Annie Goldson and Kay Ellmers’ doco, expanded from the film they made for Maori Television, takes a timely look at New Zealand’s military and media, notably journalist Jon Stephenson, in Afghanistan.
Trailer
himself
In the summer of 2001 the Taliban strategically captured 24 Shelter Now International Aid hostages that captured the attention of the world for more than three months. With representatives from the United States, Australia, Germany and Afghanistan, the Taliban set out to create an insurance policy against the pending attacks of September 11th. What transpired through their story was an overwhelming journey of faith, grace and endurance. Based on the true story as told by the captives, Kabul 24 captures the gantlet of their 105 days in captivity and the cruel treatment of the Muslim co-workers at the hands of the Taliban who accused them of converting to Christianity. Revisit their journey from the grueling interrogation to their sham "trial" before the Taliban Supreme Court, to the dangers endured during the bombing of Kabul and a crushing sense that the world had abandoned them.
A poignant story about overcoming our demons and finding hope through darkness. Haunted by the affects of PTSD induced by fighting a war, the physical injuries that led to copious amounts of opiates, the emotional strain of his squad leader committing suicide, losing his best friend from overdosing on heroin, all combined with his drug addiction ultimately left Shawn losing all hope in life.
Armed only with their cameras, Peabody and Emmy Award-winning conflict Journalist Mike Boettcher, and his son, Carlos, provide unprecedented access into the longest war in U.S. history: they are embed with U.S. troops during nine days of intense combat in Afghanistan.
A powerful depiction of war in infamous global conflict zones. Directed by Oscar/Emmy documentary makers Buddy Squires and Graeme Scott (know for Sam Smith), this film provides a rare and powerful insight into humanity and hope in the depth of war and the greatest global humanitarian crisis of the last several decades.
The Kabul National Museum, once known as the "face of Afghanistan," was destroyed in 1993. We filmed the most important cultural treasures of the still-intact museum in 1988: ancient Greco-Roman art and antiquitied of Hellenistic civilization, as well as Buddhist sculpture that was said to have mythology--the art of Gandhara, Bamiyan, and Shotorak among them. After the fall of the Democratic Republic of Afghanistan in 1992, some seventy percent of the contents of the museum was destroyed, stolen, or smuggled overseas to Japan and other countries. The movement to return these items is also touched upon. The footage in this video represents that only film documentation of the Kabul Museum ever made.
French documentarist Sonia Kronlund follows actor and director Salim Shaheen, an Afghan movie star who produced more than 110 low-budget movies in a country devastated by war.
An in-depth look at the torture practices of the United States in Afghanistan, Iraq and Guantanamo Bay, focusing on an innocent taxi driver in Afghanistan who was tortured and killed in 2002.
16 Days in Afghanistan is a documentary that documents the state of Afghan people after the fall of the Taliban.
The friendship between Christophe de Ponfilly and Commander Massoud, a legendary figure of the Afghan resistance against the Soviet invader, goes back to the filmmaker's first film, "A Valley Against an Empire", made in 1981. Fifteen years later, weakened, isolated, betrayed by many of his own, the "Lion of Panshir" has not surrendered to his new and implacable enemies, the Taliban. While preparing his next offensive, he evokes his commitment and his fights, and bears witness to a history in which he has been one of the main actors for twenty years. At the same time, the director questions the role and power of the media, as well as his own approach as a filmmaker. Commander Massoud was killed in an attack in September 2001.
In 1989, Swedish journalist, Khazar Fatemi narrowly fled the war torn country of Afghanistan with her life. Twenty years later, the former refugee returned to the place that has always remained in her heart. Where My Heart Beats follows Khazar's dangerous, painful, and inspirational journey back home to reconnect with the amazing people of this broken nation.
The story of Shaista, a young man who—newly married to Benazir and living in a camp for displaced persons in Kabul—struggles to balance his dreams of being the first from his tribe to join the Afghan National Army with the responsibilities of starting a family. Even as Shaista’s love for Benazir is palpable, the choices he must make to build a life with her have profound consequences.
This documentary on the effect the talent competition "Afghan Star" has on the incredibly diverse inhabitants of Afghanistan affords a glimpse into a country rarely seen. Contestants risk their lives to appear on the television show that is a raging success with the public and also monitored closely by the government.
No overview available.
Documentary exploring the experience of Soviet soldiers during the Soviet war in Afghanistan.
Filmed on location in Saskatchewan from the Qu'Appelle Valley to Hudson Bay, the documentary traces the filmmaker's quest for her Native foremothers in spite of the reluctance to speak about Native roots on the part of her relatives. The film articulates Métis women's experience with racism in both current and historical context, and examines the forces that pushed them into the shadows.
In March 2001, the ruling Taliban destroyed Afghanistan's foremost tourist attraction, the 1600 year-old Buddhas of Bamiyan. This film follows the story of one of the refugees who now lives among the ruins….an eight-year-old boy named Mir.
Fidelis Cloer is a self-confessed war profiteer who found The Perfect War when the US invaded Iraq. It wasn't about selling a dozen cars, or even a hundred, it was a thousand-car war where security would become the ultimate product.
The mission: Capture US and NATO forces on camera giving food, water, clothing, blankets, and medical supplies to widows and orphans in refugee camps and villages of Afghanistan.
Directors Hetherington and Junger spend a year with the 2nd Battalion of the United States Army located in one of Afghanistan's most dangerous valleys. The documentary provides insight and empathy on how to win the battle through hard work, deadly gunfights and mutual friendships while the unit must push back the Taliban.
Amir, shot during the height of the Afghan civil war in the 1980s, investigates and portrays the life of Afghan refugees living in and around the city of Peshawar in northern Pakistan through the experiences of the musician Amir. The aspirations of Afghan refugees are expressed through their political songs dealing with the civil war in Afghanistan, with exile, with Afghan nationalism and with the Islamic revolution. In highly charged and tragic circumstances, music can be used in very direct ways, both to promote solidarity and as an agent of catharsis.
