A young woman with a personality disorder is forced to fight for her life when she learns a killer is stalking her inside her apartment.
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Cris/Cris Assassina
Amanda
Ricardo
Cris Assassina
The night shift clerk at a sex hotel, suffering from narcolepsy, is faced with a night when things are unusually busy and housekeeping finds a gun in room 6.
A woman working as a cashier at an illegal gambling parlor pushes her luck by stealing money from gamblers as a way to pay off her own debts. When one gambler realizes he’s been cheated, he returns with murderous intent and the already dismal situation spirals out of control.
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A baby polar bear searches for his missing mother, while a force much colder than the frozen tundra searches for him.
Discover here a short film made in just 48 hours! The theme was ‘Walls have ears’ with the constraints “parallel” and ‘postcard’.
'Manhunt' is a dark, surrealistic revenge fantasy of animals on humans for the mess they have made. The core idea for this short film is to switch the roles of humans and animals, hunters hunted, to show how the world could be like from the animals' perspectives, and to put us humans in their shoes.
A new film by Sheik Althaf Hussain. The plot is unknown at this moment; currently in private screenings and festival submissions.
In a dead-end room lives a slave of the system, addicted to the computer mouse and a reality show that never ends. Obsessed with an illusion, his dream is to go to the paradise that he has seen in a TV commercial...with just a flick of a finger.
Following a shocking on-air disturbance, a curious Stage Manager begins to suspect that something is deeply off about the talk show she works for, and its eccentric host.
When Patrick returns to his childhood home in the wake of his father's death, he must escape from the ghost of his father that haunts the East Tennessee wilderness around him.
Late night, a commuter bus was speeding along the coastal highway when, suddenly, a loud and panicky scream pierced the night’s silence. This wealthy and elderly lady had just woken to find her precious necklace stolen. What follows was a series of intriguing turn of events, chaotic mob justice, vengeful lynching, as the truth behind the theft unfolds. The film climaxes as the commuter bus went ablaze, burning and glittering against the pitch-dark coastal sky.
A girl enters a photography studio for a shoot, but it is empty. On a chair, she finds a QR Code that transports her to another place.
In an alternate reality where the decline of nations has given rise to corporatist regimes, any trace of culture or tradition is suppressed by these new leaders to prevent the masses from reclaiming a national identity. However, rebel cells have emerged to counteract this agenda.
A group of travelers finds themselves stranded at a railroad station, waiting for a train that never seems to come. Yan realizes that his fiancee, Mila, is not at the station, and follows her to the nearby village. He finds her at a local night club and she is almost happy to see him. Almost, because Mila insists that something awful has happened to them.
Ordinary citizens now augment themselves with cybernetic implants and live alongside fully synthetic androids, who have taken over the bulk of humanities’ service positions. This bleeding-edge technology is all controlled by global corporations, with the most dominant being the Toronto-based tech-giant; Red Crow. As private investigator Duncan Reeves clings onto ideas of the past and distresses over his cybernetic arm obtained during past wars, a corporate murder and a mysterious woman make him question the lines between human and android.
A lonely driver is accompanied by a mute hitchhiker.
An inept criminal with bad credit is finally given an opportunity to prove himself, but nothing goes as planned.
Collaborating with Australian circus company Gravity & Other Myths, 2020 BAFTA Newcomer and Berlinale Talent Campus alumna Alies Sluiter crafts a disquieting, quasi-surrealist tale of bravery and grief.
Monette, a middle-aged traveling book salesman, goes to confession. When the priest asks him what sin he has committed, Monette admits that he believes he has sinned in some way but is not entirely sure exactly what he is guilty of.
