A look inside the Russian assault on Ukraine's second-largest city, Kharkiv, told by displaced families, civilians caught in the fight and first responders.
Self - Narrator (voice)
Between February and April 2025, filmmakers Bernard-Henri Lévy and Marc Roussel filmed the Pokrovsk and Soumy fronts in eastern Ukraine, following the fighters of the Anne de Kyiv Brigade, armed by France. They filmed the daily lives of the inhabitants, bombarded by Russian forces terrorizing civilians on the eve of possible negotiations. They interview President Zelenskyy, who is reluctant to travel to Washington, and then watch the rebroadcast of the meeting with Ukrainian soldiers in a bunker. For the real heroes are the anonymous fighters and civilians who hold their heads high in the face of adversity and suffering, and who are filmed on a daily basis. The final part of Lévy’s “Ukrainian Quartet”, Our War is a diary, peppered with flashbacks in which the author recalls the high points of this war that began in 2014.
The residents of Bucha, Ukraine, are rebuilding their city from the rubble after surviving the horrors of Russian occupation. A newly married couple, a schoolgirl, a city official, and an elderly housewife have all endured the painful experiences of war, yet they manage to hold onto hope and solidarity. But how do you rebuild in the wake of growing trauma, especially with war still raging in your country? As time hopes for a peaceful life fade, they must grapple with mounting tensions within their communities. Shot over a three-year period, the film is a follow-up to When Spring Came To Bucha, as five protagonists navigate the complex terrain of inner conflicts, trauma, and a longing for justice, posing questions about the future of a society at war.
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In 2014, the war begins. Immediately, a system of evacuation of the wounded and killed is being built, the outpost of which is the Dnieper - it is here that the first will be delivered, it is here that they are still received. Tatiana Guba has been coordinating the evacuation for 5 years. She is called "Mom Tanya". Thousands of people are grateful to her for her life. Serhiy Kryvorotchenko, director of the Dnipro Airport, has deployed a helicopter evacuation system since the beginning of the war. Eugene Titarenko, the film's director, in 2014-2015 was part of a volunteer medical battalion, communicates with the heroes of the film about the evacuation system. The viewer will see the whole way of saving lives, will be directly in the vortex of events and will understand how many people are involved in the process of saving one person.
A theatrical documentary about Hrytsko Chubai, a genius of Ukrainian poetry, a connoisseur of literature, art and music and the brightest representative of Lviv underground culture of late 60s early 70s.
On February 24, 2022, Yevhen, together with his friends, volunteered to join the first aid squad on the front line. They provided life-saving support and evacuation of the wounded. This film reveals the experiences of these young men for six months full of drama, despair, fear, hatred, bitterness, love, and, most importantly, faith in victory.
Bombed-out streets, destroyed Russian tanks, evening meals in an Underground repurposed into a shelter. Image by image, the directors push beyond easily reproducible images of war to enter the reality the country has experienced since February 24, 2022.
As the Russian invasion begins, a team of Ukrainian journalists trapped in the besieged city of Mariupol struggle to continue their work documenting the war's atrocities.
The story of the making of "The Night Witches: the amazing true story of how Russian woman pilots helped win World War II" at UNW Theatre.
Alyona, Alika and Katya dream of love and friendship, but most of all of leaving Putin’s Russia. When the war against Ukraine breaks out, it becomes harder for the three young women to leave the vast country in the East, but also even more unbearable to stay. So one has left for Georgia, another for Spain, while the third stays behind in Russia. Their generation does not believe that political engagement changes anything. Instead, they show their resistance by living a modern and more Western life, where gender, sexuality, pop music and identity issues are vital. Set at night in cars, apartments and backyards, Sybilla Tuxen’s dark and artistically uncompromising debut film tells the story of a rebellious yet resigned section of Russian youth on the fringes of established society.
A documentary film-project by Dmytro Komarov. He was the first journalist to witness and film the horrors of the just-liberated towns of Bucha, Irpin and Hostomel. He saw the first emotions of people immediately after the de-occupation of Kyiv region, Kharkiv region, and Kherson region. The documentary is the author's view of the war from angles that you won't see in the news. Unique, rare, exclusive comments from those whose hands and minds are shaping our future victory. The main heroes of documentary are both ordinary Ukrainians who heroically show their strength and power every day for a year and high-ranking officials such as Minister of Defense of Ukraine Oleksiy Reznikov, Chief of the General Staff of the Armed Forces of Ukraine Kyrylo Budanov, Major General Oleksandr Syrskyi, Commander of the Air Force of the Armed Forces of Ukraine Lieutenant General Mykola Oleshchuk. Initially, "Year" was a series of journalistic reports, later they were edited into a two-part film.
This film was broadcast on La Sept in October 1990 as a part of Hélène Mochiri's Cinéma de poche program devoted to Soviet cinema. The documentary was produced in-house at La Sept and based on an exclusive interview with Alexei Guerman in May of that year. It has not been seen since.
The war in the Ukraine has changed the way many European countries view Russian politics. Suddenly it became clear how dependent countries had become on Russian gas imports for decades and what Vladimir Putin was up to. However, no country needs more gas than Germany. It was only after Russia's invasion of the Ukraine that the German government realized that Russia had long used gas as a weapon to impose its will on states. The instrument created for this purpose is the natural gas production company GAZPROM. So how did Germany become so dependent on Russian gas? The documentary shows how, over several decades and several changes of government, a broad alliance of politicians and business representatives did everything possible to secure Germany's energy supply with cheap Russian gas, while the Kremlin's foreign policy became increasingly aggressive and the warnings of experts went unheeded.
Ten years ago, Volodymyr Zelensky was just one of the many faces on Ukrainian television screens. He became a star thanks to the 2015 satirical series Servant of the People, in which he played a history teacher who becomes president. Four years later, what began as fiction became a reality. This French documentary follows the transformation of a popular TV comedian into a statesman on the front lines of the Russian invasion. Archival footage, family photos, television appearances, and interviews with Zelensky and those closest to him create a multi-layered portrait of a man who always longed for a large audience. At the same time, the film places his personal development in the broader context of post-Soviet Ukraine, which is also searching for its own identity.
Russia is grappling with a critical issue: they have become the country with the most at large serial killers in the world particularly concentrated in Rostov, the same city that witnessed Andrei Chikatilo's infamous killing spree. In response, law enforcement has turned to Dr. Alexander Bukhanovsky, a prominent psychiatrist and criminal profiler, who is implementing radical measures to understand the root causes of this phenomenon and develop effective solutions. Within Dr. Bukhanovsky's clinic, we encounter three of his young patients: Edward and Igor, whose families express deep concerns about their disturbing fantasies, and 'Mischa', who has perpetrated acts of torture and sexual assault. Dr. Bukhanovsky's approach is groundbreaking, offering treatment to potential serial offenders. However, critics argue that by keeping individuals like 'Mischa' anonymous, he may inadvertently shield them from public awareness and accountability, prompting debate over the ethics of his methods.
A chronicle of the civil uprising against the regime of Ukrainian president Viktor Yanukovych that took place in Kyiv in the winter of 2013/14. The film follows the progress of the revolution: from peaceful rallies, half a million strong in the Maidan square, to the bloody street battles between protesters and riot police.
One year after the beginning of the full-scale Russian invasion of Ukraine, philosopher Bernard-Henri Lévy takes us to the heart of the combat through this war diary made during the second half of 2022. From Kharkiv and Bakhmut to Kherson, in the aftermath of the city’s liberation, this documentary bears witness to the ravages of war through the testimonies of soldiers, chronicles of the front and portraits of civilians, and shares with us the struggle of the Ukrainian people.
Monroe, Aura, Marlene: Three drag queens from the Ukrainian LGBTQ+ community raise funds for the frontlines, re-defining resilience and hope between glamorous shows and wartime life.
For five teenagers living in the conflict-ridden Donbas region of Ukraine, a Himalayan expedition provides a brief escape from reality. A portrait of a generation that, in spite of everything, is able to recognise and celebrate the fragile beauty of life.
A family with five children flees the war raging in their home village on the Russian border. They end up in Mshanets, a farming village on the other side of the country, remote and unknown. Here the family starts building a new home. At the same time, two documentary makers come to the village, looking for a story. In the Lymar family they find the ideal characters for their film. But one day, when the renovation of their house is almost finished, the family disappears. The filmmakers go in search of their characters and along the way they try to find an answer to the question: what does a person need to feel at home?
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