Himself
Narrator
After his retirement, french philosopher and bullfighting enthusiast Francis Wolff decides to embark on a journey to France, Spain and Mexico joined by two mexican filmmakers who hardly know anything about bullfighting, a culture whose days seem to be numbered. During their road trip, they encounter numerous personalities with whom they reflect on mankind’s relationship with animals and nature, but most importantly on our relationship with death and the meaning of the ultimate journey: life itself.
Before orchestrating the greatest bullfighting seasons as an impresario, Simon Casas was a bullfighter—and thus began his journey.
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Juanito, a peaceful fan of bullfighting, has become picador's assistant to see from the same arena the show in which he brags he is one of the protagonists. Furthermore, he believes he has discovered in a neighbor a potential figure of bullfighting sphere.
Blas Romero "El Platanito" is a bullfighter who begins to take its first steps in Merida. After a long journey, one day he is lucky enough, his performance is showed on TV and that brings him to top of the charts. From now on, his problems will be centered with the dilemma of having to give up their dreams of making serious classical bullfighting, or jump to a false bullfighting, between slapstick and temerity, which will give offer him numerous well-paid contracts.
Four real episodes told by their protagonists: Antonio Mejías "Bienvenida" tells the serious goring he suffered in the Plaza de Las Ventas and his recovery process. Álvaro Domecq Romero evokes the last days of the life of the mare "Splendid", the noble animal that was brave and sensitive companion of his father. Andrés Vázquez tells how the times of the "capeas" were in little villages. With him were many unknown kids, who found an anonymous and obscure death. Finally, Luis Miguel "Dominguín", who was with Manolete, in Linares, the afternoon in which he met his death, evokes that tragic afternoon and glosses the bullfighter's human virtues. The four protagonists have seen the death in one way or another and the four tell the indelible impression that remained on them.
In the gritty streets of Detroit, *The Jazz Fight* follows Benny "The Hammer" Leonard, a once-promising boxer whose career has been derailed by his own demons—alcoholism, anger, and a destructive past. After a brutal loss in the ring and a nearly fatal bar fight, Benny is pushed to the edge of self-destruction. But when he receives an offer for one last fight, his shot at redemption hangs in the balance.
What is inside the brain of a man whose memory is fading? Featuring anonymously donated, never-before-seen, decaying 16mm archive footage, the film blends documentary and scripted elements. Memory becomes film, and as the celluloid deteriorates so does your brain. But the journey is still joyful and pleasurable, like one where you only remember the good things.
Three couples from Estonia and Germany navigate the uncharted territory of free love, finding new partners without ending their current relationships. On their journey they seek the help of mentors, psychologists, shamans, dancers and meditation experts. Over the course of several years, filmmaker Eva Kübar observes their sexual intimacy, desires and insecurities without ever judging their personal choices.
"Ellas en la ciudad" (Them in the City) focuses on the first settlers of the neighborhoods on the outskirts of Seville. Through their stories, we discover that they have been the backbone of a city that has turned its back on them.
Autistic teenager Gabriel witnesses the slow collapse of his parents’ relationship.
Jaan Tootsen’s documentary follows President Toomas Hendrik Ilves in the last year and a half of his term in office – as he grapples with the complexities of world politics and his private life. Tootsen’s keen camera eye follows Ilves at his most difficult moments, showing no mercy, but creating a gripping, rather harsh and at the same time very human portrait of the President.
This short travelogue depicts snippets of locations in Hollywood, California, most of them as seen from the streets. Considerable time is taken showing the kinds of architecture of private homes. There are images of various important buildings, and a depiction of the Hollywood Bowl. Finally, there is a sequence revolving around the premiere of the film “Dirigible” (1931) at the famed Chinese Theatre.
Melrick is an unruly young boy who spends his summer in French Guiana at his grandmother's house to escape his turbulent daily life in Stains, France. At the end of his stay, he plays the drum to revive the memory of his late uncle, Lucas Diomar, who died in tragic circumstances. Despite a wave of murders of young men shaking the headlines, Melrick becomes aware of his place in a family destroyed by irreparable grief.
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