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Self - Host
Self
The filmmakers and lead actors of The Remains of the Day (1993) discuss how they came to make the film, and the subtle power of its execution.
Through concerts and interviews, folk-progressive group Harmonium takes Quebec culture to California. This documentary full of colour and sound, filmed in California in 1978, recounts the ups and downs of the journey of the Quebec musical group Harmonium, who came to feel the pulse of Americans and see if culture, their culture, can succeed in crossing borders.
This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.
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This short film retraces the life of Herman Smith Johannsen – the man who introduced the sport of cross-country skiing to Canadians. From past to present, his life story is portrayed through pictures from sports newsreels, Norwegian archives and his family album. The film catches up with him at both the Canadian Ski Marathon, where he is the honoured guest, and on a return trip to his native Norway.
A riveting expose about the personalities of murderers and their motives. This 72 minute film covers the McDonalds' restaurant massacre, President Reagan's assassination attempt, serial murderer Henry Lee Lucas and others.
The late Len Bias still leaves more questions than answers. When Bias dropped dead two days after the 1986 NBA Draft, he forever altered our perception of casual drug use and became the tipping point of America's drug crisis in the mid-80's. Future generations continue to face the harsh punishment of drug policies that were influenced by the public outcry after his heartbreaking death. Instead of becoming an NBA star, he became a one-man deterrent, the athlete who reminded everyone just how dangerous drug use can be. Amazingly, questions still linger about his death nearly a quarter-century later. How good could he have been in the pro ranks? Has he become underrated or overrated as the years pass? How could a University of Maryland superstar and Boston Celtics lottery pick be derailed by a cocaine binge? Was Bias a one-time user as we were led to believe, or was there a pattern of recreational use that led to his fatal last night? Did he fall in with the wrong crowd.
Following multiple scandals surrounding Canada’s hockey infrastructure and its dishonest leaders, a generation of young athletes find themselves facing a moral dilemma. Frédérique describes her exit from the game.
From the lower St. Lawrence, a picture of whale hunting that looks more like a round-up, with a corral, whale-boys and all. In 1534, when he stopped at the island he named l'Île-aux-Coudres, Jacques Cartier saw how the Indians captured the little white beluga whales by setting a fence of saplings into off-shore mud. In the film, the islanders show that the old method still works, thanks to the trusting 'sea-pigs,' the same old tide, and a little magic.
Nine years after the disappearance of Cédrika Provencher, Claude Poirier returns to the scene of the crime. With the help of lawyer Guy Bertrand, former minister Jacques Dupuis and witnesses of the events surrounding Cédrika's disappearance and the discovery of her skull, Poirier reveals all he knows about this sadly popular story.
Recalling his childhood and relationship with his mother, a film student tries to understand the origin of his love for cinema and tragedies.
To mark the 100th anniversary of the Société des alcools du Québec, Francis Reddy tells the exhilarating story of alcohol in Quebec from prohibition to promotion. With the help of historian Laurent Turcot and local producers, Reddy explores the unique relationship Quebecers have with alcohol and its place in their lifestyles over the years.
Danielle Sturk tackles the thorny issue of sexual violence against teens by boldly asking: Why? Young men, witnesses to the prevailing culture, and young women survivors of sexual assault share their personal reflections in the hopes of sparking the dialogue needed to end gender-based violence. Because things only change when people start talking and taking action.
In the form of a poetic love letter to its nation, this short film reveals a strong community and the anchoring of the new generation in this rich culture.
