A specialist nurse is given responsibility for a baby boy with a serious heart condition in the middle of nurses’ strike. She is left balancing between her own family, the baby boy and her loyalty for nurses’ cause.
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Inka
Leni
Kari
A dramatization of the 1968 strike at the Ford Dagenham car plant, where female workers walked out in protest against sexual discrimination.
Workers in a factory in pre-revolutionary Russia go on strike and are met by violent suppression.
In near-future New York, ten years after the “social-democratic war of liberation,” diverse groups of women organize a feminist uprising as equality remains unfulfilled.
Mary Rafferty comes from a poor family of steel mill workers in 19th Century Pittsburgh. Her family objects when she goes to work as a maid for the wealthy Scott family which controls the mill. Mary catches the attention of handsome scion Paul Scott, but their romance is complicated by Paul's engagement to someone else and a bitter strike among the mill workers.
In response to a sudden dismissal of staff, workers at a big retail store begin a protest against their employer's oppressive labor policies.
Ichiro’s family used to be a large landowner, but now he is living in poverty with his mother. His mother works hard to get her son through school. Under such circumstances, Ichiro meets Wakako, the daughter of a wealthy man, and they fall in love with each other, but they are opposed by those around them because of their different social status.
Ramón Sampedro is a ship mechanic and part-time poet left a quadriplegic following a diving accident. Ramón fought for 30 years for the legal right to end his own life. He develops close relationships with his long-term lawyer Julia and his friend Rosa, who tries to convince him that his life is worth living. Despite his situation, Ramón manages to inspire those around him to live life to the fullest.
I.M. Mann, millionaire president of a large corporation, is known as "the man with the iron heart." James Boyd, cashier for Mann's corporation, is delayed one morning because of a dying mother, and is discharged. Then Boyd goes to Union headquarters with his story. The thousands of workmen employed by Mann finally reach the limit of endurance, and at a union meeting, resolve to demand increased wages, a cessation of child labor and other benefits, or strike. He refuses to hear a committee of workmen and says, "I'll close up the factories and let you starve."
La Califfa's husband was killed during the strikes so she takes the side of the strikers. Her conflict with the plant owner Doverdo gradually turns into a love relationship.
The Hamburg friends Walter, Ricco and Floyd take each day as it comes between the estates of tower blocks and fast food restaurants. All three are in their early twenties and are dreaming of another life when Floyd suddenly takes a job on a freighter going to Singapore.
After Rocky goes the distance with champ Apollo Creed, both try to put the fight behind them and move on. Rocky settles down with Adrian but can't put his life together outside the ring, while Creed seeks a rematch to restore his reputation. Soon enough, the "Master of Disaster" and the "Italian Stallion" are set on a collision course for a climactic battle that is brutal and unforgettable.
The struggle of a small group of blacksmiths trapped between keeping a long going strike with claims for better fees and the necessity of getting back to work when there's no money left for basic necessities.
Directed by Martin Berger.
To recoup losses from the extravagant roadshow presentations of Intolerance (1916), Griffith would revisit his epic film three years later by releasing two of the film's previously interlocked stories as standalone features, with additional footage and new title cards. The second of these was 'The Mother and the Law', which demonstrates how crime, moral puritanism, and conflicts between ruthless capitalists and striking workers cause ruin to the lives of marginal Americans.
After losing a finger in a work accident, an Italian worker becomes increasingly involved in political and revolutionary groups.
In the late 19th century, a former high school teacher turned unionist tries to organize workers laboring with inhuman conditions at a textile factory in Turin, Italy.
A struggling Liberian rubber plantation worker risks everything to discover a new life as a Yellow Cab driver in New York City.
A white and a blue collar worker fall in love during the 1980 strike at FIAT that marked the end for labor movement in Italy.
In post-World War I Winnipeg, a Ukrainian immigrant and a Jewish woman get caught up in a labour strike.
Working with children led Barskaya to create superb direct sound and an inspired style of shooting. Don’t look for conventional cinematic syntax here. The film is chaotic in the way that Soviet films still knew how to be, and Langlois couldn’t help but be seduced by its rebellious spirit, its anarchy and love of children, comparable to Vigo’s Zero de conduite. As well as being a film made with and for children, it offers a complex take on Western society. Pre-Nazi Germany is not named as such but is carefully reconstructed, possibly under advice from Karl Radek, and children offer a playful reflection of class struggle – doubly excluded, as proletarians and as minors. “They play in the same way that they live”, one intertitle says. The interaction between their comical games and the yet more ludicrous ones played by adults is developed on several levels.
