logologo
MovieVerse© 2024
Privacy PolicyTerms of ServiceContact Us
Made with ❤️ by Thathsara
movie poster
Town Destroyer
Sign in to create your own watchlist

Town Destroyer

Oct 8, 2022
0h 53m
★ 0.0

Overview

Controversy erupts over a New-Deal-era mural of the namesake of San Francisco’s George Washington High School. The thirteen-panel artwork "The Life of Washington" by Victor Arnautoff offers a view of the Founding Father both celebratory and critical, referencing his involvements in slavery and Native American genocide.

Genres

Documentary

Production Companies

Snitow-Kaufman Productions

Cast

Dewey Crumpler

Dewey Crumpler

Judith Lowry

Judith Lowry

Barbara Mumby

Barbara Mumby

Robin Kelley

Robin Kelley

Jessica Young

Jessica Young

Paul Chaat Smith

Paul Chaat Smith

Town Destroyer Trailers

You may also like

Too Black to Be French?
0.0

Too Black to Be French?

Jul 3, 2015

Approximately, because so-called "ethnic" statistics are prohibited, there are an estimated 3.3 million black French citizens. Distant descendants of slaves from the Caribbean or "indigenous" peoples from the French colonial empire in Africa, they constitute a minority that is often discriminated against. Isabelle Boni-Claverie, a mixed-race woman raised in the affluent neighborhoods of Paris, daughter of an Ivorian politician and granddaughter of Alphonse Boni, a Black man who became a magistrate of the French Republic in the 1930s, examines what is blocking the social advancement of Black French people and the full recognition of their citizenship.

I Needed Color
7.8

I Needed Color

Jul 25, 2017

Jim Carrey exhibits his talent as a painter and reflects on the value and power of art.

His Name Was Jason: 30 Years of Friday the 13th
6.7

His Name Was Jason: 30 Years of Friday the 13th

Apr 20, 2010

A retrospective documentary about the groundbreaking horror series, Friday the 13th, featuring interviews with cast and crew from the twelve films spanning 3 decades.

The Painter and the Thief
7.3

The Painter and the Thief

Sep 5, 2020

When two of artist Barbora Kysilkova’s most valuable paintings are stolen from a gallery at Frogner in Oslo, the police are able to find the thief after a few days, but the paintings are nowhere to be found. Barbora goes to the trial in hopes of finding clues, but instead she ends up asking the thief if she can paint a portrait of him. This will be the start of a very unusual friendship. Over three years, the cinematic documentary follows the incredible story of the artist looking for her stolen paintings, while at the same time turning the thief into art.

Stones and Flies: Richard Long in the Sahara
10.0

Stones and Flies: Richard Long in the Sahara

Jan 1, 1988

In the fall of 1987, Philippe Haas accompanied the sculptor Richard Long to the Algerian Sahara and filmed him tracing with his feet, or constructing with desert stones, simple geometric figures (straight lines, circles, spirals). In counterpoint to the images, Richard Long explains his approach. Since 1967, Richard Long (1945, Bristol), who belongs to the land art movement, has traveled the world on foot and installed, in places often inaccessible to the public, stones, sticks and driftwood found in situ. His ephemeral works are reproduced through photography. He thus made walking an art, and land art an aspiration of modern man for solitude in nature.

No Image Available
0.0

Postmodernism: The Substance of Style

Sep 24, 2011

This film features some of the most important living Postmodern practitioners, Charles Jencks, Robert A M Stern and Sir Terry Farrell among them, and asks them how and why Postmodernism came about, and what it means to be Postmodern. This film was originally made for the V&A exhibition 'Postmodernism: Style and Subversion 1970 - 1990'.

Salty Dog Blues
0.0

Salty Dog Blues

Jan 1, 2012

The film looks at men and women of color in the U.S. Merchant Marine from 1938-1975. Through chronicling the lives of these men and women who, with a median age of 82, are beset with a host of life-threatening illnesses, the movie tells how they navigated issues of racism, disparities in the workplace, gender and familial relations.

Coalesce: A City Composed
0.0

Coalesce: A City Composed

Sep 23, 2017

A visual artist and a musician create a series of works in which paintings and musical scores form cohesive pieces intended to be experienced together. The works interpret the excitement and monotony of life in the urban desert sprawl from the diverse perspectives of the native and the newcomer.

The Rape of Recy Taylor
7.8

The Rape of Recy Taylor

May 30, 2019

Recy Taylor, a 24-year-old black mother and sharecropper, was gang raped by six white boys in 1944 Alabama. Common in Jim Crow South, few women spoke up in fear for their lives. Not Recy Taylor, who bravely identified her rapists. The NAACP sent its chief rape investigator Rosa Parks, who rallied support and triggered an unprecedented outcry for justice. The film exposes a legacy of physical abuse of black women and reveals Rosa Parks’ intimate role in Recy Taylor’s story.

Vaciar el museo
6.0

Vaciar el museo

Invalid Date

No overview available.

Freeze: But is it Art?
0.0

Freeze: But is it Art?

Feb 22, 1994

In 1988, art student Damien Hirst and a group of like-minded associates mounted an exhibition in a building in the East End of London. Entitled Freeze, it was a huge critical and commercial success, propelling Hirst and the group into the spotlight of the avant-garde. More than five years later, Hirst exhibits to international acclaim and is regularly derided in the tabloid press. This portrait of Hirst, which resumes the Omnibus season, is presented as a drug-induced nightmare after Hirst has been put to sleep by a sinister dentist, played by Donald Pleasence. In between interviews with fellow Freeze artists including Angus Fairhurst , Sarah Lucas and Tracey Emin , Hirst is seen preparing Mother and Child Divided, his work for last year's Venice Blennale. The piece consists of a cow and a calf, each sawn in half, pickled in formaldehyde and exhibited in four tanks.

No Image Available
0.0

與竹共舞

Mar 25, 2012

2012/HD/Color/19min/

Bomb It
6.9

Bomb It

Apr 27, 2007

Through interviews and guerilla footage of graffiti writers in action on five continents, the documentary tells the story of graffiti from its origins in prehistoric cave paintings thru its notorious explosion in New York City during the 70’s and 80’s, then follows the flames as they paint the globe.

Gauguin: A Dangerous Life
0.0

Gauguin: A Dangerous Life

Dec 1, 2019

Gauguin’s vivid artworks sell for millions. He was an inspired and committed multi-media artist who worked with the Impressionists and had a tempestuous relationship with Vincent van Gogh. But he was also a competitive and rapacious man who left his wife to bring up five children and used his colonial privilege to travel to Polynesia, where in his 40s he took ‘wives’ between 13 and 15 years old, creating images of them and their world that promoted a fantasy paradise of an unspoilt Eden in the Pacific. Later, he challenged the colonial authorities and the Catholic Church in defence of the indigenous people, dying in the Marquesas Islands in 1903, sick, impoverished and alone.

African Underground: Democracy in Dakar
0.0

African Underground: Democracy in Dakar

Invalid Date

African Underground: Democracy in Dakar is a groundbreaking documentary film about hip-hop youth and politics in Dakar Senegal. The film follows rappers, DJs, journalists, professors and people on the street at the time before, during and after the controversial 2007 presidential election in Senegal and examines hip-hop’s role on the political process. Originally shot as a seven part documentary mini-series released via the internet – the documentary bridges the gap between hip-hop activism, video journalism and documentary film and explores the role of youth and musical activism on the political process.

After the Apology
0.0

After the Apology

Oct 9, 2017

Suellyn thought the Department of Community Services (DOCS) would only remove children in extreme cases, until her own grandchildren were taken in the middle of the night. Hazel decided to take on the DOCS system after her fourth grandchild was taken into state care. Jen Swan expected to continue to care for her grandchildren but DOCS deemed her unsuitable, a shock not just to her but to her sister, Deb, who was, at the time, a DOCS worker. The rate of Indigenous child removal has actually increased since Prime Minister Kevin Rudd delivered the apology to the ‘stolen generations’ in 2008. These four grandmothers find each other and start a national movement to place extended families as a key solution to the rising number of Aboriginal children in out-of-home care. They are not only taking on the system; they are changing it…

No Image Available
0.0

Ludvík Kuba

Jan 1, 1951

No overview available.

Retrato em Preto e Branco
8.0

Retrato em Preto e Branco

Jan 1, 1992

The documentary is structured as a video letter from a black man denouncing the persistence of racism in Brazilian society and media, a century after the official end of slavery. Thus, it presents the contradictions between two images of racial relations in Brazil: the image disseminated abroad, which spreads the myth of racial democracy, and the internal image, presented in textbooks and on television, in which negative stereotypes are perpetuated against the black population.

The Wild Parrots of Telegraph Hill
7.1

The Wild Parrots of Telegraph Hill

Oct 9, 2003

A homeless musician finds meaning in his life when he starts a friendship with dozens of parrots.

The Body as Matrix: Matthew Barney's Cremaster Cycle
6.5

The Body as Matrix: Matthew Barney's Cremaster Cycle

Mar 15, 2002

With the five-part Cremaster Cycle of films, multi-award-winning artist Matthew Barney invented a densely layered and interconnected sculptural world that surreally combines sports, biology, sexuality, history, and mythology as it organically evolves. In this program, Barney, Guggenheim curator Nancy Spector, and others deconstruct the Cycle’s filming and subsequent translation into sculptural installations. The locations, characters, and symbols that organize the Cycle films; the Cycle installations as spatial content carriers and extensions of the performances; and objectification of the body and undifferentiated sexuality are addressed, as are the intricacies of costuming, makeup, and sculpting with Barney’s signature materials: plastic, metal, and Vaseline.