A short retrospective documentary on the struggles of eating disorder.
Saturn Alyx
An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.
A boy makes a discovery at the seaside.
The T.N.P., the Théâtre National Populaire, an important experimental theater directed by Jean Vilar. Franju combines sequences from theatrical performances with documentary images, creating links and confrontations between theater and the real world.
Agnes is not satisfied with her life. She wants a change, but her relationship with her single parent father and dominant girlfriend inhibit her to do something about it. When the father introduces his new wife, Annalyn, everything changes. The same-aged Filipino stepmother helps Agnes see a new path. Soon emerges something that no one could have foreseen.
A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).
Shannon Amen unearths the passionate and pained expressions of a young woman overwhelmed by guilt and anxiety as she struggles to reconcile her sexual identity with her religious faith. A loving elegy to a friend lost to suicide.
A man confronts his past during an experiment that attempts to find a solution to the problems of a post-apocalyptic world caused by a world war.
In the evocative landscape of wintry Hokkaido, Monkeyboy (a young man in a monkey suit) searches for his stolen heart – but even the serene beauty of a mountain cannot redeem the failed connection.
A film about a pregnancy
A woman sits around at home.
Crawling back from the edge of society, Thirsty tries to prove he's a "changed man" to his sister in order to gain access to his daughter once again.
Inside a drab middle school in 1992, a sexually-confused eighth-grader attempts to regain his dignity after being bullied by a sex-obsessed 'cool kid' whom he privately fantasizes about.
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
This documentary, the final film directed by Frank Capra, explores America's plans for the future of space exploration. It was produced by the Martin-Marietta Corporation for exhibition in the Hall of Science at the 1964 New York World's Fair.
Inspired by true events. "Boswellia sacra" is a short feature film about nature which draws a parallel between the environment and the protection of human rights; about the law of nature that is constantly being violated by man; about Vukasin Drakulic, a thirty-year-old young man who comes to realize this relationship. Can a person escape his own nature and the one that surrounds him.
Montreal 1952, teenager Samuel brings his friend Julien to the neighbourhood steam bath for his weekly routine with Dad. Julien’s first time will be a day to remember.
Two estranged brothers are forced to meet at the family's beach house to settle legal matters after their father passes away. In the midst of their disagreements they discover that they have more in common than they thought.
This film describes a psychological state "kin to moonstruck, its images emblems (not quite symbols) of suspension-of-self within consciousness and then that feeling of falling away from conscious thought. The film can only be said to describe or be emblematic of this state because I cannot imagine symbolizing or otherwise representing an equivalent of thoughtlessness itself. Thus the actors in the film, Jane Brakhage, Tom and Gloria Bartek, Williams Burroughs, Allen Ginsberg, Peter Olovsky and Phillip Whalen are figments of this 'Thought-Fallen Process', as are their images in the film to find themselves being photographed."
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