Two women living alone are visited by a young strange man whose identity and intentions they begin to question as the evening progresses.
Christa
Herr Düwel
Oma Käthe
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Fidi is aimlessly hitchhiking on a snowy winter's night and ends up being seduced by Nona into murdering several innocent bystanders.
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
Juno, a twenty-year-old girl becomes obsessed with Pan. Her obsession turns her into an animal.
Jimmy lives through a nightmare of blood and violence. Surreal images are replaced by brutal splatter. An inferno from which Jimmy is only too eager to wake up. Young director Lars Cramer presents his first work, accompanied by dark Italian sounds.
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After years of playing second fiddle to a rival performer, a woman confronts her rival. Hoping to reason with her enemy, things grow heated and someone commits an act that may cost them their future. That is until there is a knock at the front door.
Two mimes are preparing for the evening's show, but one of them has got something more sinister in mind.
A popular and common urban legend. Jill is babysitting for Ms. McKenzie, who leaves Jill alone in the house late at night while the children sleep peacefully upstairs. While Jill does her homework, she receives a mysterious phone call. The caller doesn't say anything except: "Have you checked the children?" Jill is confused and believes it is Ms. McKenzie playing a particle joke. After several similar calls, Jill realizes the caller is not who she thinks it is. She becomes frightened and calls the police. Sargent Clifford comes to Jill's aid in solving the mystery of the phone calls. Together they find the origin of the phone calls and discover they are coming from inside the house!
A painter in a creative crisis gets help from a monster behind a door in her studio.
One night Leonardo, a young concierge working in a suburban hotel, receives a visit from a mysterious couple looking for a place to stay. The boy will soon discover that love can hide a dark side.
Antonia and Zeno struggle with their marriage during a surreal dinner - while a mysterious Aztec whistle seems to be influencing their actions.
After a woman's brother is killed in an accident, she hires the help of a psychic to prove that it was murder and to save her brother's soul.
It's Halloween and monsters of all kinds come out of the shadows in the quiet town of Crystal Wood. Follow the locals as they survive the night of the Blood Street festival and the echoes of the neighborhood's eery past.
Once in a God-forsaken place, the heroine and her adopted daughter are forced to look for a bed for the night. Having found shelter in the building of an abandoned boarding school, she meets there close people from her past.
Social media influencers are stalked by a killer wearing their faces as masks on the night of an event opening.
A man tries to pack away his belongings before a storm hits his urban home. As the eye of the storm descends upon him, the man discovers that something is among the cardboard boxes.
Frieda Liappa in this short film casts an alternative gaze on the notion of historicity. Loukia is a teenager currently staying at her cousin’s house in Athens. Unlike her cousin she is timid and quite stressed for the school exam. She studies history. Between the lines of her book the historical events sprung up in a multidimensional way. Liappa transverses the dimensions of the real the imaginary and the symbolic. She invites the viewer to consider the construction of the filmic as well as the historical text. She succeeds in making a film with an open end and to leave room for our own contingent constructions.
Two doctors are observing a very "special patient" through the small window of her cell in the deep, dark corners of a mental asylum. Each morning, at exactly the same time, she performs the exact same extraordinary routine.
Two young women are about to receive the great honor of being sacrificed to their Mexica gods; but the cruel and bloody ritual does not go as expected.
A man's life is upended by increasingly threatening phone calls demanding he leave a review for a paperweight purchased online.
