A compilation of light cones of electric torches.
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An audio-visual experience through the perspective of an iPhone depicting a harmonious city during the day quickly descend into technological madness as night falls.
As a young woman walks home alone one night, a chance encounter with a missing dog incites the reclamation of her body and self — as she learns to bite as tough as her bark.
Facing is a short experimental film that turns the grocery aisle into a frenetic canvas. Shot with rapid cuts and a constantly moving camera, the film zooms through product labels until they dissolve into chaotic blurs, streaks of color, and fractured lines. Familiar packaging blurs together in a fast, chaotic montage, where the images overlap and mix until they turn into shifting colors and patterns.
An attempt to bring texts from Dante's "Divine Comedy" to life. Nine episodes from the Inferno with a concluding episode from the Purgatorio.
At once a journey and a reckoning, this film follows 19 year old Koen's ascent of Mount Rinjani—often regarded as Indonesia’s toughest summit. What begins as a test of endurance gradually transforms into something more intimate: a dialogue between self and nature. Shot as a reflective video diary, the film holds not just the view from the summit, but the moments of insight and introspection discovered along the way.
With Voice Windows (1986), Steina renews her efforts to generate a complex sound-image interface
Belle is processing her toxic relationship and coming to terms with the need to end it. The closer she gets to closure, the more the world around Belle starts to break down - literally and abstractly. Can she come out the other side?
You find yourself in a foreign landscape. Two other people are on the horizon. Something about the world around you is off. It isn't long before something is released from a caged pit. There is limited time left as something ugly consumes the land around you. Is this Earth?
Unfurl is a minimalist short film composed of six contemplative shots featuring different colored plastic bags placed before a dual-camera setup, presented in split-screen from two contrasting angles. Each sequence begins with Devereaux's hand compressing a bag, then releasing it — allowing the material to slowly expand. The initial release is rapid, but the motion soon settles into a meditative, near-slow-motion unfurling, drawing attention to the subtle behavior of shape, light, and texture. Inspired by a live performance Devereaux witnessed of avant-garde composer Takehisa Kosugi — specifically his act of wrapping a microphone in paper during a performance at the Getty Center's Rajikaru! conference — the film channels a similar spirit of experimental material interaction, silence, and focused perception. Unfurl invites viewers to observe slowness and transformation as a form of quiet performance.
Waking Up is a quietly introspective short film shot entirely on location in Japan during Devereaux's first tour in the country in September and October of 2024. Filmed across Tokyo (Nakano, Ekoda, Shinjuku, Chiyoda, and along the Chuo Line), Matsumoto in Nagano, and Ukyo in Kyoto, the film captures fleeting, seemingly mundane moments that held deep personal significance for the filmmaker. Each shot captures a distinct moment when Devereaux felt his nervous system decompress just enough to be inclined to film — moments of stillness and clarity amid the motion of travel and creative exploration. Waking Up is both a poetic travelogue and a personal awakening. Echoing his own words — "When I arrived in Japan, it felt like I had finally woken up from a bad dream" — the film offers a meditative window into moments of quiet revelation, captured not for spectacle but for memory.
Upon realizing there's not much time left, a teenager stuck in their bedroom, with only a window to the outside world, reflects on their life and tries to find a way out of their prison.
A photographer girl enters a street to take street photographs as usual and takes a few photos that she thinks are normal. When she washes the photos and hangs them, she sees that she is actually in one of the photos and goes in search of that person.
Upon moving into a new apartment, a young woman finds herself surrounded by strange events. Curious about the reasons behind the occurrences, the young woman is sucked into memories and daydreams, remembrances and forgetfulness, places and non-places.
An experimental short from Oskar Fischinger
The film contains the despair of an artist’s desire for creation on ruthless censorship, rebel, and anxiety in the mid-70s when it was politically and socially depressed.
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Christine Vachon’s story of a man haunted by the grotesque memory of having stepped on a dead animal's carcass is an artistic tour de force starring Michael Sean Edwards (the voice of Richard Carpenter in Todd Haynes’ Superstar) and a young Steve Buscemi.
Shot in downtown Minneapolis, Rush Light assembles a rapid montage of fleeting street compositions. Through quick cuts and sudden shifts, Devereaux creates a collage of ready-made visual moments—buildings, signs, shadows, and chance alignments glimpsed in passing. The film operates as both a study of three-dimensional space and a meditation on the eye’s ability to seize upon images in a split second. Color, light, and shadow flicker across the frame, transforming the city into a shifting field of accidental design.
Drawn again from footage shot in the Torrance Public Library parking lot, Introduction to Crack Sealing 3 remixes material from the first two films into a new visual texture. Where the earlier works traced and fractured the asphalt lines, this version overlays them through double exposures that randomly overlap and fade in and out. The result is a shifting, layered surface in which gestures collide, blur, and dissolve, creating a cracked field of inscription.
During the 2021 lockdown, I directed this short film as an intimate visual diary: a tribute to dance, music, and the queer desire to be seen. Inspired by Andy Warhol’s workshop spirit, the shoot became a stage where we played at being our own celebrities, exploring difference as affirmation. Three years later, this piece returns with a new voice-over—an echo of that creature who, even today, insists: “I am a star.”
No Cast found.
