Two old sisters, living in the same Warsaw apartment, sit on a bench and talk. The 87-year-old elder one seems to care for the other reluctantly and treat her badly. The younger, who is said to be clumsier, has walking problems.
The action is placed in a cramped flat in Warsaw’s district of Ochota. A father and a son, both bedridden, live in a fascinating symbiosis. The son, a well‑known photographer Bernard ben Dobrowolski, is lying in bed because a chronic condition has deformed his body and immobilized him. The father, Dominik, has recently suffered from a stroke. Now they are taking care of each other and crowds of visitors move through their room.
70-year-old Timo makes the most of his short ride to work. Speeding up on a bicycle ends up in a ditch, but the adrenaline rush leaves a feeling of pleasure.
The nuns of the Anglican Benedictine Community at St. Mary's Abbey, West Malling, reflect on their calling and the joys and challenges of their way of life. In this short documentary, directed by Jamie Hughes, the nuns' voices are complemented by images from the life of the Abbey.
The desire for freedom during the period of “normalisation” in Czechoslovakia led to the creation of a group of individuals who professed a deep inclination towards the principles of the underground movement. After many years they are unable to face their mutual suspicions of betrayal in the form of cooperation with the state-security police. The memory of their tragically departed guru, philosopher and poet, Marcel Strýko, drifts throughout their story. In an effort to come to terms with the past, an old companion from Prague organises a revival concert in a Gothic cathedral. Will these freethinking members manage to achieve a truce?
Like the best USIA films, The Wall distills political events into an emotionally clear and compelling ideological "story". In 1962 Walter de Hoog gathered footage from U.S. and German newsreel sources and crafted this taut short film about the first year of the Berlin Wall. Straightforward, keenly balanced narration portrays Berliners as "accepting the wall but never resigned to it". The extraordinary footage of the first escapes was propaganda enough-- His challenge was to make the politics human.
Short film about the Manzanar Japanese American internment camp. Preserved by the Academy Film Archive in 2011.
Several behind the scenes aspects of the movie-making business, which results in the enjoyment the movie going public has in going to the theater, are presented. They include: the production of celluloid aka film stock, the materials used in the production of which include cotton and silver; construction crews who build sets including those to look like cities, towns and villages around the world; a visit with Jack Dawn who demonstrates the process of creating a makeup design; the screen testing process, where many an acting hopeful gets his/her start; the work of the candid camera man, the prying eyes behind the movie camera; a visit with Adrian, who designs the clothes worn by many of the stars on screen; and a visit with Herbert Stothart as he conducts his musical score for Conquest (1937). These behind the scenes looks provide the opportunity to get acquainted with the cavalcade of MGM stars and their productions that will grace the silver screen in the 1937/38 movie season.
In a comparative study between different forms of calligraphy, the film traces parallels between modern Japanese painting and traditional Japanese writing.
Some months after the fall of the Berlin wall, during the time of federal elections in Germany in 1990, Chris Marker shot this passionate documentary, reflecting the state of the place and its spirit with remarkable acuity.
According to Peter Brook, all that is needed for an act of theatre to be engaged is for a man to walk across an empty space whilst someone else is watching him. Thus, an empty space becomes a bare stage. However, this raises countless questions about the relationship between reality, everyday presence and role-playing, something experimental filmmakers coming from the 1970s world of theatre dealt with in detail. Tibor Hajas explored the topic in a short experimental film made at BBS.
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The lion dance in traditional Japanese theatre.
Savo from Kikinda (Serbia) and his brother recall how they called communal service few years back to empty the septic tank in their backyard. As careless servicemen weren't coming for days, Savo staged his death by drowning in the hole. Communal service sent three trucks while Savo was looking at them from the attic. A story of a small man who fought the system and won, only to become a huge YouTube hero afterwards.
A whimsical yet serious-minded look into the future sponsored by the appliance and radio manufacturer Philco-Ford. In the "1999 House of Tomorrow", each family member's activities are enabled by a central computer and revolve around products remarkably similar to those made by the sponsor. Power comes from a self-contained fuel cell which supports environmental controls, an automatic cooking system, and a computer-assisted "education room".
A portrait of Robert, a troubled but poetic soul struggling with his purgatorial existence in a hackney scrapyard.
Documentary on the first stage in oil exploration: the first drill.
Documentary of musician Mikael Kosmos' journey into Tuva to taka part on a throat singing competition.
Edith and Eddie, ages 96 and 95, are America's oldest interracial newlyweds. Their unusual and idyllic love story is threatened by a family feud that triggers a devastating abuse of the legal guardianship system.
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