DIVA! is the voice of the unrestrained feminine. Our love letter to self-expression and autonomy.
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The Saint
The Whore
The Creep
A group of dancers congregate on the stage of a Broadway theatre to audition for a new musical production directed by Zach. After the initial eliminations, seventeen hopefuls remain, among them Cassie, who once had a tempestuous romantic relationship with Zach. She is desperate enough for work to humble herself and audition for him; whether he's willing to let professionalism overcome his personal feelings about their past remains to be seen.
Expecting the usual tedium that accompanies a summer in the Catskills with her family, 17-year-old Frances 'Baby' Houseman is surprised to find herself stepping into the shoes of a professional hoofer—and unexpectedly falling in love.
Elli works as a techno DJ and loves electronic music. She has a daughter named Toni, who mostly grows up with her father. The 9-year-old girl is only with her on weekends. They have planned a mother-daughter weekend, but suddenly Elli is offered an important gig at an electronic music festival. Finally playing in front of a big audience again, feeling the ecstasy and intoxication of the night. Through the music she escapes the stagnation, the desolation, the role model of the conventional mother and the narrowness of the provincial town. Torn between maternal missing her and asserting herself in her life, Elli tries to be there for Toni and at the same time to live her dreams without restrictions.
A wandering tough biker girl aids a female delinquent gang in their battles against an all-male Seiyu group over a fixed boxing match.
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Musical prodigy, Sparkle struggles to become a star while overcoming issues that are tearing her family apart. From an affluent Detroit area and daughter to a single mother, she tries to balance a new romance with music manager Stix while dealing with the unexpected challenges her new life will bring as she and her two sisters strive to become a dynamic singing group during the Motown-era.
Famous dancer and film actress Fong Nan (Mao Mei) desires both a career and a family after marrying an eminent doctor (Guan Shan), who, however, wants her to be a stay-at-home wife. They are on the brink of divorce when he finds out she secretly rehearses for her dance and movie…Taking inspirations from Hollywood musical films, the movie is beautifully directed and meticulously produced by Yuen Yang-an and his Sun Sun Film Enterprises. While most films at the time usually depict how grassroots people rise above adversity, this one tells the story of a famed actress who thrives for success and never gives up on her artistic ambition. This reflects that women's liberation and employment was a dominating theme in left-wing movies. The finale was shot in Eastman colour negative film, which was rare before mid-60s given the limited technical resources in Hong Kong film industry, and thus a valuable record in the city's cinematic history.
A multi-awarded 23 minute short film about pansexual punk rockers in a toxic relationship in London’s underground music scene
A woman goes from dreams deeply to sunken worlds.
A charity event with renowned french artists brought together for the first time to offer the public new interpretations of the most emblematic titles linked to women's rights.
When a woman steps onto the conductor's podium, she is always one of the first: the first to lead a world-class orchestra, the first to conduct the closing night of London's Proms, the first to win the German Conductor Prize. It seems as though the world of orchestral conducting might finally be ready to change its attitudes toward female conductors.
The film’s protagonist nips to the toilet on a date, where she finds a band of puppets. The musical stream of consciousness paints a relatable and chaotic picture of what it is like to date in your 20s.
During a quiet moment of closeness, a young couple’s playful banter takes a profound and sobering turn when a simple question about the past redefines the meaning of "counting" one's life experiences.
The career-spanning anthology features more than 35 videos, tracing Jett's record-breaking career as the front woman of the Blackhearts. Both concert footage and classic videos are presented in chronological order on REAL WILD CHILD, with no-holds-barred commentary from Jett and longtime manager/partner Kenny Laguna, as well as rare and previously unreleased bonus material.
An American lesbian in Cuba explores gender through dance and film, blending personal experiences and cultural symbols with music and Revolutionary cinema and questions how lesbians fit into Cuban cinema.
Claudio walks around the city without realizing that he is being followed.
A documentary about trans woman rapper and producer htmljones (Ishaani Ponniah), framed through the visual language of early-2000s television, 2010s internet aesthetics, and contemporary British culture.
This is a fairy tale about a girl who just lived and was, and about a boy who just lived and was. You may recognize yourself in these stories, but all coincidences with real people are accidental.
When men take up arms to go against their brothers, women have to take up gravediggers’ shovels. Ceebla (Fardouza Moussa Egueh, who we also saw in Gravedigger’s Wife), refuses to bargain for the cost of her labour. When her grave finally finds a taker, the revenue logic takes an unexpected twist. The Earth Has Ears is a civil war film without gunfire. It shows how the absurdity of war also turns everyday life at the home front irrational. / MSFF
