An Edgar A. Guest Poetic Gem featuring vocals by Al Shayne.
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A popular high school girl strains her relationship with her close-knit clique when she begins falling for a reclusive, lower-class schoolmate.
A group of beatniks unwittingly harbor a serial rapist. A cop goes after him after his wife is attacked.
It's San Francisco in 1957, and an American masterpiece is put on trial. Howl, the film, recounts this dark moment using three interwoven threads: the tumultuous life events that led a young Allen Ginsberg to find his true voice as an artist, society's reaction (the obscenity trial), and mind-expanding animation that echoes the startling originality of the poem itself. All three coalesce in a genre-bending hybrid that brilliantly captures a pivotal moment-the birth of a counterculture.
For Michael Shiver, life as an easy-going cab driver in New York suddenly changes when he picks up supermodel Sarah Easton and falls head over heels in love. But Sarah has more than just passion on her mind; she also has a husband and a glamorous lifestyle that she can't seem to leave behind. Torn between her feelings for Michael and the security of her marriage, Sarah is forced to make a realistic decision about the sacrifices that must be made to be truly and totally in love.
Sir John Betjeman visits and explains the architecture of various churches in the Diocese of Norwich. Among those visited: Sandringham church on the Queen's private estate, the Holy House of Our Lady of Walsingham and Norwich Cathedral.
Smoky little clubs, late nights, late nights of conversation over a glass of beer and a guitar. The lyricist Géza Bereményi and the composer-performer Tamás Cseh are the creators of the most topical and accurate songs of the 70s and 80s, expressing the mood of the "30s and 40s" of that time - a mood that was their own destiny. This stunning recording from 1980 includes songs like Tangó, Álomfejtés, Szabó Kálmán tegnap este..., A 100. éjszaka, A legjobb viccek, Születtem Magyarországon, A dédapa dala, Egy bogár, Krakkói vonat, Az ócska cipő, Filmdal.
In 19th-century Italy, Giacomo Leopardi channels his debilitating illness and isolation into poetry.
Nothing is as it seems when a woman experiencing misgivings about her new boyfriend joins him on a road trip to meet his parents at their remote farm.
A dying man in his forties recalls his childhood, his mother, the war and personal moments that tell of and juxtapose pivotal moments in Soviet history with daily life.
Almost a decade since larger-than-life glam-rock enigma Brian Slade disappeared from public eye, an investigative journalist is on assignment to uncover the truth behind his former idol.
An epic love story centered around an older man who reads aloud to a woman with Alzheimer's. From a faded notebook, the old man's words bring to life the story about a couple who is separated by World War II, and is then passionately reunited, seven years later, after they have taken different paths.
The story of the famous and influential 1960s rock band and its lead singer and composer, Jim Morrison.
Follows the young people of Selma, Alabama's RATCo (Random Acts of Theatre Company) as they journey to New York City to share their story of hope, resilience, and overcoming.
About the life and work of the poet Sergei Yesenin, his connection with his native country, its people and nature. Childhood, love, painful searches for his place in the new, revolutionary Russia — everything found a place in Yesenin's lyrics. Frames illustrating Yesenin's poetry and poems are side by side in the film with episodes of the poet's biography: the film reflects the days of his stay in America, World War I, revolution and village round dances, a daring uncle, a wise mother...
Over the course of a hot summer day in Los Angeles, the lives of 25 young Angelinos intersect. A skating guitarist, a tagger, two wannabe rappers, an exasperated fast-food worker, a limo driver—they all weave in and out of each other's stories. Through poetry they express life, love, heartache, family, home, and fear. One of them just wants to find someplace that still serves good cheeseburgers.
A short by Steven Soderbergh described as “intense sci-fi homage to Godard.”
“Poussières de Juillet”, produced in 1967 by Hachemi El-Chérif, is taken from a poem by Kateb Yacine. "We made a film on the return of the ashes of Emir Abdelkader, to Algeria. It was the opportunity to make a film on the ancestors with M'hamed Issiakhem. He designed glass plates on the basis of my texts. Then we had actors collaborate. It was a film which cost us a total of 300 dinars, proof that we could do work for television without too much money. We won two first international prizes at the Belgrade festival. We left the original of the film with the Egyptians in Alexandria and they lost it. We kept a copy but over time I wonder what happened to it, because there is no not even had a screening, they say it still exists, but I don't know in what state." Kateb Yacine, July 28, 1986, interview with Arlette Casas.
Two childhood friends grew up and face strange feelings now. One of them tries to explore that feelings by words and their relationship becomes uncomfortable. When the words stay in silence they discover what they are looking for.
Tara and Maya are inseparable, with the same tastes, habits, and hobbies. Years later, the two have matured but have maintained their friendship. Tara marries local prince Raj Singh, who succeeds the throne as the sole heir. After the marriage, Raj seeks another female to satisfy his sexual desires, with his sights settling on Maya, putting a perhaps unforgivable strain on a longtime friendship.
On the occasion of the bicentenary of the birth, Carmelo Bene returns to the verses of the poet from Recanati. In this film the most beautiful poems by Giacomo Leopardi (La Ginestra, Il Canto Notturno, Le Ricordanze, A Silvia, L'Infinito ...), but also some passages from the Moral Operettas, as well as the unfinished Project for a hymn at Ahrimane, follow one another with deep and moving simplicity, with a quiet immediacy that causes the void of every other voice: therefore the listenere is ensnared in the pauses, bewitched by the unexpected descents of silence. The voice assumes a dark and ancestral tone in which the words seem to find their original nuances.
