An experimental film created from 3 years worth of abstract pencil drawings with the goal of being a catalyst for unveiling a new mental landscape in viewers.
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Welcome to the Generation Gap: an area with an often stormy climate and some interesting inhabitants - parents, for instance... and teenagers...
If a family goes through big changes while the children are growing up, it can take years for everything to settle down again afterwards.
In a karaoke bar in post-apocalyptic Los Angeles, an expired can of tuna fish and a fake Louis Vuitton purse encourage each other to believe in their artistic voices even if the world sees them as trash.
The corner of a street is matched and mixed with the chant of a bird recorded on that same street. A symbiotic relationship is triggered: the rapid and successively repetitive montage cuts between the image of the street and the corners of the video frame itself produce new textures and shapes in our brain, whilst the sound follows the same rhythmic movements by emphasizing different “corners” (frequencies) from the bird’s singing. The energetic potency stemming from the junction of these elements creates a new image that is almost tactitle, maleable and rippling. The result is a somewhat humorous operation of the portuguese word "corner" throughout the different stages of making the piece, finally unveiling a piercing physical and kinetic experience for all the corners of our eyes and ears.
Two ego-driven artificial intelligence maniacs Cosmo and Max, who are driven and designed to take over humanity, battle it out in a 1980’s Cyberpunk retro-video game world called ‘Game Over’, where the locations resembles a very real world. Can our Heroes, two Human game characters who are controlled by Cosmo and Max, escape this meta-reality and the clutches of the Metahumans ? A short film about Grief. The loss of family and friends during the Pandemic.
Asterix and Obelix depart on an adventure to complete twelve impossible tasks to prove to Caesar that they are as strong as the Gods. You'll roar with laughter as they outwit, outrun, and generally outrage the very people who are trying to prove them "only human".
4 Snowy Tales "Snowball Fight" "Winter Solstice" "Snowbound" "Little Bear and The North Pole"
Years after immigrating to the United States, Matt (Gabriel Berm) grapples with the notion of family. A call from his sister, Callie (Callie Morken), becomes the catalyst for a realization: he learns that family transcends borders and manifests in varied forms. The deepest connections endure physical separation, teaching Matt that what truly matters is the unbreakable bond they share, echoing louder than any distance.
Part of Max Fleischer's "Out of the Inkwell" series.
In the aftermath of a zombie outbreak, zombies are cured and exiled to secluded camps. There has been talk about rehabilitating post-zombies back into society. Steve, the journalist reporting on the case, thinks the zombies still pose a threat to society. He ventures into one of these camps to prove to the world that rehabilitation is out the question.
An early, heavily Disney-inspired cartoon, written and directed by Kon Ichikawa. A bandit kidnaps a member of a concert audience as an act of revenge, and the concert's conductor, the Momotaro-esque Dangonosuke, goes to her rescue.
An experimental short from Oskar Fischinger
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Krabat, a beggar boy, is lured to become an apprentice to an evil, one-eyed sorcerer. With a number of other boys, he works at the sorcerer's mill while learning black magic. Every Christmas one of the boys has to face the master in a magical duel, where the boy never stands a chance because the master is the only person who is allowed to use a secret spell: The Koraktor.
Wart is a young boy who aspires to be a knight's squire. On a hunting trip he falls in on Merlin, a powerful but amnesiac wizard who has plans for him beyond mere squiredom. He starts by trying to give him an education, believing that once one has an education, one can go anywhere. Needless to say, it doesn't quite work out that way.
Terra Incognita is a multi-plane cut out animation made from photocopies of 19th century illustrations made during the race to the poles and drawings by Eric Leiser. For the puppet performance it was flat-rod puppets on a proscenium stage with a screen behind them, onto which the animation Terra Incognita is projected. Many of the sea monster puppets and ships performed in sync with the animated ones, along with splashes of water and powdered chalk to mimic snowfall. These techniques came from my time studying puppet theater in Prague, in 2002, and learning from Svankmajer and Svankmajerova. It was a lot of fun to both animate and to perform live with Jeffrey's wonder score. At the same time the film comments on the colonial race to claim the Arctic by various countries—a race that, in a sense, is still going on today, but this time again for oil—and the murders of the Inuit people who had inhabited the land for millennia.
The Autobots must stop a colossal planet-consuming robot who goes after the Autobot Matrix of Leadership. At the same time, they must defend themselves against an all-out attack from the Decepticons.
An unapologetic take on the vicious cycle of earning too little and consuming too much.
An unapologetic warning about how complacent we can be.
