WHEN ALL THE LIGHTS GO OUT...
What are they? What do they seek? When all the lights go out, they will wander. And you will never see them.
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A high production fan film directed and produced by Shizuo Nakajima and several former Toho filmmakers in 1983. Principal photography on Wolfman vs. Godzilla began in 1983 and concluded in the mid 1980's. Post-production ("editing, sound design, and visual effects") is ongoing.
When elite-level chef Eloise Vaughn receives a scathing review from famed critic Alistair Brown, she invites him back for a private dinner service aimed at redeeming her name. Alistair accepts, and as the service commences, the pair's shared history is revealed, as are the extreme lengths Eloise is willing to go to impress him.
An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.
Elem Klimov's documentary ode to his wife, director Larisa Shepitko, who was killed in an auto wreck.
A portrait of Robert, a troubled but poetic soul struggling with his purgatorial existence in a hackney scrapyard.
When a charming stranger invites her to a party, a shy woman's fear of socializing turns into real terror.
Aspects of a London day, including prostitutes on street corners, a striptease show and the 2i's Coffee Bar.
Christine Levitt goes to extreme lengths to become famous, to the dismay of her friend Billie Cooper.
Jess joins her friends at a party in a dilapidated mansion hosted by the mysterious Seth. When odd things begin to happen to Jess and her friends, the Phantom Stranger intervenes to save her from a dreary fate.
Set in a small, isolated 19th century Irish home for unwed mothers, a young pregnant woman must fight for her survival as the home falls siege to a group of mysterious invaders.
Two Italian brothers, Franco and Giovanni, are marked by envy and resentment. While Giovanni, a talented painter, gains recognition in Brazil, Franco stays in Italy, enjoying the attention of their parents —attention that was always denied to the younger brother. When Franco asks Giovanni for a painting during a brief trip to Brazil, the bitterness between them reaches a breaking point, revealing a truth as painful as the artwork created.
When a repressed 1950s housewife is left alone by her philandering husband, she makes a horrifying discovery about the noises in the house that are coming from the walls.
As his personal life unravels, a burgeoning white supremacist descends into an abyss of online radicalization and extremist conspiracy theories.
A mother battles with her son's fear of a monster lurking in the closet, but soon discovers a sinister presence all around her.
Snoop along with Scooby-Doo, Shaggy, Velma, Daphne and Fred one last time in this 10th and Final Volume of What's New Scooby Doo Volume 10: Monstrous Tails. The gang flies to the South Pole to fish for clues in hopes of hooking an amphibious menace in Uncle Scooby and Antarctica. Heading north to the Orient, they toy around in a giant water ducky to cool off a ferocious Chinese fire-shooting dragon in Block-Long Hong Kong Terror. Back down under in Australia's Great Barrier Reef, artist Shaggy enters a sand castle contest where a yucky corral creature threatens to wash away his dreams of Clamalot in Great Reef. So it's good to finally be back in their old Kentucky home -- Fort Knox to be exact -- until a golden ghoul turns everything it touches into statues with it's gold finger in Gold Paw.
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
A short documentary on how people view art and its value in today's society.
On October 21, 1967, over 100,000 protestors gathered in Washington, D.C., for the Mobilization to End the War in Vietnam. It was the largest protest gathering yet, and it brought together a wide cross-section of liberals, radicals, hippies, and Yippies. Che Guevara had been killed in Bolivia only two weeks previously, and, for many, it was the transition from simply marching against the war, to taking direct action to try to stop the 'American war machine.' Norman Mailer wrote about the events in Armies of the Night. French filmmaker Chris Marker, leading a team of filmmakers, was also there.
Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.
After a catastrophic global war, a young filmmaker awakens in the carnage and seeks refuge in the only other survivor: an eccentric, ideologically opposed figure of the United States military. Together, they brave the toxic landscape in search of safety... and answers.
