WHEN ALL THE LIGHTS GO OUT...
What are they? What do they seek? When all the lights go out, they will wander. And you will never see them.
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An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.
The T.N.P., the Théâtre National Populaire, an important experimental theater directed by Jean Vilar. Franju combines sequences from theatrical performances with documentary images, creating links and confrontations between theater and the real world.
A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
Shannon Amen unearths the passionate and pained expressions of a young woman overwhelmed by guilt and anxiety as she struggles to reconcile her sexual identity with her religious faith. A loving elegy to a friend lost to suicide.
Fidi is aimlessly hitchhiking on a snowy winter's night and ends up being seduced by Nona into murdering several innocent bystanders.
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
This documentary, the final film directed by Frank Capra, explores America's plans for the future of space exploration. It was produced by the Martin-Marietta Corporation for exhibition in the Hall of Science at the 1964 New York World's Fair.
Juno, a twenty-year-old girl becomes obsessed with Pan. Her obsession turns her into an animal.
Jimmy lives through a nightmare of blood and violence. Surreal images are replaced by brutal splatter. An inferno from which Jimmy is only too eager to wake up. Young director Lars Cramer presents his first work, accompanied by dark Italian sounds.
This film describes a psychological state "kin to moonstruck, its images emblems (not quite symbols) of suspension-of-self within consciousness and then that feeling of falling away from conscious thought. The film can only be said to describe or be emblematic of this state because I cannot imagine symbolizing or otherwise representing an equivalent of thoughtlessness itself. Thus the actors in the film, Jane Brakhage, Tom and Gloria Bartek, Williams Burroughs, Allen Ginsberg, Peter Olovsky and Phillip Whalen are figments of this 'Thought-Fallen Process', as are their images in the film to find themselves being photographed."
Departing from peripheral details of some paintings of the Bilbao Fine Arts Museum, a female narrator unravels several stories related to the economic, social and psychological conditions of past and current artists.
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Two mimes are preparing for the evening's show, but one of them has got something more sinister in mind.
A painter in a creative crisis gets help from a monster behind a door in her studio.
One night Leonardo, a young concierge working in a suburban hotel, receives a visit from a mysterious couple looking for a place to stay. The boy will soon discover that love can hide a dark side.
Antonia and Zeno struggle with their marriage during a surreal dinner - while a mysterious Aztec whistle seems to be influencing their actions.
After a woman's brother is killed in an accident, she hires the help of a psychic to prove that it was murder and to save her brother's soul.
Through her stream-of-conscious testimony, 40-something widow, Tomoko Tanai, recounts her experience of dating a man 15 years her junior, Satoshi, a handsome prince-charming who may not be what he seems.
It's Halloween and monsters of all kinds come out of the shadows in the quiet town of Crystal Wood. Follow the locals as they survive the night of the Blood Street festival and the echoes of the neighborhood's eery past.
Once in a God-forsaken place, the heroine and her adopted daughter are forced to look for a bed for the night. Having found shelter in the building of an abandoned boarding school, she meets there close people from her past.
