First Bi-lingual movie made in Odia & Bengali. Bengali version name was "Pana Raksha". Produced with a budget of Rs. 64,000, the Odia movie was a hit however the Bengali version was unsuccessful.
In the heart of a Dominican family’s home, the youngest daughter’s thirteenth birthday is being celebrated. Balloons, cake, and music cannot hide the tension that lingers in the air. Amid the party, between music and applause, Minerva receives a special gift from her father. What seems like an innocent gesture turns into a silent revelation of the fear that has long resided in her heart. Through glances, restrained gestures, and meaningful details, the short film portrays domestic violence from a child’s perspective, where joy and horror coexist in the same space.
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16-year-old Hormoz is consoled by the prospect of hiring on at the strip mine as he is married off to 13-year-old Hendi. Alas, the young man finds the doors of opportunity shut tight. When Hendi becomes pregnant Hormoz enters into an ominous pact with a smuggler in order to ensure his family’s livelihood.
The story of Jerry Lee Lewis, arguably the greatest and certainly one of the wildest musicians of the 1950s. His arrogance, remarkable talent, and unconventional lifestyle often brought him into conflict with others in the industry, and even earned him the scorn and condemnation of the public.
On a hot summer day in the countryside, Ines, a young teenager, gets involved in a friendly ball game between boys her age, and among them Malik, the one she has a crush on.
Aïcha, a 7-year-old black girl receives a drawing mocking her hair. With the help of her big sister, they will spend the evening trying to make her beautiful like her classmates. How far is she willing to go to be seen and accepted?
A young girl is approaching the end of a cycle, when she gets a visit from a goddess named Norn. Unaware of Norn's intentions, the girl is very excited to create a deep and intimate friendship with her. Until Norn tells her the truth.
Following the arrival of an unwanted guest, the tightly-knit bond between two sisters is put to the test when their idyllic playdate takes a dark turn. Supported by The Future of Film is Female, ALBION ROSE is a late bloomer's coming-of-age drama with hints of magical realism and dark fairytale elements that paint a delicate, yet emotionally charged portrait of sisterhood, loss, and the healing powers of fantasy.
Thrown together under incredible circumstances, two strangers must discover courage and strength when they begin a journey across the treacherous African desert! Equipped only with their wits and the expertise of a native bushman who befriends them, they are determined to triumph over impossible odds and reach their destination. But along the way, the trio face a primitive desert wilderness.
Nina and her two friends share trepidations and desires, amid adolescent games and self-discovery. As the girls engage in ever new challenges, Nina immerses herself in her own hesitations.
When Amalia breaks a friendship spell, her best friend Daniela disappears from her life and memories. Now, Amalia must redo it before it's too late.
A traditional Egyptian family celebrates the birth of their newest member, a baby doll.
When Petra spends an evening with her best friend Sanna, Sanna asks how she knew she was bi. Petra tries in earnest to show her the truth.
In a house far from Santiago de Chile, little Alonso tries to change the fate of his sister Daniela, still just a child, who is about to become the seventh wife of the Lion of Judah, a supposed prophet, leader of a cult, who apparently provides electricity when he is touched.
This engaging series of childhood recollections tells of an unconventional school in Tokyo during World War II that combined learning with fun, freedom, and love. The school had old railroad cars for classrooms and was run by an extraordinary man – its founder and headmaster, Sōsaku Kobayashi – who deeply valued children's independence, and who was a firm believer in freedom of expression and activity.
When Nova reminisces on her childlike spirit through the reminder of Charlie, a childhood friend, she faces the uncomfortable truth that change is inevitable and promises are broken regardless of how outside influences crave to keep things as they were.
While her mother is expecting their second child, young Thi befriends club waitress Ngoc who has just moved into their family′s house as a tenant. As their friendship grows, she finds out that Ngoc is an undisclosed sex worker. Meanwhile, the story is silently observed by an art book featuring female nudes by painter Tamara de Lempicka, stolen from a bookstore.
A teenage girl dealing with the loss of her mother, navigating the five stages of grief, when suddenly her doppelganger appears. Throughout her journey of discovery, she not only confronts her own unresolved feelings but begins to understand the fragility of life. Through her encounters with the doppelganger — a reflection of her inner turmoil — she comes to terms with her mother's death and learns to accept her own mortality, finding peace in the inevitability of life's cycles.
Inspired by true experiences of grief, girlhood, and growing up, Jessie Barr’s SOPHIE JONES provides a stirring portrait of a sixteen-year-old. Stunned by the untimely death of her mother and struggling with the myriad challenges of teendom, Sophie (played with striking immediacy by the director’s cousin Jessica Barr) tries everything she can to feel something again, while holding herself together, in this sensitive, acutely realized, and utterly relatable coming-of-age story.
24-year-old child marriage activist, Sali, is on a mission to end the harmful practice of child marriage. She seems to be the only person able to help the 14-year-old, soon-to-be child bride, Adi, living in a rural West African village. The tale of Adi's uncertain future and Sali's painful past shows the devastating impact child marriage can have over multiple generations as well as the bravery it takes to speak out against it.
Anu
Binod
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