Documentary on the USSR
Narrator
No Trailers found.
The film tells the story of a small family, consisting of a grandfather retired from the army, and his stripper grandson. It is not just a story of a relationship, but rather a reflection of entire Belarus and the post-Soviet, pro-Russian world. Moreover, it's a universally-recognized reflection of a generation gap.
Drawing on the collections of major Russian institutions, contributions from contemporary artists, curators and performers and personal testimony from the descendants of those involved, the film brings the artists of the Russian Avant-Garde to life. It tells the stories of artists like Chagall, Kandinsky and Malevich - pioneers who flourished in response to the challenge of building a new art for a new world, only to be broken by implacable authority after 15 short years and silenced by Stalin's Socialist Realism.
1972, the height of the cold war era, Canada vs USSR. 8 games of hard fought Hockey that would go onto change how Hockey is seen and played the world over. This made for TV documentary follows the 'Summit Series', an international Hockey event that would not only engulf the nations involved, but the entire world.
Filmmakers Laura Mulvey and Mark Lewis use rare archival footage and interviews with artists, art historians, and museum directors to examine the fate of Soviet-era monuments during successive political regimes, from the Russian Revolution through the collapse of communism. Mulvey and Lewis highlight both the social relevance of these relics and the cyclical nature of history. Broadcast on Channel Four as part of the 'Global Image' series (1992-1994).
Thundering across the sky on elegant white wings, the Concorde was an instant legend. But behind the glamour of jet setting at Mach 2 were stunning scientific innovations and political intrigue. Fifteen years after Concorde's final flight, this documentary takes you inside the historic international race to develop the first supersonic airliner. Hear stories from those inside the choreographed effort to design and build Concorde in two countries at once - and the crew members who flew her.
No overview available.
The film is about the life and work of Grigory Ordzhonikidze Konstantinoviche, an important personality in both the Communist Party and the Soviet state. The film includes speeches by his bereaved friends who attended his funeral. In 1937, after the unexpected death of Sergo Ordzhonikidze, Vertov received an urgent order from the government to produce a film about the life of Ordzhonikidze. He was ordered to work together with Yakov Bliohom and the director of the film "Battleship Potemkin" distributed by Goskino (Soviet State Committee for Cinematography).
Between 1930 and 1945, Eastern Europe experienced mass violence on an unprecedented scale. Hitler and Stalin exploited the vast region for their respective expansionist plans. It is estimated that around 14 million civilians were murdered—primarily Jews, Poles, Balts, Belarusians, and Ukrainians.
The long lasting Palestinian-Israeli conflict has created appaling phenomenons that have horrified the Israeli society. the "politically conscience-refusals" or those individual soldiers refusing to fight in the occupied territories, are one of those phenomenons. In opposition to them stand a thousand immigrants from the former Soviet Union, ex-military men from the Red Army, who yearn to be recruited into the IDF and fight for Israel, but who are denied the right to serve in the army. Through the stories of Oleg and Alex, immigrants and the battalion's charismatic commanders, the story of the Russkii Battalion is told. It is a story of contrasts between the hardships of the daily struggles they face as new immigrants against the pride and the sense of belonging they find in the battalion. The Russkii Battalion is a film about a militaristic social bubble, in a country that is in constant war.
Mothers and doctors speak out about the grim reality of life in the five years following the Chernobyl disaster. In children, doctors witnessed a massive increase of recurrent infections, baldness, as well as leukaemia and other cancers.
This documentary follows the election campaigns of a journalist, a local crime boss, a formerly exiled oligarch, and a local access TV host as they compete for a spot in the Moscow Central Constituency, in Russia's first free elections since 1917
Hitler's invasion of Russia was one of the landmark events of World War II. This documentary reveals the lead-up to the offensive, its impact on the war and the brinksmanship that resulted from the battle for Moscow. Rare footage from both German and Russian archives and detailed maps illustrate the conflict, while award-winning historian and author John Erickson provides insight into the pivotal maneuvers on the eastern front.
Moscow, January 1948. In the bitter cold, a large crowd attends the State Funeral of the Yiddish actor and director Solomon Mikhoels. An official proclamation mourns the death of "a great People's Artist of the Soviet Union." What people are really mourning is the death of the most popular Jewish theater in the Soviet Union, and the man who kept it alive against all odds for over 20 years. No doubt many suspected the truth: he had just been assassinated by Stalin's secret police.
Charlie Marx and the Chocolate Factory started as an investigation of the link between politics and chocolate, at the Karl Marx Confectionary Factory in Kiev, Ukraine. Since access to the factory was denied, the project had to be re-considered, re-invented or re-enacted. Mostly made of archival footage and re-enacted performances based on the company's website, the film merges what was left of the initial idea with what has been collected and realized instead. It borrows from the genres of video art, 'Man on the street' interview, direct address, corporate film, essay, and music video, without legitimately belonging to any of them. The film unravels as a reflection on its own failure, and yet keeps on investigating what has always been at stake: the shift from public to private property (and from analog to digital technology), dialectics of permanence and change, language as a mirror of ideology, and post-Soviet oligarchy culture.
This film discusses conditions in the Soviet Union, including party activity and influence, the shortage of consumer goods, the roles of children and women, the status of religion, and the purpose of Soviet realist art.
At the peak of Perestroika, in 1987, in the village of Gorki, where Lenin spent his last years, after a long construction, the last and most grandiose museum of the Leader was opened. Soon after the opening, the ideology changed, and the flow of pilgrims gradually dried up. Despite this, the museum still works and the management is looking for ways to attract visitors. Faithful to the Lenin keepers of the museum as they can resist the onset of commercialization. The film tells about the modern life of this amazing museum-reserve and its employees.
The hippie movement that captivated hundreds of thousands of young people in the West had a profound impact on the other side of the Iron Curtain. Within the Soviet system, a colorful crowd of artists, musicians, freaks, vagabonds and other long-haired drop-outs created their own system, which connected those who believed in peace, love, and freedom for their bodies and souls. More than 40 years later, a group of eccentric hippies from Estonia take a road trip to Moscow where the hippies still gather annually on the 1st of June for celebration that is related to the tragic event in 1971, when thousands of Soviet hippies were arrested by the KGB. The journey through time and dimensions goes deep into the psychedelic underground world in which these people strived for freedom.
A different history of the Cold War: how Estonians under Soviet tyranny began to feel the breeze of freedom when a group of anonymous dreamers successfully used improbable methods to capture the Finnish television signal, a window into Western popular culture, brave but harmless warriors who helped change the fate of an entire nation.
Wes Hurley's autobiographical tale of growing up gay in Soviet Union Russia, only to escape with his mother, a mail order bride, to Seattle to face a whole new oppression in his new Christian fundamentalist American dad.
Filmmaker Binevsa Bêrîvan travels to Armenia to capture the daily life, customs, and history of the country's Yazidi Kurdish community.
