constitute a minority that is often discriminated against. Isabelle Boni-Claverie, a mixed-race woman raised in the affluent neighborhoods of Paris, daughter of an Ivorian politician and granddaughter of Alphonse Boni, a Black man who became a magistrate of the French Republic in the 1930s, examines what is blocking the social advancement of Black French people and the full recognition of their citizenship.
Journey to a secret valley in Australia, where a nervous baby kangaroo named Mala faces hungry dingoes and winter snows in this coming-of-age adventure.
For six years, Melati, 18, has been fighting the plastic pollution that is ravaging her country, Indonesia. Like her, a generation is rising up to fix the world. Everywhere, teenagers and young adults are fighting for human rights, the climate, freedom of expression, social justice, access to education or food. Dignity. Alone against all odds, sometimes risking their lives and safety, they protect, denounce and care for others. The earth. And they change everything. Melati goes to meet them across the globe. At a time when everything seems to be or has been falling apart, these young people show us how to live. And what it means to be in the world today.
fifteen zero three nineteenth of january two thousand sixteen explores how everyday routines and gestures are transformed when a mother loses her child in the violence impacting Swedish outskirts since the early 2000s. The film resists simplistic media depictions of the suburbs and shows how a home can hold both mourning and the mobilization of women to fight for their own and others' children.
Three men seeking asylum in Ireland find themselves on the streets, caught between restrictive migration policies and an increasingly aggressive far-right movement. Dennis Harvey captures an explosive sequence of events on the streets of Dublin.
The film does not have a plot per se; it mixes documentary footage, along with standard movie scenes, to give the audience the mood of Germany during the late 1970s. The movie covers the two-month time period during 1977 when a businessman was kidnapped and later murdered by the left-wing terrorists known as the RAF-Rote Armee Fraktion (Red Army Fraction). The businessman had been kidnapped in an effort to secure the release of the original leaders of the RAF, also known as the Baader-Meinhof gang. When the kidnapping effort and a plane hijacking effort failed, the three most prominent leaders of the RAF, Andreas Baader, Gudrun Ensslin, and Jan-Carl Raspe, all committed suicide in prison. It has become an article of faith within the left-wing community that these three were actually murdered by the state.
“Tucaneira: Wooden Hands” is a captivating mini-documentary that takes us on a fascinating journey through the world of a skilled artisan who works with wood at an eco-solidarity fair held in a university environment. In this brief and inspiring portrait, we explore the life and craft of Manoel, a master craftsman whose hands transform tree trunks into true works of art. Through beautiful images, testimonials and captivating photographs, the documentary reveals Manoel's passion for his art. He shares his inspirations and motivations, highlighting how his work is deeply rooted in sustainability and respect for nature. “Tucaneira: Wooden Hands” is a mini-documentary that not only celebrates the talent and dedication of an exceptional artisan, but also reminds us of the importance of supporting initiatives and fairs that promote eco-solidarity, art and sustainability in a vibrant and inspiring university .
For years, chemical pesticides were considered an efficient method of killing off agricultural pests. However, in the long term, they not only harm the supposed attackers, but also people and the environment. Biological pest control offers an alternative, because who could fight pests more efficiently than their own natural enemies?
A short documentary about the construction of the parisian subway in the 50s.
Shot during three seasons, Kenuajuak's documentary tenderly portrays village life and the elements that forge the character of his people: their history, the great open spaces and their unflagging humour. Though Kenuajuak appreciates the amenities of southern civilization that have made their way north, he remains attached to the traditional way of life and the land: its vast tundra, the sea teeming with Arctic char, the sky full of Canada geese. My Village in Nunavik is an unsentimental film by a young Inuk who is open to the outside world but clearly loves his village. With subtitles.
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